Today’s Elite 8 NYC Events > TUESDAY/ OCTOBER 03, 2017
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events better check the tab above: “Notable NYC Events-OCTOBER”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all through the month.
Have time for only one NYC Event today? Do this:
Ron Carter’s Great Big Band
A Celebration of Ron Carter, October 3-21
Birdland, 315 West 44th St./ 8:30PM, +11PM, $40
“Ron Carter is among the most original, prolific and influential bassists in jazz with more than 2,000 albums to his credit. Beginning his career in the 1960s with Jaki Byard and Eric Dolphy, Cannonball Adderley, and a five year stint with the Miles Davis’ Quintet, Ron also performed and recorded with notables including Bill Evans, B.B. King, and Dexter Gordon. Ron Carter’s various ensembles, big band to trio, feature a who’s who of the finest players on the NYC scene with, “an absolute commitment to musical sublimity [that] exudes refined elegance and sonic power.” (amazon.com)”
7 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>>NEW YORK CITY BALLET
>>ADAM RUDOLPH’S MOVING PICTURES
>>JOHN COLIANNI’S JAZZ ORCHESTRA
>>Origin Stories: Celebrating the Pop Culture That Made Us
Music, Dance, Performing Arts
NEW YORK CITY BALLET (through Oct. 15, at various times).
NYS/DHK Theater, Lincoln Center / 7:30PM, $30+
“Tuesday’s program brings together the three most celebrated ballet choreographers of the century thus far, with “Liturgy” and “Polyphonia” by Christopher Wheeldon, “Odessa” by Alexei Ratmansky and “The Times Are Racing,” a well-received recent ballet by Justin Peck, danced in sneakers. Wednesday’s program comprises newly revealed commissions from Mr. Peck, as well as the City Ballet dancers Lauren Lovette and Troy Schumacher, and the School of American Ballet graduate Gianna Reisen. Thursday’s program is a threesome of Balanchine classics: “Square Dance,” “La Valse” and “Cortège Hongrois.” (NYT-BRIAN SCHAEFER)
ADAM RUDOLPH’S MOVING PICTURES (Oct. 3-4)
at the Jazz Gallery / 7:30 and 9:30PM, $15
“In Moving Pictures, an octet led by the percussionist Mr. Rudolph, the rhythms of Brazil, West Africa and the Caribbean combine in an aesthetic that recalls the various fusion sounds of the 1970s and ’80s. A seven-piece iteration of the band will appear at this concert, which celebrates the release of Moving Pictures’ new album, “Glare of the Tiger.” (NYT-GIOVANNI RUSSONELLO)
PETER EVANS (Oct. 3-8)
at the Stone / 8:30PM, $
“Peter Evans plays the trumpet like a homing device, a percussion instrument, a didgeridoo, or distant bird call. He is now a heavily relied-upon sideman on New York’s avant-garde jazz scene, because he can seemingly do anything with his horn, while keeping his heart on his sleeve. But some of his most compelling work is as a soloist. He’s in residence at the Stone, where he will play with a range of collaborators and finish the run with a solo performance on Sunday, Oct. 8.” (NYT-GIOVANNI RUSSONELLO)
Metropolitan Opera House / 7:30PM, $32+
“Ponselle, Milanov, Sutherland, Callas … after last night, Radvanovsky can add her name to the list,” declared the Huffington Post when Sondra Radvanovsky made her Met role debut as Norma in 2013. The 2017–18 season opens with a new production of Bellini’s masterpiece, starring Radvanovsky as the Druid priestess and Joyce DiDonato as her archrival, Adalgisa—a casting coup for bel canto fans. Tenor Joseph Calleja is Pollione, Norma’s unfaithful lover, and Carlo Rizzi conducts. Sir David McVicar’s evocative production sets the action deep in a Druid forest where nature and ancient ritual rule.”
