Today’s Elite 8 NYC Events > FRIDAY/ NOVEMBER 30, 2019
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OR to make your own after dinner plans TONIGHT, see the tab above; “LiveMusic.”
Have time for only one NYC Event today? Do This:
54 Sings Broadway’s Greatest Hits
Feinstein’s/54 Below (254 W54th St. btw Broadway/Eighth) / 7PM, $60+
“Listen to your favorite Broadway songs just the way you remember them at this bi-month event at the famed cabaret venue. Performers on the this date include Tony nominee Martin Vidnovic (Brigadoon), Luana Psaros (Becoming Nancy), and John Easterlin (The Phantom of the Opera).” (Playbill)
7 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Ana Gasteyer: Sugar & Booze
>> SOLEDAD BARRIO & NOCHE FLAMENCA
>> JOHN SCOFIELD AND DAVE HOLLAND
>> Jason Moran & the Bandwagon
>> Broadway the Calla-way
>> Bob Dylan
>> Small Business Saturday
You may want to look at previous days posts for events that continue through today.
Music, Dance, Performing Arts
Ana Gasteyer: Sugar & Booze (also Dec.1+21)
Joe’s Pub at the Public Theater (425 Lafayette St. at Astor Place) / 7 PM, $25
“In addition to her stardom on Saturday Night Live, Gasteyere is a Broadway baby who starred as Elphaba in the Broadway and Chicago productions of Wicked. She expanded the role of Mrs. Schwartz for A Christmast Story LIVE! on Fox and played Principal McGee in Grease: Live. But if you’ve heard her sing, you know she’s one of the jazziest belters around—perfect for the holidays.” (Playbill)
SOLEDAD BARRIO & NOCHE FLAMENCA
at the Joyce Theater / 7:30 pm.; $45+
“The fleet footwork of flamenco can be mightily impressive, but this company doesn’t aim to merely wow. In recent years, Noche Flamenca and Barrio, its incandescent headliner, have moved away from spectacle seeking authentic communal encounters. A new iteration of its production “Entre Tú y Yo” (“Between You and Me”) comprises three works: a revised version of “La Ronde,” which explores facets of the duet form; “Refugiados,” created 15 years ago from poems by refugee children; and “Soleá,” a semi-improvised solo by Barrio that impresses not only for its virtuosity, but for the thrilling internal drama she shares.” (NYT)
JOHN SCOFIELD AND DAVE HOLLAND (Nov. 26-Dec.1)
at the Blue Note / 8 and 10:30 p.m.; $30-$45
“There’s really no way to “O.K. boomer” these two. Each has a stint with Miles Davis on his résumé, and they’ve both been in the game for decades. But neither Scofield, an acid-toned guitarist, nor Holland, a brilliantly versatile bassist, has ever planted his feet in a set approach. And both continue to work in conversation with younger musicians — even as they carry the flag for the jazz-rock fusion movement, in which they played an essential role. Here they will perform in an intimate duet.” (NYT-GIOVANNI RUSSONELLO)
Jason Moran & the Bandwagon (Nov.26-Dec.1)
Village Vanguard, 178 Seventh Ave. S. / 8:30PM, +10:30PM, $35
“Since September, the pianist and composer Jason Moran has been applying his conceptual gifts to a mixed-media art exhibition at the Whitney, performing in mock re-creations of iconic jazz venues. For this engagement, at another famed locale a few blocks away, Moran employs his long-standing Bandwagon trio, a daringly inclusive ensemble—with the bassist Tarus Mateen and the drummer Nasheet Waits—that exemplifies the multidirectional, go-for-broke spirit of the most compelling modern jazz.” (Steve Futterman, NewYorker)
Broadway the Calla-way (Nov.26-30)
Feinstein’s/54 Below (254 W54th St., btw Broadway/Eighth Avenues). / 8PM, $85+
“Starting November 26, the Tony-nominated sisters host their own show at Feinstein’s/54 Below, performing a mixture of Broadway favorites by Sondheim, Bernstein, Rodgers and Hammerstein, Schwartz, and more. For this special Thanksgiving performance, there is a Thanksgiving dinner prix fixe with curated holiday dishes.” (Playbill)
Bob Dylan (thru Dec.6)
Beacon Theatre, 2124 Broadway / 8PM, $99+
“Bob Dylan famously maintains a restless touring schedule that renders him a nomad for much of the year but often returns him to the place of his artistic birth; this year, he settles in for a whopping ten-night stand. Among rock élites, Dylan remains peerless. His concerts are strictly pander-free zones—no cheesy pleas to clap or sing along, no glut of backup musicians, usually no “Like a Rolling Stone.” Rather, Dylan asks audiences to ignore his legend and engage with his firecracker band, its every elegant rumble rooted to the present.” (Jay Ruttenberg, NewYorker)
Smart Stuff / Other NYC EventS
Small Business Saturday
Celebrate the city’s small businesses
Various locations, FREE to browse
“Artists & Fleas is honoring the less-flashy-than-Black-Friday Small Business Saturday by bringing hundreds of local makers under one roof. That way, it’s super easy for you to spend all the money you saved buying an Instant Pot during a Black Friday sale on one-of-a-kind gifts. With locations in Chelsea, Soho, and Williamsburg, you can hunt down vintage clothes, shop for handmade jewelry, and try specialty food from stores that don’t start with A and end with Zon.” (thrillist)
HOLIDAY SHOPS AT BRYANT PARK
WHEN | WHERE Oct. 31-Jan. 5, 11 a.m.-8 p.m. Monday-Friday and 10 a.m.-8 p.m. Saturday-Sunday, 40th Street and Sixth Avenue
UNION SQUARE HOLIDAY MARKET
WHEN | WHERE Nov. 21-Dec. 24, 11 a.m.-8 p.m. Monday-Friday, 10 a.m.-8 p.m. Saturday and 11 a.m.-7 p.m. Sunday, Union Square Park’s southern side
COLUMBUS CIRCLE HOLIDAY MARKET
WHEN | WHERE Dec. 4-24, 10 a.m.-8 p.m. Monday-Friday, 10 a.m.-8 p.m. Saturday and 10 a.m.-7 p.m. Sunday, 59th Street and Central Park West
GRAND CENTRAL HOLIDAY FAIR
WHEN | WHERE Nov. 18-Dec. 24, 10 a.m.-8 p.m. Monday-Friday, 10 a.m.-7 p.m. Saturday and 11 a.m.-6 p.m. Sunday (closed Thanksgiving; open 10 a.m.-6 p.m. Christmas Eve), Vanderbilt Hall at Grand Central Terminal, 89 E. 42nd St.
