Today’s Sweet 6 > SATURDAY / JULY 30, 2016
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future events be sure to check the tab above: “Annual Events / July”
Have time for only one event today? Do this:
National Ballet of Canada (through Sunday)
Lincoln Center Festival / “The Winters Tale”
NYS/DHK Theater, Lincoln Center / 2PM, +8PM, $
“The National Ballet of Canada, which brought Christopher Wheeldon’s “Alice in Wonderland” ballet to Lincoln Center in 2014, returns with another Wheeldon opus: “The Winter’s Tale.” It’s one of the choreographer’s most masterful works, a deft adaptation of the late Shakespeare play that hinges on questions of jealousy, mistaken identity, and magical transformation. The elegant designs are by Bob Crowley, and the music—sometimes cinematic, other times folksy and rhythmic—is by Joby Talbot.” (NewYorker)
The alternating casts include, on the evening performance. July 30, Piotr Stanczyk, as mad King Leontes; Hannah Fischer, as his wronged queen; and Xiao Nan Yu, as the faithful friend who puts things right.
Music, Dance, Performing Arts
Charles McPherson Quintet (also Sunday)
Dizzy’s Club, Jazz at Lincoln Center, 60th St./Broadway/ 7:30PM, +9:30PM, $40
“The mighty Charles McPherson is a legendary bebop saxophonist. After moving to New York City in 1959, he played with Charles Mingus from 1960–1972 and has since performed around the world with his own groups and those of Lionel Hampton, Barry Harris, Art Farmer, James Moody, the Jazz at Lincoln Center Orchestra with Wynton Marsalis, and many more. McPherson continues to release acclaimed albums and tour internationally.”
Feinstein’s/54 Below, 254 W54th St./ 7PM, $45
“Yazbek wrote the scores for Broadway’s The Full Monty, Dirty Rotten Scoundrels. and Women on the Verge of a Nervous Breakdown. On his own, he plays what he calls “challenging pop.” Sporting influences ranging from XTC’s Andy Partridge to old-school Broadway tunester Frank Loesser, his music is full of bouncy riffs and hooks, as well as his trademark nasty-naughty sense of humor.” (TONY)
Barry Harris Trio (through July 31)
Village Vanguard, 178 7th Ave South, at 11th St./ 8:30PM +10:30PM, $30
“The pianist Barry Harris belongs to a generation that carried bebop’s torch into an uncertain future. He’s a figure of twinkly erudition, a natural pedagogue as well as an artist, and he has deep history with his trio mates, Ray Drummond on bass and Leroy Williams on drums.” (Chinen-NYT)
Smart Stuff / Other
(Lectures, Discussions, Book Talks, Literary Readings, Classes, Food & Drink, Other
The 6th Annual New York Poetry Festival (also Sunday)
Governors Island Colonels Row / 11AM-5PM, FREE
“The New York City Poetry Festival showcases all of the different formats, aesthetics, and personalities of New York City reading series, publications, and collectives, in one place at one time. The festival intends to create branches between disparate poetry communities, and other artists and artisans, by bringing poetry out of the dark bars and universities and by placing it in the sun.”
“Frolic through your weekend with a full two-days of verse readings, featuring local poets from reading series such as the Poetry Brothel. Snag a patch of grass on Governors Island and enjoy the artistry in the summer sun. See the website for a full schedule.” (TONY)
Elsewhere, but this looks worth the detour:
Animation Block Party
Rooftop Films, BAM Cinématek, 30 Lafayette Ave., Brooklyn.
“The largest animation festival on the East Coast returns for its thirteenth year. In 2003—pre-YouTube—the event’s founder, Casey Safron, sought to create a space for students, amateurs, and enthusiasts to screen and share work, eventually hosting a small but official program near a friend’s East Williamsburg coffee shop.
Soon, the Brooklyn Academy of Music and Rooftop Films offered support, and the event grew—it now averages around five thousand attendees. This year’s four-day festival features more than a hundred animated shorts, with styles ranging from C.G.I. to stop-motion. Past highlights have included pudgy farm animals nervously crossing a wooden bridge and rusty military jets dogfighting to the last shell; kid-friendly blocks are scheduled, but the form’s boundless possibilities are part of its appeal.” (NewYorker)
PLUS: Eat & Drink
NYCity Restaurant Week Summer 2016 (July 25 – Aug 19, 2016)
Enjoy gourmet, 3-course $29 lunch and $42 dinner at 380 participating NYC Restaurant Week restaurants. (Saturdays excluded; Sundays optional. Beverages, gratuities and taxes are not included).
Where to get the best Restaurant Week deals?
See Georgia Kral’s recommendations in AMNY.
OR Zagat’s 8 NYC Restaurant Week Reservations to Make Right Now
OR Thrillist’s advice on the best deals.
OR TimeOutNewYork’s picks of the top Restaurant Week restaurants.
OR CBS Local’s Best Deals in Manhattan.
Reservations are definitely recommended. Mangia!
Bonus – Music Venues:
So much fine live music every night in this town. These are my favorite music venues on Manhattan’s WestSide. Check out who’s playing tonight:
City Winery – 155 Varick St., citywinery.com, 212-608-0555
Feinstein’s/54 Below – 254 W54th St., 54below.com, 646-476-3551
Joe’s Pub @ Public Theater – 425 Lafayette St., joespub.com, 212-967-7555
Metropolitan Room – 34W22ndSt., metropolitan room.com, 212-206-0440
Beacon Theatre – 2124 Broadway @ 74th St., beacontheatre.com, 212-465-6500
B.B. King’s Blues Bar – 237W42nd St., bbkingblues.com, 212-997-2144
Le Poisson Rouge – 158 Bleecker St., lepoissonrouge.com, 212-505-3474
Caffe Vivaldi – 32 Jones St. nr Bleecker St. caffevivaldi.com, 212-691-7538
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.5 million, had a record 58 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2016. Quality shows draw crowds.
