Today’s Super 7 NYC Events > WEDNESDAY/ FEBRUARY 28, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events better check the tab above: “NYC Events-March”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
Semiramide (next performance Mar.03, 8PM)
Metropolitan Opera House / 7:30PM, $
“This masterpiece of dazzling vocal fireworks makes a rare Met appearance—its first in nearly 25 years—with Maurizio Benini on the podium. The all-star bel canto cast features Angela Meade in the title role of the murderous Queen of Babylon, who squares off in breathtaking duets with Arsace, a trouser role sung by Elizabeth DeShong. Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green complete the stellar cast.”
6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> XYLOURIS WHITE
>> Company Wayne McGregor
>>Ben Wendel Seasons Band
>> MACEO PARKER
>>Enrico Fermi: The Last Man Who Knew Everything
>> Whisky Nite!
>>New York City Beer Week
Elsewhere, but sometimes you just have to make the detour:
at Murmrr Ballroom / 8PM, $15
“The Cretan lute player Giorgos Xylouris and the Australian drummer Jim White are the twin engines of this duo, whose music ranges through traditional Greek folk, free jazz and any number of other improvised modes. Xylouris White’s third album, “Mother,” has a more tender touch than their first two (listen to the lovely album closer, “Lullaby”), a quality that should lend itself well to this Prospect Heights, Brooklyn, venue.” (NYT-SIMON VOZICK-LEVINSON)
Company Wayne McGregor (Feb.27-Mar.3)
Joyce Theater / 7:30PM, $46-$71
“Algorithm meets rhythm in Autobiography, the latest smash hit from Brit Wayne McGregor, resident choreographer at London’s Royal Ballet. He’s treating his body as an archive, developing choreographic portraits based on the sequencing of his own genome; every performance is different, but they all feature ten dancers, sets and projections by Ben Cullen Williams, and an original electronic score by Jlin. Lucy Carder designs the lights, Aitor Throup the costumes, and Uzma Hameed puzzles out the dramaturgy; the piece is “an abstract meditation on aspects of self, life, and writing.” The Saturday matinee performance is “Pay What You Decide”: Make a reservation for a dollar, and then figure out what it’s worth to you after you see it.” (Elizabeth Zimmer, VillageVoice)
Ben Wendel Seasons Band (Feb. 27-March 4)
Village Vanguard, 178 Seventh Ave. S., at 11th St./ 8:30, 10:30PM
“Programmatic yet inspired, Wendel’s Seasons outfit originally began as a series of online video duets that sprang from piano pieces by Tchaikovsky. Here, the saxophonist-bassoonist leader (and member of the popular band Kneebody) brings together three duet partners to give ample voice to the music: the pianist Aaron Parks, the bassist Matt Brewer, and the drummer Eric Harland.” (NewYorker)
MACEO PARKER (Feb. 27-March 4)
at the Blue Note / 8 and 10:30PM, $35-$45
“More than any saxophonist, Mr. Parker has helped define the sound of funk music. He threw splashes of grease into James Brown’s music as a prominent soloist in that band for most of the 1960s, then moved on to the subversive, psychedelic funk of Parliament and Funkadelic, George Clinton’s ensembles. Since the 1990s, Mr. Parker has been stomping across the globe with his own groups, delivering a satisfying, hip-swiveling mélange of funk and soul classics and his own repertoire.” (NYT-GIOVANNI RUSSONELLO)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
Enrico Fermi: The Last Man Who Knew Everything
Book Culture on Columbus, 450 Columbus Ave./ 7PM< FREE
“Enrico Fermi lived at the hinge of classical physics and quantum mechanics, and helped usher in the Atomic Age. David N. Schwartz, author of a new Fermi biography, will reveal the very human side of a genius.” (ThoughtGallery.org)
Presented by Whisky LIVE and Modern Trader –
Metropolitan Pavilion / 6-9:30PM, $139
“To honor its 14th edition, the producers of the annual and internationally renowned whisky tasting event — Whisky LIVE, are excited to present Whisky Nite! to New York on February 28th, 2018. The night will showcase spirits educators, specialty cocktails, book signings and over 250 whisky expressions, some of which making its U.S. debut! The special Whisky Nite! event builds the exclusive experience of tasting more than 250 of the world’s best whiskies along with dinner provided by New York’s most acclaimed restaurateur, Danny Meyer’s Union Square Events, and specialty drinks from the city’s top cocktail bars including Flatiron Room, Copper & Oak, Brandy Library, Fine & Rare, American Whiskey, Porchlight and more!”
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.5 million, had a record 60 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2017. Quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just on the day of performance.