GRAND BAZAAR NYC
WHEN | WHERE Nov. 24 and Dec. 1, 8, 15 and 22, 10 a.m.-5:30 p.m., 100 W. 77th St.
“‘Tis the season! As Thanksgiving draws near, New York City’s department stores are unveiling their holiday windows. Macy’s, Bergdorf Goodman, Saks Fifth Avenue, American Girl and others are each putting their festive foot forward for the holidays.” (amNY)
GEORGE BALANCHINE’S THE NUTCRACKER
NEW YORK CITY BALLET (THRU Jan.5)
NYS Theater, Lincoln Center/ TODAY: 2PM, +8PM,; $95+
“’Twas the day after Thanksgiving and all through the land, ballet companies began trotting out productions of “The Nutcracker,” a holiday dance tradition most grand. And in New York, the grandest among them is City Ballet’s, formally known as “George Balanchine’s The Nutcracker,” which has been performed since 1954. That title rightly emphasizes this version’s secret weapon: Act II’s glorious choreography, particularly the breathtaking final pas de deux between the Sugarplum Fairy and her cavalier. Act I has its own virtuosic feat in the form of a supersize Christmas tree, which captures all the magic and wonder of this familiar tale.” (NYT-Brian Schaefer)
COMING SOON (WFUV)
11/29-30, 12/2-3 Bob Dylan, Beacon Theatre
11/29-30 Hot Tuna, Town Hall
11/29 & 12/2 Darlene Love, Sony Hall
11/30 Guster, Terminal 5
12/1 Beirut, Terminal 5
12/4 Bon Iver, Kings Theatre
12/4 The Hold Steady, Brooklyn Bowl
12/4 Bela Fleck & The Flecktones, Town Hall
Fall Concerts (nycgo.com)
David Byrne’s American Utopia on Broadway
October 4, 2019–January 19, 2020
“The Talking Heads frontman hits Broadway with a show based on his latest album—but you can expect some old favorites as well.”
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 65 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2019 – the ninth consecutive year. BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
‘BETYE SAAR: THE LEGENDS OF “BLACK GIRL’S WINDOW”’ at the Museum of Modern Art (through Jan. 4).
“Black Girl’s Window,” which consists of an old window frame that Saar filled with a constellation of images, is the focus of this exhibition, one of several helping to reopen MoMA. Concentrating on Saar’s early years as an artist, it tracks the experiments in printmaking and assemblage that led her to arrive at the titular work. Despite the unusual color of the gallery’s deep purple walls, the show is relatively modest — a scholarly study of a specific period, anchored by MoMA’s recent acquisition of a group of 42 of her works on paper. Two pieces from 1972 that represent her shift from the mystical to the political — “Black Crows in the White Section Only,” which brings together a variety of racist advertisements, and “Let Me Entertain You,” which shows a minstrel singer with a guitar transforming into a black liberation fighter with a rifle — serve as a kind of coda. Their appearance at the end offers a tantalizing glimpse of the iconoclastic artist Saar was on her way to becoming. (Jillian Steinhauer-NYT)
‘T. REX: THE ULTIMATE PREDATOR’
American Museum of Natural History (through Aug. 9, 2020).
“Everyone’s favorite 18,000-pound prehistoric killer gets the star treatment in this eye-opening exhibition, which presents the latest scientific research on T. rex and also introduces many other tyrannosaurs, some discovered only this century in China and Mongolia. T. rex evolved mainly during the Cretaceous Period to have keen eyes, spindly arms and massive conical teeth, which could bear down on prey with the force of a U-Haul truck; the dinosaur could even swallow whole bones, as affirmed here by a kid-friendly display of fossilized excrement. The show mixes 66-million-year-old teeth with the latest 3-D prints of dino bones, and also presents new models of T. rex as a baby, a juvenile and a full-grown annihilator. Turns out this most savage beast was covered with — believe it! — a soft coat of beige or white feathers.” (Farago-NYT)
‘AUSCHWITZ. NOT LONG AGO. NOT FAR AWAY’
at the Museum of Jewish Heritage (through Jan. 3).
“Killing as a communal business, made widely lucrative by the Third Reich, permeates this traveling exhibition about the largest German death camp, Auschwitz, whose yawning gatehouse, with its converging rail tracks, has become emblematic of the Holocaust. Well timed, during a worldwide surge of anti-Semitism, the harrowing installation strives, successfully, for fresh relevance. The exhibition illuminates the topography of evil, the deliberate designing of a hell on earth by fanatical racists and compliant architects and provisioners, while also highlighting the strenuous struggle for survival in a place where, as Primo Levi learned, “there is no why.” (NYT-Ralph Blumenthal)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 11/28 and 11/26.