NYC Events,”Only the Best” (10/09) + GallerySpecialExhibits: Chelsea

“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.

For future NYC Events better check the tab above: “Notable NYC Events-OCTOBER”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all through the month.

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Have time for only one NYC Event today? Do this:

“LA BOHÈME” (various dates through Nov. 4)
at the Metropolitan Opera / 7:30PM, $25+
“Franco Zeffirelli’s picture-postcard Puccini stands as a continuing rebuke to anyone who thinks Peter Gelb is an innovator, and here it returns yet again to Lincoln Center. There are just the 15 performances this season, and the first run of two has the lowest wattage. Angel Blue sings Mimì, Brigitta Kele takes Musetta, and Dmytro Popov is Rodolfo for three nights, before he gives way to Russell Thomas. Note that Sonya Yoncheva plays Mimì in the new year, opposite Michael Fabiano.” (NYT-DAVID ALLEN)

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6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Darlene Love
>> Christine Ebersole: After the Ball
>> SARAH ELIZABETH CHARLES AND SCOPE
>> 54 Sings Lennon: A Broadway Reunion
>> RAZA Y RESISTENCIA
>> JOAN SHELLEY
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Music, Dance, Performing Arts

Darlene Love
@ B.B. King Blues Club / 8PM, $50+
“The voice behind “He’s a Rebel” and much of the A Christmas Gift for You from Phil Spector album, Darlene Love is one of the iconic voices of the girl group era.

The New York Times raved …”Darlene Love’s thunderbolt voice is as embedded in the history of rock and roll as Eric Clapton’s guitar or Bob Dylan’s lyrics.” Through the years, Darlene Love continues to captivate audiences worldwide with her warm, gracious stage presence and superb performances.

This has been a banner season for Darlene. Her new CD, released via Sony/Columbia/Wicked Cool Records has been greeted with sensational critical reaction and numerous TV presentations. Produced by fellow musician and long time friend Steven Van Zandt, it includes selections written for Darlene by Bruce Springsteen, Elvis Costello, Jimmy Webb and many others including two notable songs by Stevie himself.”

Christine Ebersole: After the Ball
Feinstein’s/54 Below / 7PM, $95+
“Broadway leading lady Ebersole (Grey Gardens) can really land a joke and knock out a number, moving with ease between her lustrous belt, her mock-operatic soprano and multiple other modes. On select Monday nights this fall, she spends her night off from the musical War Paint, in which she plays makeup titan Elizabeth Arden, to share standards at Feinstein’s/54 Below.” (TONY)

SARAH ELIZABETH CHARLES AND SCOPE
at Joe’s Pub / 7:30PM, $20
“Ms. Charles just released “Free of Form,” an album of cutting social inquiry and lush ambience. Its beats, combining live drumming and electronics, often break apart into an open cloud, signaling invitation — and expectation. By turns introspective and anthemic, the album was co-produced by the trumpeter Christian Scott aTunde Adjuah, and features the keyboardist Jesse Elder, the bassist Burniss Earl Travis and the drummer John Davis. That group appears here in celebration of the record’s release.” (NYT-GIOVANNI RUSSONELLO)

54 Sings Lennon: A Broadway Reunion
Feinstein’s/54 Below / 9:30PM, $40
“Seven of the nine original cast members of the short-lived 2005 Broadway jukebox musical Lennon—Will Chase, Chuck Cooper, Julie Danao-Salkin, Marcy Harriell, Chad Kimball, Julia Murney and Michael Potts—reunite with its director, Don Scardino, to honor the songs of John Lennon on what would have been his 77th birthday.” (TONY)

RAZA Y RESISTENCIA (also Oct 09, 7PM)
at El Taller Latino Americano / 7PM, $20
“Most jazz fans know Arts for Art for its annual Vision Festival, the banquet of avant-garde improvising that takes place downtown every spring. But the organization programs music year-round, always with an ear to the symbiosis between radical art and anti-authoritarian politics. This holiday weekend, Arts for Art teams up with El Taller, a Latin American cultural center in East Harlem, for a three-day festival it is calling an “UnColumbus Celebration.” Highlights include Francisco Mora Catlett’s AfroHORN, playing Saturday; TipRingSleeve, featuring Craig Taborn on piano, Tomeka Reid on cello and Ches Smith on percussion, on Sunday; and a Monday night appearance from William Parker’s Songs of Freedom ensemble.” (NYT-GIOVANNI RUSSONELLO)

Elsewhere, but this one looks worth the detour:
JOAN SHELLEY
at Union Pool / 6PM, $20
“The Kentucky singer Joan Shelley’s clear, high voice and beautifully understated songwriting have made her a rising star in the folk scene and beyond. Earlier this year, Ms. Shelley won her most enthusiastic reviews yet for her self-titled fifth album, produced by Wilco’s Jeff Tweedy; its songs have a warmth and intimacy that will suit this performance in the tiny back room of a popular bar in Williamsburg, Brooklyn.” (NYT-SIMON VOZICK-LEVINSON)

Continuing Events

The 55th New York Film Festival (9/28-10/15)
at The Film Society of Lincoln Center,
The 18-day New York Film Festival highlights the best in world cinema, featuring 25 works from celebrated filmmakers as well as fresh new talent from around the globe.