also Earl Sweatshirt, The Sun Ra Arkestra, Chassol
at Radio City Music Hall / 8PM, $49+ (TUE.may be easier ticket)
“Solange is playing more and more shows in support of last year’s excellent A Seat At The Table, and her shows have been serious spectacles with an ace live band and it’s the kind of thing that you really just need to see for yourself. This is her first of two nights at Radio City (which sounds like a perfect place to see her), and she has great and very interesting openers. There’s direct support from Earl Sweatshirt, whose 2015 LP I Don’t Like Shit, I Don’t Go Outside remains one of the more unique major-label rap albums in recent memory, plus there’s Sun Ra Arkestra, who feature members of the late jazz legend Sun Ra’s band and perform his songs, and French composer Chassol, who uses field recordings in a way that no one else is really doing.” (brooklynvegan)
Fall for Dance (thru Oct. 14)
City Center, 131 W. 55th St./ 8PM, ALL TKTS $15!
“ONE OF THE GREAT EVENTS OF THE NEW YORK DANCE YEAR”
— THE NEW YORK TIMES
“One of the appealing aspects of this festival is its inclusive spirit; there seems to be something for just about everyone. (The opposite is also true; there will be at least one thing to hate on most programs.) The second of five programs opens with a fast-paced ballet from 2004 by Christopher Wheeldon, “Rush,” performed by dancers from Pennsylvania Ballet, and closes with an excerpt from the high-octane tango show “Tango Fire,” by the Argentine choreographer German Cornejo. In program four, New York City Ballet’s Sara Mearns—a ballerina with an adventurous soul—collaborates with the hip-hop choreographer Honji Wang in a duet entitled “No. 1” (a world première). And program five features American Ballet Theatre’s star David Hallberg in a series of miniatures set to Benjamin Britten’s “Twelve Variations for Piano,” created for the festival by Mark Morris.” (NewYorker)
Smart Stuff / Other NYC Events
(Lectures, Discussions, Book Talks, Literary Readings, Classes, Food & Drink, Other)
Origin Stories: Celebrating the Pop Culture That Made Us
Housing Works Bookstore Cafe, 126 Crosby St./7PM, FREE
“From the characters in our favorite movies and books to the lyrics of the songs we can’t get out of our heads, the pop culture we’re obsessed with is more than just entertainment—it makes us who we are. Origin Stories will feature emotional and heartfelt tales of the moments in our lives that were indelibly linked to the cultural artifacts that impacted us, inspired our creativity, and shaped our personalities—making us the pop-culture obsessives we are today.
Hosted by Tyler Coates, culture editor for Esquire. Featured performers including Jason Diamond, Jaya Saxena, Jill Pangallo, Danielle Henderson, Dylan Marron, and more to be announced.”
The 55th New York Film Festival (9/28-10/15)
at The Film Society of Lincoln Center,
The 18-day New York Film Festival highlights the best in world cinema, featuring 25 works from celebrated filmmakers as well as fresh new talent from around the globe.
“The 55th New York Film Festival’s Main Slate showcases films honored at Cannes, including Ruben Östlund’s Palme d’Or–winner The Square; Robin Campillo’s BPM, awarded the Cannes Critics’ Prize; and Agnès Varda & JR’s Faces Places, which took home the Golden Eye. From Berlin, Aki Kaurismäki’s Silver Bear–winner The Other Side of Hope and Agnieszka Holland’s Alfred Bauer Prize–winner Spoor mark the returns of two New York Film Festival veterans, while Luca Guadagnino’s acclaimed Call Me by Your Name will be his NYFF debut.”(cityguideny.com)
“The main slate nabs the headlines, but this festival’s sidebars nearly constitute a festival of their own. In the Spotlight on Documentary program, Travis Wilkerson’s riveting “Did You Wonder Who Fired the Gun?” (Friday and Sunday) grapples with a family legend: that Mr. Wilkerson’s white great-grandfather almost certainly got away with murdering a black man in Alabama in the 1940s. The main retrospective of the festival (which runs through Oct. 15) celebrates Robert Mitchum’s centennial. “His Kind of Woman” (Friday), with Mitchum (above, with Jane Russell) as a gambler lured to Mexico as a sap, and the auteur purée “Macao” (Thursday), on which Nicholas Ray took over for Josef von Sternberg, are enjoyably overstuffed Howard Hughes productions. William A. Wellman’s “Track of the Cat” (Monday); Otto Preminger’s “River of No Return” (Monday), with Marilyn Monroe; and Vincente Minnelli’s “Home From the Hill” (Thursday), all in CinemaScope, demand big-screen viewing.” (BEN KENIGSBERG, NYT)
31 days, 100+ ways to celebrate design in NYC! The seventh-annual, month-long festival of architecture activities, programs, and exhibitions in New York City will take place October 1-31, 2017. Archtober’s calendar features 200 architecture and design lectures, conferences, programs, and exhibitions at more than 70+ collaborating institutions across the city.