New York City Beer Week
“For eight crazy nights starting February 24 (thru Mar.3), NYC Beer Week taps into the city with hundreds of events: parties, tastings, plenty of grub, the first-ever Fermentation Festival (gotta get those probiotics) and a closing awards gala that’ll honor the best suds in town. If last year’s fest was any indication of what’s to come—400 events took place over 10 days, and acclaimed composers George Gershwin and Leonard Bernstein performed live—you’re in for quite the boozy treat.” (TONY)
Let there be light!
Erwin Redl’s Whiteout, a newly commissioned public art project, will light up in Madison Square Park. It consists of hundreds of transparent white spheres, each embedded with a white LED light, and suspended from a square grid of steel poles. The swaying sequence of light will be on display until April 2018.
Bonus NYC events– Jazz Clubs:
Many consider NYCity the Jazz capital of the world. Here are my favorite Jazz clubs, all on Manhattan’s WestSide. Check out who is playing tonight:
(5 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. So., villagevanguard.com, 212-255-4037 (1st 8:30)
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592 (1st set 8pm)
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883 (1st 7pm)
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346 (1st 8)
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346 (1st set 7:30pm)
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319 (6pm)
Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595 (1st set 7:30pm)
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080 (1st 8:30pm)
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com/ 212-864-6662 (7pm)
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538 (1st 7pm)
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.
NYCity Vacation Travel Guide Video (Expedia):
WHAT’S ON VIEW
These are My Fave Special Exhibitions @ MUSEUMS / Manhattan’s Fifth Avenue
(See the New York Times Arts Section for listings of all museum exhibitions,
and also see the expanded reviews of these exhibitions)
Museum of the City of New York
NY AT ITS CORE (ongoing)
“Ten years in the making, New York at Its Core tells the compelling story of New York’s rise from a striving Dutch village to today’s “Capital of the World.” The exhibition captures the human energy that drove New York to become a city like no other and a subject of fascination the world over. Entertaining, inspiring, important, and at times bemusing, New York City “big personalities,” including Alexander Hamilton, Walt Whitman, Boss Tweed, Emma Goldman, JP Morgan, Fiorello La Guardia, Jane Jacobs, Jay-Z, and dozens more, parade through the exhibition. Visitors will also learn the stories of lesser-known New York personalities, like Lenape chieftain Penhawitz and Italian immigrant Susie Rocco. Even animals like the horse, the pig, the beaver, and the oyster, which played pivotal roles in the economy and daily life of New York, get their moment in the historical spotlight. Occupying the entire first floor in three interactive galleries (Port City, 1609-1898, World City, 1898-2012, and Future City Lab) New York at Its Core is shaped by four themes: money, density, diversity, and creativity. Together, they provide a lens for examining the character of the city, and underlie the modern global metropolis we know today. mcny.org” (NYCity Guide)
“In between jobs for doges and popes, the sixteenth-century Italian painter, who was born Paolo Caliari in Verona, completed two large paintings for a chapel in a convent graveyard on the Venetian island of Murano. One portrayed St. Jerome during his stint as a hermit in the Syrian desert; the other showed St. Agatha, imprisoned by a Roman consul for resisting his advances. Recently restored and leaving Italy for the first time, the canvases are remarkable for the subtlety of their color. Under matte and powdery surfaces, Jerome’s cardinal-red loincloth shimmers like real silk, the dark-green leaves of an overhead laurel branch look waxy, and a line of clouds at the bottom of the sky are simultaneously pink and orange. Agatha, sharing her cell with an apparition of St. Peter and a small blond angel, is perfectly distinct in every detail while still chromatically at home in a dim prison. Equally remarkable is Veronese’s understated insight into the ambivalent humanity of his saintly characters. Jerome has stopped mortifying his flesh with a rock to gaze up at a crucifix, but the way he holds his arm suggests that he might suddenly toss the stone at his distant Saviour instead. Agatha turns her head only halfway, as if unwilling to withdraw full attention from her own suffering merely on the strength of St. Peter’s promises.” (NewYorker)