“The 55th New York Film Festival’s Main Slate showcases films honored at Cannes, including Ruben Östlund’s Palme d’Or–winner The Square; Robin Campillo’s BPM, awarded the Cannes Critics’ Prize; and Agnès Varda & JR’s Faces Places, which took home the Golden Eye. From Berlin, Aki Kaurismäki’s Silver Bear–winner The Other Side of Hope and Agnieszka Holland’s Alfred Bauer Prize–winner Spoor mark the returns of two New York Film Festival veterans, while Luca Guadagnino’s acclaimed Call Me by Your Name will be his NYFF debut.”(cityguideny.com)

“The main slate nabs the headlines, but this festival’s sidebars nearly constitute a festival of their own. In the Spotlight on Documentary program, Travis Wilkerson’s riveting “Did You Wonder Who Fired the Gun?” (Friday and Sunday) grapples with a family legend: that Mr. Wilkerson’s white great-grandfather almost certainly got away with murdering a black man in Alabama in the 1940s. The main retrospective of the festival (which runs through Oct. 15) celebrates Robert Mitchum’s centennial. “His Kind of Woman” (Friday), with Mitchum (above, with Jane Russell) as a gambler lured to Mexico as a sap, and the auteur purée “Macao” (Thursday), on which Nicholas Ray took over for Josef von Sternberg, are enjoyably overstuffed Howard Hughes productions. William A. Wellman’s “Track of the Cat” (Monday); Otto Preminger’s “River of No Return” (Monday), with Marilyn Monroe; and Vincente Minnelli’s “Home From the Hill” (Thursday), all in CinemaScope, demand big-screen viewing.” (BEN KENIGSBERG, NYT)

Archtober
31 days, 100+ ways to celebrate design in NYC! The seventh-annual, month-long festival of architecture activities, programs, and exhibitions in New York City will take place October 1-31, 2017.  Archtober’s calendar features 200 architecture and design lectures, conferences, programs, and exhibitions at more than 70+ collaborating institutions across the city.

For more details go to my Tab in the Header: “Notable Events October”  and scroll all the long way to the bottom. This event makes America, or at least NYCity, great again.

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Bonus NYC events– Jazz Venues:
Many consider NYCity the Jazz capital of the world. Here are my favorite Jazz clubs, all on Manhattan’s WestSide. Check out who is playing tonight:

Greenwich Village:
(5 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. South, villagevanguard.com, 212-255-4037
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319

Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com / 212-864-6662

Special Mention:
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.

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♦ Before making final plans, we suggest you call the venue to confirm ticket availability, dates and times, as schedules are subject to change.
♦ NYCity, with a population of  8.5 million, had a record 60 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2017.  Quality shows draw crowds.
Try to reserve seats for these top NYC events in advance, even if just on day of performance.
NYCity Vacation Travel Guide Video (Expedia):

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Chelsea Art Gallery District*

Chelsea is the heart of the NYCity contemporary art scene. Home to more than 300 art galleries, the Rubin Museum, the Joyce Theater and The Kitchen performance spaces, there is no place like it anywhere in the world. Come here to browse free exhibitions by world-renowned artists and those unknowns waiting to be discovered in an art district that is concentrated between West 18th and West 27th Streets, and 10th and 11th Avenues. Afterwards stop in the Chelsea Market, stroll on the High Line, or rest up at one of the many cafes and bars and discuss the fine art.

Here are two exhibitions that the NYT likes:

‘A Line Can Go Anywhere’

Through Oct. 14. James Cohan, 533 West 26th Street, Manhattan; 212-714-9500, jamescohan.com.

September usually brings a wealth of must-see solo exhibitions, and this year is no different. “A Line Can Go Anywhere,” at James Cohan, however, is a notable group show that shouldn’t be missed. This terrific exhibition, organized by Jenelle Porter, who curated the landmark “Fiber: Sculpture 1960-present” at the Institute of Contemporary Art, Boston, in 2015, includes seven artists from the San Francisco Bay Area working in the fiber tradition.

Among the influential figures here are Trude Guermonprez (1910-1975), who trained at the Bauhaus and taught alongside Anni Albers at Black Mountain College, and Ed Rossbach (1914-2002), who came out of the California Funk Art tradition. Ms. Guermonprez is represented by elegant woven works, including two from her 1960s “Space Hanging” series. Mr. Rossbach’s wonky-shaped raffia baskets are joined by his “After Miro” (1970), which looks like an acid-colored spider web.

Photo

“The Cosmetic Affect of Darkness,” a 2017 work by Josh Faught.CreditPhoebe d’Heurle/James Cohan Gallery, New York

Alexandra Jacopetti Hart and Kay Sekimachi, who studied with Ms. Guermonprez in the 1950s, represent a middle generation. Both work with grids: Ms. Hart’s “Nebulae” (1982) is a lovely jumble of pastel rectangles, and Ms. Sekimachi’s muted-linen squares hark back to the Bauhaus weaving tradition.