For more details go to my Section: “Notable Events October” and scroll all the way to the bottom.
Bonus NYC events– Jazz Venues:
Many consider NYCity the Jazz capital of the world. Here are my favorite Jazz clubs, all on Manhattan’s WestSide. Check out who is playing tonight:
(5 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. South, villagevanguard.com, 212-255-4037
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319
Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com / 212-864-6662
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.5 million, had a record 60 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2017. Quality shows draw crowds.
Try to reserve seats for these top NYC events in advance, even if just on day of performance.
NYCity Vacation Travel Guide Video (Expedia):
Chelsea Art Gallery District*
Chelsea is the heart of the NYCity contemporary art scene. Home to more than 300 art galleries, the Rubin Museum, the Joyce Theater and The Kitchen performance spaces, there is no place like it anywhere in the world. Come here to browse free exhibitions by world-renowned artists and those unknowns waiting to be discovered in an art district that is concentrated between West 18th and West 27th Streets, and 10th and 11th Avenues. Afterwards stop in the Chelsea Market, stroll on the High Line, or rest up at one of the many cafes and bars and discuss the fine art.
Here are two exhibitions that the NYT likes:
‘A Line Can Go Anywhere’
Through Oct. 14. James Cohan, 533 West 26th Street, Manhattan; 212-714-9500, jamescohan.com.
September usually brings a wealth of must-see solo exhibitions, and this year is no different. “A Line Can Go Anywhere,” at James Cohan, however, is a notable group show that shouldn’t be missed. This terrific exhibition, organized by Jenelle Porter, who curated the landmark “Fiber: Sculpture 1960-present” at the Institute of Contemporary Art, Boston, in 2015, includes seven artists from the San Francisco Bay Area working in the fiber tradition.
Among the influential figures here are Trude Guermonprez (1910-1975), who trained at the Bauhaus and taught alongside Anni Albers at Black Mountain College, and Ed Rossbach (1914-2002), who came out of the California Funk Art tradition. Ms. Guermonprez is represented by elegant woven works, including two from her 1960s “Space Hanging” series. Mr. Rossbach’s wonky-shaped raffia baskets are joined by his “After Miro” (1970), which looks like an acid-colored spider web.
Alexandra Jacopetti Hart and Kay Sekimachi, who studied with Ms. Guermonprez in the 1950s, represent a middle generation. Both work with grids: Ms. Hart’s “Nebulae” (1982) is a lovely jumble of pastel rectangles, and Ms. Sekimachi’s muted-linen squares hark back to the Bauhaus weaving tradition.
Terri Friedman, Josh Faught and Ruth Laskey are younger artists making the case for fiber art in the technology-saturated present. Ms. Friedman’s “YES” (2016) looks like a bright wool (electric pink and yellow-green), acrylic and cotton circuit board. Ms. Laskey’s handwoven panels resemble Ellsworth Kelly’s work or Sol LeWitt’s fragmented abstractions, and Mr. Faught’s virtuosic weavings include funny texts that reference new technology and social media — retorts, essentially, to contemporary criticism of fiber art.
