Today’s Fab 5 NYC Events > MONDAY/ JANUARY 15, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events better check the tab above: “NYC Events-January”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
Keyon Harrold and Friends (Jan. 15-18)
The Blue Note / 8PM, 10:30PM, $20–$35
In the fall Mr. Harrold released a bold, expansive album, “The Mugician.” It finds his trumpet coaxing an electrified ensemble into all sorts of approaches — slow-jam, vague Caribbean groove, contemporary jazz balladry — then tearing into them with animated, inventive soloing. He will draw on that material here, likely with special guests. (The album features a long list of guest vocalists, and when he played the Blue Note last January, Mr. Harrold brought along the rapper Big K.R.I.T. and the vocalist Bilal.)” (NYT-GIOVANNI RUSSONELLO)
4 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Jim Caruso’s Cast Party
>> One of Sixty-Five Thousand Gestures/NEW BODIES
>> It’s Even Worse Than You Think: What the Trump Administration Is Doing to America
Music, Dance, Performing Arts
Jim Caruso’s Cast Party
Birdland, 315 W44th St. / 9:30PM, $30
“Jim Caruso’s Cast Party is a wildly popular weekly soiree that brings a sprinkling of “Broadway glitz and urbane wit to the legendary Birdland in New York City every Monday night. It’s a cool cabaret night-out enlivened by a hilariously impromptu variety show. Showbiz superstars, backed by Steve Doyle on bass, Billy Stritch on piano and Daniel Glass on drums, hit the stage alongside up-and-comers, serving up jaw-dropping music and general razzle-dazzle.” (broadwayworld)
One of Sixty-Five Thousand Gestures/NEW BODIES: Jodi Melnick with Jared Angle, Sara Mearns, and Taylor Stanley
Solomon R. Guggenheim Museum / 7:30PM, $45+
“Choreographer Jodi Melnick presents an encore of her sold-out 2016 Works & Process commission NEW BODIES. This work weaves together dance, spoken text, and moderated discussion with live music, featuring New York City Ballet dancers Jared Angle, Sara Mearns, and Taylor Stanley, with harpsichord by composer György Ligeti, violin by composer Heinrich Biber, and commissioned music by Robert Boston. The evening also includes a performance of the solo One of Sixty-Five Thousand Gestures, choreographed by Trisha Brown and Jodi Melnick.”
Tosca (Dec 31 – May 12; next Jan.23 7:30pm)
The Metropolitan Opera / 8PM, $
“Rivaling the splendor of Franco Zeffirelli’s set and costumes of the Napoleonic era, Sir David McVicar’s ravishing new production offers a splendid backdrop for two extraordinary sopranos sharing the title role of the jealous prima donna: Sonya Yoncheva and Anna Netrebko. Vittorio Grigolo and Marcelo Álvarez alternate in the role of Tosca’s revolutionary artist lover Cavaradossi, with Bryn Terfel, Michael Volle, and Željko Lučić as the depraved police chief Scarpia. Andris Nelsons conducts.”
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
It’s Even Worse Than You Think: What the Trump Administration Is Doing to America
The Half King, 505 W. 23rd St./ 7PM, FREE
“Pulitzer Prize winning-journalist David Cay Johnston has been tracking Donald Trump since 1988—almost as long as the KGB! He’ll come to The Half King to talk about his new book, which reveals the way Trump is remaking the nation, as corruption overruns everything from agencies to the executive branch.” (ThoughtGallery.org)
Get ready for this month’s combination of Broadway Week and Restaurant Week. Enjoy a show and then go for a thematic meal afterward.
See TONY magazine: Your guide to combining NYC Broadway Week and NYC Restaurant Week
NYC Winter Jazzfest (Jan.10-17)
Various times and venues, Prices vary
“More than 130 acts perform in twelve venues over eight days during the annual stamina-testing NYC Winter Jazzfest, which kicks off Wednesday, January 10, with emerging British jazz acts The Comet Is Coming, saxophonist Nubya Garcia, and trumpeter Yazz Ahmed. Coming up, saxophonist Ravi Coltrane pays tribute to his mother, Alice; drummer Teri Lyne Carrington hosts an all-star celebration of the late pianist Geri Allen; and flutist-composer Nicole Mitchell explores a sci-fi musical utopia. The core of the festival, of course, is the weekend marathon. Bundle up Friday night to hear saxophonist Rudresh Mahathappa’s rhythmically elliptical Indo-Pak Coalition, drummer Ches Smith’s Haiti-centric We All Break, and experimental Brooklyn duo Sonnymoon at various locations. And explore the free-jazz outskirts at the New School on Saturday with power trio Harriet Tubman and the Sun Ra Arkestra’s live score to the Ra-written 1974 Afrofuturist film Space Is the Place.” (Richard Gehr, Village Voice)
The New York Jewish Film Festival (Jan.10-23)
Watch the screenings at Walter Reade Theater at Lincoln Center
at various times; $15
“A wide variety of documentaries, narrative films and retrospectives awaits you at this packed festival. Catch Italian comedy Let Yourself Go (January 13, January 14), West Bank doc West of the Jordan River (January 23) a restored screening of 1937 Yiddish film The Dybbuk (January 14, January 17), among many others.” (TONY)>mm
An Act of Defiance, 1PM
Directed by Jean van de Velde
The Mission of Raoul Wallenberg, 4PM
Directed by Alexander Rodnyanskiy
The Last Goldfish, 6:15PM
Directed by Su Goldfish
Late Summer Blues, 8:30PM
Directed by Renen Schorr
Let there be light!
