Selected Events + Museum Special Exhibitions: Manhattan’s WestSide (11/12)

Today’s “TOP 3″/ Selected NYCity Events – WEDNESDAY, NOV. 12, 2014
“We search the internet everyday looking for the very best of What’s Happening on Manhattan’s WestSide, so that you don’t have to. We make it as easy as 1-2-3.”

Patti LuPone (through Nov. 15.)
“The Broadway grande dame has a simmering intensity onstage whether she’s starring in a musical or bringing additional grit to David Mamet’s words. She’s performing the second part of “Far Away Places,” the program she presented at the opening of this high-class cabaret joint, two years ago. Touching on her abiding taste for travel, the evening is full of songs by such far-flung composers as Johnny Mercer, Billy Joel, Irving Caesar, and Kris Kristofferson.” (NewYorker)
54 Below, 254 W. 54th St.
at 7 p.m. (except Friday and Sunday), with a 9:30 p.m. set on Nov. 15,
$85 to $160 cover, with a $25 minimum.
646-476-3551 /

Mikhailovsky Ballet (through Nov. 23)
“Natalia Osipova and Ivan Vasiliev were the golden couple of the Bolshoi until they defected to this St. Petersburg troupe in 2011 in search of more artistic freedom. They join the Mikhailovsky in its United States debut at Lincoln Center with a caravan of classics and some newer works. This week, Ms. Osipova is “Giselle,” a signature role (she performs Tuesday and Thursday; Mr. Vasiliev on Wednesday evening).
Future programs include “The Flames of Paris” (Nov. 14 to 16), “Three Centuries of Russian Ballet” (Nov. 18 and 19) and “Don Quixote” (Nov. 20 to 23).” (Schaefer-NYT)
Tuesdays through Fridays at 7:30 p.m., Saturdays at 8 p.m.,
matinees on Saturdays, Sundays and Nov. 12 at 2 p.m.,
DHK Theater, Lincoln Center,
$29 to $149.

Expansions: Dave Liebman Quintet
“On “Samsara,” Dave Liebman’s engaging new album, this veteran saxophonist, music educator and National Endowment for the Arts Jazz Master presents a sharp ensemble he calls the Expansions Quintet, made up of younger musicians. He regroups them here: Matt Vashlishan on saxophones, Bobby Avey on piano, Tony Marino on bass and Alex Ritz on drums.” (NYT-Chinen)
Dizzy’s Club Coca-Cola, Rose Hall, Jazz at Lincoln Center, 60th St. and Broadway,
212-258-9595 /
At 7 and 9:30 p.m./ $30 cover, with a $10 minimum

editor’s note: a 2nd hard drive failure in 7 months (what’s going on here Apple!) requires a reduction in daily event info on this site until the hardware issues have been resolved. while we use borrowed equipment and until further notice, the daily “Fab 5” is now the “Top 3”. we look forward to restoring full service next week.

♦ Before making final plans, we suggest you call the venue to confirm ticket availability, dates and times, as schedules are subject to change.
♦ NYCity (pop. 8.4 million) had 54 million visitors last year and quality shows draw crowds. Try to reserve seats in advance, even if just on day of performance.

My Fave Special Exhibitions – MUSEUMS / Manhattan’s WestSide
(See the New York Times wonderful Arts Section for listings of all museums,
and also see the expanded reviews of these exhibitions)

American Folk Art Museum:
Fasanella-Bridges‘Ralph Fasanella: Lest We Forget’ (through Nov. 30) The centenary of the birth of this formidable self-taught urban visionary, activist and New Yorker is celebrated with a riveting selection of his largest, most epic paintings. Their teeming compositions crowd searing events from 20th-century American life into complex amalgams of time, space and color and conduct a fertile exchange with the museum’s Willem van Genk show. 2 Lincoln Square, Columbus Avenue at 66th Street, 212-595-9533, (Roberta Smith)

van_genk‘Willem van Genk: Mind Traffic’ (through Nov. 30) Brilliantly paired with the Ralph Fasanella exhibition, the American solo debut of this outstanding Dutch artist, who died in 2005 at 78, adds a bright star to the outsider firmament. A draftsman of extraordinary talent, a hoarder and mystic obsessed with maps, travel and transportation, van Genk obsessively recycled found imagery and materials and his own drawings into collages and fanatically textured paintings that convey the sights, sounds and very static of modern life. 2 Lincoln Square, Columbus Avenue at 66th Street, 212-595-9533, (Smith)

Museum of Modern Art:

‘The Paris of Toulouse-Lautrec: Prints and Posters’ (through March 22) In his printed works, Henri de Toulouse-Lautrec chronicled and publicized the music halls, theaters, circuses, operas and cafes of Paris with terrific verve, sly wit and surprising subtlety. This enthralling show presents approximately 100 examples drawn from the museum’s permanent collection. 212-708-9400, (Johnson)

New-York Historical Society:
‘A Brief History of New York: Selections From ‘A History of New York in 101 Objects’ (through Nov. 30) Every object tells a story. If New York City is or ever was your home, you’ll find 30 eloquent items in this absorbing, jewel box of an exhibition based on “A History of New York in 101 Objects,” a new book by Sam Roberts, an urban affairs correspondent for The New York Times. Illuminated behind glass walls is an intriguingly eclectic collection, including an arrowhead, a short section of the first transatlantic cable, the pink rubber ball called the Spaldeen and a jar containing dust gathered from near the World Trade Center shortly after the Sept. 11 attacks. 170 Central Park West, at 77th Street, 212-873-3400, (Johnson)

Skyscraper Museum:
TS84_IntroWall‘Times Square, 1984: The Postmodern Moment’ (through Jan. 18) In this smart, pithy show, 20 architectural panels capture the essence of another show, the “Times Tower Site Competition” held by New York’s Municipal Art Society 30 years ago, when over 500 architects made proposals for the famous triangular site in Times Square. Philip Johnson and John Burgee were proposing a suave 4.2 million-square-foot ensemble of four skyscrapers that would help “clean up” the surrounding urban squalor, and they favored an open square at the center of their project. The Municipal Art Society protested the proposal by asking for alternatives to replace the Times Tower. The dispute proved a turning point in New York’s urban history and, more broadly, in American architectural history, as the postmodernism of the Johnson towers gave way to a highly eclectic, free-for-all postmodernism devoid of his mansards or triumphal arches. 39 Battery Place, Lower Manhattan, 212-968-1961, (Joseph Giovannini)


For other selected Museum and Gallery Special Exhibitions see “Recent Posts” in the right Sidebar dated (11/10) and (11/08).
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