Finally, Ben Van Meter’s 21-minute film “The Saga of Macramé Park” (1974) captures children playing on Ms. Hart’s countercultural playground, made of knotted fibers. The film is a reminder of the timeless, haptic allure of fiber art and its magical, near-mythical history in Northern California.” (MARTHA SCHWENDENER, NYT)
Through Oct. 14. Paula Cooper Gallery, 534 West 21st Street, Manhattan; 212-255-1105, paulacoopergallery.com.
“Brussels has drawn even with Berlin as Europe’s coolest city for contemporary art, but amid its new galleries and cheap studios are grand, gruesome reminders of Belgium’s 19th-century empire. None are more imposing than the Palais de Justice, or central courthouse, a ghastly mash-up of Baroque, classical and Assyrian motifs that sprawls over more than six acres of the capital’s heart. (“It wants to be as terrible as the Law, severe and sumptuously naked,” Verlaine wrote after seeing it.) It’s here that the British-American artist Carey Young shot her icy, thoughtful, technically accomplished new video, which takes a distinctly feminist view of jurisprudence.
In “Palais de Justice,” establishing shots of the monstrous courthouse precede long takes of female judges at work, which Ms. Young filmed without permission through the portholes of courtroom doors. Lawyers, defendants and witnesses appear only in partial view, blocked by walls or curtains, as the stern-faced magistrates, all middle-aged and wearing black robes with white neck bands, nod along or stare down petitioners. We never hear the pleas, only ghostly, ambient sounds from the giant courthouse’s halls, and the silent female judges appear unimpressed and unbending. (An associated series of depopulated photographs of the courthouse, bearing the Kafkaesque title “Before the Law,” doubles down on the video’s eeriness.)
“Palais de Justice” is projected here at massive scale, as domineering as the courthouse itself, and its view of gender and law is at once sensitive and bleak. You may briefly fantasize that Ms. Young has found some alternate Brussels where women are in charge. But more often, and more disturbingly, it feels like a juridical peep show, in which the criminal law appears as just a special case of a male-dominated society’s pitiless daily judgments.” (JASON FARAGO-NYT)
And one that the New Yorker likes very much.
Jordan Casteel (thru Oct.28)
Casey Kaplan Gallery, 121 W27th St.
“In one of the most buzzed-about débuts of the fall season, Casteel shows large figurative canvases that combine the candid immediacy of the digital snapshots on which they’re based with the restraint and humanity of an Alice Neel portrait. The young Colorado-born phenom worked almost entirely from pictures she took in Harlem of men, at night. Casteel’s subjects, like the artist herself, are black, and her work tackles the representation of race in general, while revelling, as painters will, in the specific details. In “Q,” a man sits on a stoop next to a sketched-in green railing, earnestly consulting his iPhone, and wearing a sweatshirt with an image of Biggie Smalls in wraparound shades, a gold chain, and a Coogi sweater. In “MegaStarBrand’s Louie and A-Thug,” two well-turned-out young men sprawl with authority in folding chairs on the sidewalk, gazing skeptically out of frame. One wears a shirt that says “REASON,” the other is in a T-shirt that reads “T.H.U.G.: THE HATE YOU GAVE US.” In her exhilarating, if uneven, show, Casteel gives nothing but love.” (NewYorker)
For a listing of 25 essential galleries in the Chelsea Art Gallery District, organized by street, which enables you to create your own Chelsea Art Gallery crawl, see the Chelsea Gallery Guide (nycgo.com) Or check out TONY magazine’s list of the “Best Chelsea Galleries” and click through to see what’s on view.
*Now plan your own gallery crawl, but better to plan your visits for Tuesday through Saturday; most galleries are closed Sunday and Monday.
TIP: After your gallery tour, stop in Ovest at 513W27th St. for Aperitivo Italiano (Happy Hour on steroids). Discuss all the great art you have viewed over a drink and a very tasty selection of FREE appetizers (M-F, 5-8pm). OR try the NYT recommendation: “When you’re done, adjourn to the newly renovated Bottino , the Chelsea art world’s unofficial canteen on 10th Avenue (btw 24/25 St.) “
For other selected Museum and Gallery Special Exhibitions see recent posts in right sidebar dated 10/01 and 09/29.