Try to reserve seats in advance, even if just on day of performance.
WHAT’S ON VIEW
My Fave Special Exhibitions – MUSEUMS / Manhattan’s WestSide
(See the New York Times Arts Section for listings of all museums,
and also to see their expanded reviews of these exhibitions)
Museum of Modern Art:
‘Dadaglobe Reconstructed’ (through Sept. 18)
“In 1920, the Romanian poet and gadfly Tristan Tzara made plans for a worldwide publication featuring the art of Dada, the convention-busting movement that arose from the senselessness of World War I. The anthology never materialized, but this sparky show, first seen at the Kunsthaus Zürich and accompanied by a landmark catalog, reassembles the drawings, reproductions and wacky head shots that Dadaists like Francis Picabia, Marcel Duchamp and Sophie Taeuber-Arp contributed for it. (There’s also fascinating correspondence and ephemera, plus photographs of knees-up parties; at one, Tzara appears in black tie with the word Dada scrawled across his forehead.) For the Dadaists, art wasn’t a matter of placing discrete objects in museums, but circulating ideas and images across new, international media networks. It is an aim as fresh today as it was a century ago. 212-708-9400, moma.org.” (Farago)
‘From the Collection: 1960-1969’ (through March 2017)
“MoMA shakes up its sanctum sanctorum, installing half of its permanent collection galleries with works chosen by 17 curators from a single decade: the tumultuous 1960s. The limited time frame is balanced by unprecedented breadth and variety. As never before, the presentation mixes together objects and artworks from all six of the museum’s curatorial departments. The blend is alternately stimulating and bewildering, revelatory and infuriating: yet another symptom of the museum’s limited curatorial mind-set. 212-708-9400, moma.org.” (Smith)
Whitney Museum of American Art:
‘Stuart Davis: In Full Swing’ (through Sept. 25)
“This restless, zestful Whitney exhibition leaves out the earliest phase of a great American modernist’s career but is still broad enough to be a survey while feeling sufficiently focused to qualify as a thematic study. As you move through the show, you move through time, and change over time is the thread the show follows. Beginning in the 1950s, you see Mr. Davis’s dense compositions, abstract with a realist core, start to untangle. His palette simplifies. His use of words, or script-like arabesques, grows. And more and more he looks to the past and brings it forward, revisiting, reusing and transforming motives from his own art, a pattern he likened to a jazz musician’s improvisations on favorite, unforgettable tunes. 99 Gansevoort Street, at Washington Street, 212-570-3600, whitney.org.” (Cotter)
‘Human Interest: Portraits From the Whitney’s Collection’ (through Feb. 12)
“A year ago, the Whitney inaugurated its new downtown home with a permanent collection showcase called “America Is Hard to See.” Its even more immediately engaging successor, devoted entirely to portraiture, is now on view and might well have been subtitled “Americans Are Strange to Look At,” which, in the 250 images here, we sure are: funny-strange, beautiful-strange, crazy-strange, dangerous-strange, inscrutable-strange. The work is arranged by theme and spread over two floors. There are magnetic images everywhere. 99 Gansevoort Street, 212-570-3600, whitney.org.” (Cotter)
Museum of Arts and Design:
‘Studio Job: Mad House’ (through Aug. 21)
“Working in the overlap of fine art and design, the Belgium-based Studio Job produces materially opulent tables, chairs, clocks, rugs, wallpaper, stained-glass windows, lamps, decorative objects and sculptures. While exceptionally imaginative and wide-ranging in their historical and sociopolitical references, the works in this lavish, two-floor exhibition are more kitschy than visionary. A gaudy, 12-foot tall sculpture of King Kong climbing to the top of the Burj Khalifa, the world’s tallest building, in Dubai, United Arab Emirates, would make a fine gift for a Las Vegas casino owner. 2 Columbus Circle, 212-299-7777, madmuseum.org.” (Johnson)
New-York Historical Society:
‘The Folk Art Collection of Elie and Viola Nadelman’ (through Aug. 21)
“The Nadelmans’ tale, like the best collecting narratives, is a riveting combination of wealth, visionary thought, aesthetic passion and cruel fate. It is recounted in this outstanding exhibition (and catalog) in unprecedented detail. The 250 objects on view sample the immense collection — most of which was purchased by the Society in 1937 — while the great Nadelman wood sculptures tell of the inspiration Elie drew from it. 170 Central Park West, at 77th Street, 212-873-3400, nyhistory.org.” (Smith)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right sidebar dated 07/28 and 07/26.
This week’s fave and FREE NYCity AppS:
An enormous base of NYCity user reviews (2.1 million) provides the widest coverage of hotels (468), restaurants (12,645) and things to do (yes, 3,246). Have a specific question? Then try one of Trip Advisor’s forums. Just remember that with all those reviews you have to try to find the consistency among the comments, and ignore the outliers.
Instantly locate restaurants near you with open reservations and then place a reservation right from your iOS device. A great interface and the ability to see a menu from the restaurant you’re interested in makes this my go to restaurant reservation app.
Need to catch your #1,2,3 subway to attend an event? Use the Subway Time app from the MTA to find out when the next train arrives at your station. The MTA also has Train and Bus Time info available on their mobile website.