Francisco de Zurbarán was the second-best painter in seventeenth-century Spain—no disgrace when the champion, his Seville-born near-exact contemporary, happened to be Diego Velázquez, who arguably remains better than anybody, ever. In this room-filling show, thirteen life-size imagined portraits, painted by Zurbarán circa 1640-45, constitute a terrific feat of Baroque storytelling: the movies of their day. Each character has a distinct personality, uniquely posed, costumed, and accessorized, and towering against a bright, clouded sky. All appear in the forty-ninth chapter of Genesis, in which the dying Jacob prophesies the fates of the founders-to-be of the Twelve Tribes of Israel. After nearly four centuries, the canvases sorely need cleaning. The brilliance of their colors has dimmed, notably in passages of brocade and other sumptuous fabrics—a forte of Zurbarán, whose father was a haberdasher. But most of the pictures retain power aplenty. Spend time with them, half an hour minimum. Their glories bloom slowly, as you register the formal decisions that practically spring the figures from their surfaces into the room with you, and as you ponder, if you will, the stories that they plumb. (NewYorker)
‘SCENES FROM THE COLLECTION’ “After a surgical renovation to its grand pile on Fifth Avenue, the Jewish Museum has reopened its third-floor galleries with a rethought and refreshed display of its permanent collection, which intermingles modern and contemporary art, by Jews and gentiles alike — Mark Rothko, Lee Krasner, Nan Goldin, Cindy Sherman, and the excellent young Nigerian draftswoman Ruby Onyinyechi Amanze — with 4,000 years of Judaica. The works are shown in a nimble, non-chronological suite of galleries, and some of its century-spanning juxtapositions are bracing; others feel reductive, even dilletantish. But always, the Jewish Museum conceives of art and religion as interlocking elements of a story of civilization, commendably open to new influences and new interpretations.” (Farago) 212-423-3200, thejewishmuseum.org
and you should be sure to check out these special exhibitions at that little museum on Fifth Ave., The Metropolitan Museum of Art
(open 7 days /week, AND always Pay What You Wish)
‘BIRDS OF A FEATHER: JOSEPH CORNELL’S HOMAGE TO JUAN GRIS’ (through April 15). “This small, hyper-specialized, stunning exhibition brings together a grand total of only 13 works — a dozen shadow boxes by Joseph Cornell, the Queens-based assemblage artist, and a Cubist masterwork that he cited as their direct inspiration. Gris’s “Man at the Café” (1914) might seem like a surprising obsession for Cornell, who was not a painter nor a Frenchman. He and Gris never met. But Cornell was deeply moved by Gris, the overlooked, tagalong third in the Cubist movement that also included Picasso and Braque, and the show succeeds in tracking the fluttery ways of artistic inspiration.”
‘THE FACE OF DYNASTY: ROYAL CRESTS FROM WESTERN CAMEROON’ (through Sept. 3). “Upstairs, the Michelangelos continue to knock ‘em dead; downstairs, in the African wing, a show of just four commanding wooden crowns constitutes a blockbuster of its own. These massive wooden crests — in the form of stylized human faces with vast vertical brows — served as markers of royal power among the Bamileke peoples of the Cameroonian grasslands, and the Met’s recent acquisition of an 18th-century specimen is joined here by three later examples, each featuring sharply protruding cheeks, broadly smiling mouths, and brows incised with involute geometric patterns. Ritual objects like these were decisive for the development of western modernist painting, and a Cameroonian crest was even shown at MoMA in the 1930s, as a “sculpture” divorced from ethnography. But these crests had legal and diplomatic significance as well as aesthetic appeal, and their anonymous African creators had a political understanding of art not so far from our own.” (Farago)
Museum Mile is a section of Fifth Avenue which contains one of the densest displays of culture in the world. Eight museums can be found along this section of Fifth Avenue:
• 105th Street – El Museo del Barrio (closed Sun-Mon)*
• 103rd Street – Museum of the City of New York (open 7 days /week)
• 92nd Street – The Jewish Museum (closed Wed) (Sat FREE) (Thu 5-8 PWYW)
• 91st Street – Cooper-Hewitt, National Design Museum (open 7 days /week)
• 89th Street – National Academy Museum (closed Mon-Tue)
• 88th Street – Solomon R. Guggenheim Museum (closed Thu) (Sat 6-8 PWYW)
• 86th Street – Neue Galerie New York (closed Tue-Wed) (Fri 6-8 FREE)
Last, but certainly not least, America’s premier museum
• 82nd Street – The Metropolitan Museum of Art (open 7 days /week)*
*always Pay What You Wish (PWYW)
Although technically not part of the Museum Mile, the Frick Collection (closed Mon) (Wed 2-6pm PWYW; First Friday each month (exc Jan+Sep) 6-9pm FREE) on the corner of 70th St. and Fifth Avenue and the The Morgan Library & Museum (closed Mon) (Fri 7-9 FREE) on Madison Ave and 37th St are also located near Fifth Ave.
Now plan your own museum crawl (info on hours & admission updated June 2, 2015).
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 02/26 and 02/24.