Erwin Redl’s Whiteout, a newly commissioned public art project, will light up in Madison Square Park. It consists of hundreds of transparent white spheres, each embedded with a white LED light, and suspended from a square grid of steel poles. The swaying sequence of light will be on display until April 2018.
Bonus NYC events– Jazz Venues:
Many consider NYCity the Jazz capital of the world. Here are my favorite Jazz clubs, all on Manhattan’s WestSide. Check out who is playing tonight:
(5 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. South, villagevanguard.com, 212-255-4037
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319
Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com / 212-864-6662
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.5 million, had a record 60 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2017. Quality shows draw crowds.
Try to reserve seats for these top NYC events in advance, even if just on day of performance.
NYCity Vacation Travel Guide Video (Expedia):
WHAT’S ON VIEW
My Fave Special Exhibitions – MUSEUMS / Manhattan’s WestSide
(See the New York Times Arts Section for listings of all museums,
and also to see their expanded reviews of these exhibitions)
Museum of Modern Art:
A special pat on the back to MOMA, who is now displaying art from the seven countries affected by Trump’s travel ban.
“Trump’s ban against refugees from seven Muslim-majority nations has sparked acts of defiance in NYC, from demonstrations across town, to striking taxicab drivers at JFK to Middle Eastern bodega owners closing their shops in protest. Recently, the Museum Of Modern added its two cents by bringing out artworks it owns from the affected countries, and hanging them prominently within the galleries usually reserved for 19th- and 20th-century artworks from Europe and the United States. Paintings by Picasso and Matisse, for example, were removed to make way for pieces by Tala Madani (from Iran), Ibrahim El-Salahi (from Sudan) and architect Zaha Hadid (from Iraq). The rehanging, which was unannounced, aims to create a symbolic welcome that repudiates Trump by creating a visual dialog between the newly added works and the more familiar objects from MoMA’s permanent collection.” (TONY)
“This immersive and staggeringly charming retrospective is devoted to one of the best American photographers of the past half century. Shore has peers—Joel Meyerowitz, Joel Sternfeld, Richard Misrach, and, especially, William Eggleston—in a generation that, in the nineteen-seventies, stormed to eminence with color film, which art photographers had long disdained. His best-known series, “American Surfaces” and “Uncommon Places,” are both from the seventies and were mostly made in rugged Western states. The pictures in these series share a quality of surprise: appearances surely unappreciated if even really noticed by anyone before—in rural Arizona, a phone booth next to a tall cactus, on which a crude sign (“GARAGE”) is mounted, and, on a small-city street in Wisconsin, a movie marquee’s neon wanly aglow, at twilight. A search for fresh astonishments has kept Shore peripatetic, on productive sojourns in Mexico, Scotland, Italy, Ukraine, and Israel. He has remained a vestigial Romantic, stopping in space and time to frame views that exert a peculiar tug on him. This framing is resolutely formalist: subjects composed laterally, from edge to edge, and in depth. There’s never a “background.” The most distant element is as considered as the nearest. But only when looking for it are you conscious of Shore’s formal discipline, because it is as fluent as a language learned from birth. His best pictures at once arouse feelings and leave us alone to make what we will of them. He delivers truths, whether hard or easy, with something very like mercy.” (NewYorker)
© Laura Owens
“In the mid-nineteen-nineties, Owens heralded the comeback of painting with a succession of unbelievably cool, well-timed canvases that breezily dispensed with outdated notions of style, gesture, and the mutual exclusivity of formalism and illusionistic space. And she’s made news ever since: this welcome mid-career retrospective neatly charts the hairpin turns of the Los Angeles artist’s rigorous, funny, and very influential career thus far. A mischievously austere painting, from 1997, shows a blue expanse interrupted by seagulls, nominally and stickily rendered, as if piped on with black icing. The artist undercuts our understanding of “sky,” though, by airbrushing the birds’ shadows onto her monochrome. While it’s not so hard to believe that the tricky collisions of painterly quotation from the next few years are from the same artist, by 2002, when Owens deploys decorative painting in an enchanting woodland scene, we’re in a different world; then we’re in another, with her abstractions of chewed-up grids, digital brushstrokes, and sculptural, stuccolike blobs. The through line, of course, is her passionate loyalty to the medium itself, but, as demonstrated by the exhibition’s finale—an installation of two-sided, freestanding paintings, from 2015—she’s not afraid to move off the wall; it’s anyone’s guess what comes next.” (NewYorker)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 01/13 and 01/11.