Today’s FAB 5+ > FRIDAY / JAN. 08, 2015
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
(click on links for more complete event info.)
Have time for only one event today? Do this:
Lorna Luft
Feinstein’s/54 Below, 254 W54th St./ 7PM +9:30PM, $50-$65
“Liza Minnelli gets the lion’s share of public attention, but Judy Garland’s other singing daughter has a better-preserved voice—and one that sometimes eerily recalls that of her matchless mom. In her return to 54 Below, she shares favorites from the Great American Songbook.” (TONY)
Music, Dance, Performing Arts
‘The Pearl Fishers’
Metropolitan Opera House, Lincoln Center,/ 7:30PM, $20+
“Au fond du temple saint,” the gorgeous duet from Bizet’s “Pearl Fishers,” is a concert staple, but the opera hasn’t been staged at the Metropolitan Opera in a century. Penny Woolcock directs a new production set in modern-day Asia and featuring projections and aerialists. Leïla, the Hindu priestess whose beauty causes a rift in the friendship between two pearl divers (the tenor Matthew Polenzani and the baritone Mariusz Kwiecien) is sung by the always-impressive soprano Diana Damrau. Gianandrea Noseda conducts the sumptuously lyrical score.” (Schweitzer-NYT)
George Cables Trio (through Jan. 10)
Village Vanguard, 178 Seventh Ave. S., at 11th St./ 8:30 +10:30PM, $
It can take decades for a journeyman musician to evolve into, and subsequently be regarded as, a near-master: consider the case of the estimable pianist Cables. He’s joined here by the same compatriots—Essiet Essiet, on bass, and Victor Lewis, on drums—who were heard on his most recent album, the celebratory “In Good Company.” (NewYorker)
Marilyn Maye: By Request (thru Jan.10)
Metropolitan Room, 34 W22nd St./ 7PM, $45
“Marilyn Maye’s stellar past includes a string of classy RCA albums in the ’60s and a nearly unequaled number of Tonight Show appearances, but this husky-voiced, earthy belter has never sounded better than she does now (at 87). Astonishingly active lately, she now returns to the Met Room with a set of tunes suggested by audience members when they buy their tickets.” (TONY)
This grand olde dame puts on a wonderful show. She’s 87, better see her now.
Smart Stuff / Other
(Lectures, Discussions, Book Talks, Literary Readings, Classes, Food & Drink, Other)
New York Boat Show (though Jan. 10)
Jacob K. Javits Convention Center, 655 W34th St./ Wednesday through next Friday from noon to 9 p.m.; Jan. 9 from 10 a.m. to 9 p.m.; Jan. 10 from 10 a.m. to 5 p.m., $
“This exhibition and pop-up sales floor sets the scene for boating culture in 2016, as it has for the past 110 years. The show’s offerings run the gamut, from one-person kayaks to to seafaring yachts. More information is at nyboatshow.com.” (NYT-SpareTimes)
SPECIAL EVENT, A MUST SEE:
Noche Flamenca: Antigona (through Jan. 23)
West Park Presbyterian Church, 165 W86th St./ $25-$60
Mondays through Saturdays at 8PM
“Traditional Spanish dance and ancient Greek theater are an unlikely but well-suited pair in Noche Flamenca’s sharp production “Antigona,” based on Sophocles’s famous tragedy. The dance lights a fire under the play while discovering in itself a knack for narrative drama. In the title role, the powerhouse Soledad Barrio is both fierce and fragile. The century-old church where the performance takes place is filled with striking sets, darkly amorous music played by a live band and a ferocious Greek chorus of dancers.” (NYT-Schaefer)
a personal note:
Noche Flamenca is Spain’s most successful touring company and its greatest exponent of the art of flamenco. Soledad Barrio is a goddess of dance and brings so much passion to her role as Antigona. Two wonderful Spanish guitarists and two vocalists do not get the credit they deserve. Every piece of this performance is outstanding. Go See It!
Bonus-This week’s fave and FREE NYCity App:
Need to catch your #1,2,3 subway to attend an event? Use the Subway Time app from the MTA to find out when the next train arrives at your station.
Bonus – Music Picks:
So much fine live music every night in this town. These are a few of my favorite music venues on Manhattan’s WestSide. Check out who’s playing tonight:
City Winery – 155 Varick St., citywinery.com, 212-608-0555
Joe’s Pub @ Public Theater – 425 Lafayette St. joespub.com, 212-967-7555
Metropolitan Room – 34W22ndSt., metropolitan room.com, 212-206-0440
Le Poisson Rouge – 158 Bleecker St. lepoissonrouge.com, 212-505-3474
Beacon Theatre – 2124 Broadway @ 74th St., beacontheatre.com, 212-465-6500
B.B. King’s Blues Bar – 237W42nd dSt. bbkingblues.com, 212-997-2144
Special Mention:
Caffe Vivaldi – 32 Jones St. nr Bleecker St. caffevivaldi.com, 212-691-7538
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.
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♦ Before making final plans, we suggest you call the venue to confirm ticket availability, dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.5 million, had a record 56 million visitors last year and is TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2015. Quality shows draw crowds. Try to reserve seats in advance, even if just on day of performance.
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WHAT’S ON VIEW
My Fave Special Exhibitions – MUSEUMS / Manhattan’s WestSide
(See the New York Times Arts Section for listings of all museums,
and also to see their expanded reviews of these exhibitions)
Museum of Modern Art:
‘Picasso Sculpture’ (through Feb. 7)
“Nearly a work of art in its own right, this magnificent show redefines Picasso’s achievement with the first full view here in 50 years of his astoundingly varied forays into sculpture. His materials, not his female loves, become the muses, and are different each time out. The basic plotline: After introducing sculptural abstraction and space, he spent about 50 years counting the ways that the figure was far from finished. 212-708-9400, moma.org.” (Smith-NYT)
‘Transmissions: Art in Eastern Europe and Latin America, 1960-1980’ (through Jan. 3) “Visiting this big, spirited group show is like walking into a party of intriguing strangers. For every person you recognize, there are 10 you don’t know. One topic everyone’s talking about, at different intensities, is the anti-institutional politics that swept Europe and the Americas in the 1960s, and almost everyone speaks the language of Conceptualism. A product of an in-house research initiative called Contemporary and Modern Art Perspectives, or C-MAP, intended to expand MoMA’s narrow Paris-New York view of modernism, the show is very much the beginning rather than the end of a learning curve. But with curators exploring material new to them — just steps ahead of their audience — the show has a refreshing buzz of surprise as it takes the museum in a realistic new directions. 212-708-9400, moma.org.” (Cotter-NYT)
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For other selected Museum and Gallery Special Exhibitions see Recent Posts in right sidebar dated 12/31 and 12/29.