Terri Friedman, Josh Faught and Ruth Laskey are younger artists making the case for fiber art in the technology-saturated present. Ms. Friedman’s “YES” (2016) looks like a bright wool (electric pink and yellow-green), acrylic and cotton circuit board. Ms. Laskey’s handwoven panels resemble Ellsworth Kelly’s work or Sol LeWitt’s fragmented abstractions, and Mr. Faught’s virtuosic weavings include funny texts that reference new technology and social media — retorts, essentially, to contemporary criticism of fiber art.

Finally, Ben Van Meter’s 21-minute film “The Saga of Macramé Park” (1974) captures children playing on Ms. Hart’s countercultural playground, made of knotted fibers. The film is a reminder of the timeless, haptic allure of fiber art and its magical, near-mythical history in Northern California.” (MARTHA SCHWENDENER, NYT)

Carey Young

Through Oct. 14. Paula Cooper Gallery, 534 West 21st Street, Manhattan; 212-255-1105, paulacoopergallery.com.

“Brussels has drawn even with Berlin as Europe’s coolest city for contemporary art, but amid its new galleries and cheap studios are grand, gruesome reminders of Belgium’s 19th-century empire. None are more imposing than the Palais de Justice, or central courthouse, a ghastly mash-up of Baroque, classical and Assyrian motifs that sprawls over more than six acres of the capital’s heart. (“It wants to be as terrible as the Law, severe and sumptuously naked,” Verlaine wrote after seeing it.) It’s here that the British-American artist Carey Young shot her icy, thoughtful, technically accomplished new video, which takes a distinctly feminist view of jurisprudence.

In “Palais de Justice,” establishing shots of the monstrous courthouse precede long takes of female judges at work, which Ms. Young filmed without permission through the portholes of courtroom doors. Lawyers, defendants and witnesses appear only in partial view, blocked by walls or curtains, as the stern-faced magistrates, all middle-aged and wearing black robes with white neck bands, nod along or stare down petitioners. We never hear the pleas, only ghostly, ambient sounds from the giant courthouse’s halls, and the silent female judges appear unimpressed and unbending. (An associated series of depopulated photographs of the courthouse, bearing the Kafkaesque title “Before the Law,” doubles down on the video’s eeriness.)

“Palais de Justice” is projected here at massive scale, as domineering as the courthouse itself, and its view of gender and law is at once sensitive and bleak. You may briefly fantasize that Ms. Young has found some alternate Brussels where women are in charge. But more often, and more disturbingly, it feels like a juridical peep show, in which the criminal law appears as just a special case of a male-dominated society’s pitiless daily judgments.” (JASON FARAGO-NYT)

And one that the New Yorker likes very much.

Jordan Casteel (thru Oct.28)
Casey Kaplan Gallery, 121 W27th St.

“In one of the most buzzed-about débuts of the fall season, Casteel shows large figurative canvases that combine the candid immediacy of the digital snapshots on which they’re based with the restraint and humanity of an Alice Neel portrait. The young Colorado-born phenom worked almost entirely from pictures she took in Harlem of men, at night. Casteel’s subjects, like the artist herself, are black, and her work tackles the representation of race in general, while revelling, as painters will, in the specific details. In “Q,” a man sits on a stoop next to a sketched-in green railing, earnestly consulting his iPhone, and wearing a sweatshirt with an image of Biggie Smalls in wraparound shades, a gold chain, and a Coogi sweater. In “MegaStarBrand’s Louie and A-Thug,” two well-turned-out young men sprawl with authority in folding chairs on the sidewalk, gazing skeptically out of frame. One wears a shirt that says “REASON,” the other is in a T-shirt that reads “T.H.U.G.: THE HATE YOU GAVE US.” In her exhilarating, if uneven, show, Casteel gives nothing but love.” (NewYorker)

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For a listing of 25 essential galleries in the Chelsea Art Gallery District, organized by street, which enables you to create your own Chelsea Art Gallery crawl, see the Chelsea Gallery Guide (nycgo.com) Or check out TONY magazine’s list of the “Best Chelsea Galleries” and click through to see what’s on view.

*Now plan your own gallery crawl, but better to plan your visits for Tuesday through Saturday; most galleries are closed Sunday and Monday.

TIP: After your gallery tour, stop in Ovest at 513W27th St. for Aperitivo Italiano (Happy Hour on steroids). Discuss all the great art you have viewed over a drink and a very tasty selection of FREE appetizers (M-F, 5-8pm). OR try the NYT recommendation: “When you’re done, adjourn to the newly renovated Bottino , the Chelsea art world’s unofficial canteen on 10th Avenue (btw 24/25 St.) “

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For other selected Museum and Gallery Special Exhibitions see recent posts in right sidebar dated 10/07 and 10/05.

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