Today’s Super 7 NYC Events >TUESDAY/ APRIL 03, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, better check the tab above: “NYC Events-April”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
Renee Rosnes (April 3-8)
Village Vanguard, 178 Seventh Ave. S., at 11th St./ 8:30PM, +10:30PM, $35
“The pianist Rosnes, one of the leading stylists of her generation, has retained core members of her earlier units—the bassist Peter Washington and the vibist Steve Nelson—while adding significant new ones: the drummer Lenny White and the saxophonist Melissa Aldana. The potent concentration of the leader’s compositions, as heard on her ambitious “Written in the Rocks” recording, from 2016, insures the group’s integrity.” (NewYorker)
5 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> MARY HALVORSON
>> Dada Masilo/The Dance Factory
>> John Scofield
>> Jane Monheit
>> North Korea in the Age of Trump
>> “When Wall Street Was Unoccupied”: How Downtown Changed in the Decade Before and After 9/11
>> New Directors/New Films
>> New York International Auto Show
>>Macy’s Flower Show
Music, Dance, Performing Arts
MARY HALVORSON (April 3-4)
at Jazz Standard / 7:30 and 9:30PM, $30
“Ms. Halvorson’s fraying, sparkplug style makes her as singular a guitarist as they come. As a bandleader and composer, she’s always changing shape. Her latest project is one to seek out: Code Girl, a quintet in which the vocalist Amirtha Kidambi sings lyrics written by Ms. Halvorson. The band is about to release a fine debut album — a mix of indie-rock testimonial, noisy convulsion and warped group improvising — and will celebrate the disc with this two-night run, featuring Ms. Kidambi on vocals, Adam O’Farrill on trumpet (filling in for Ambrose Akinmusire, the group’s regular horn player), Michael Formanek on bass and Tomas Fujiwara on drums.” (NYT-GIOVANNI RUSSONELLO)
Dada Masilo/The Dance Factory
Joyce Theater / 7:30PM, $10+
South African choreographer Dada Masilo combines classical ballet with traditional African dance in her celebrated version of Giselle, one of the oldest surviving works in the Western canon. Composer Philip Miller combines Adolphe Adam’s nineteenth-century score with African sounds, and a dozen members of Masilo’s troupe, the Dance Factory, bring new life and insights to the classic tale of a peasant girl tempted and betrayed by a member of a royal family, and the eerie revenge she exacts. For the last time this season at the Joyce, you can book a couple of seats for a dollar each, and then pay what you think the show is worth after you see it.” (Elizabeth Zimmer, VillageVoice)
John Scofield (April 3-8.)
Blue Note, 131 W. 3rd St./ 8PM, +10;30PM, $20-$35
You never really know what direction this jazz-guitar avatar is headed; a recent venture found him teaming up with the all-star Hudson quartet to reinvent some nineteen-sixties rock classics. Wherever his fancy leads him, it’s certain that Scofield will exhibit the deliciously twisting lines and sweet-meets-nasty tone that are his calling cards.” (NewYorker)
Jane Monheit (April 3-7)
Birdland / 8:30PM, +11PM, $40
“Monheit has a smooth, lovely voice that can please jazzers, pop fans and cabaretters alike. The songbird now returns to her regular perch at Birdland.” (TONY)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
North Korea in the Age of Trump
New-York Historical Society, 170 Central Park West / 6:30PM, $44
“With tensions between the U.S. and North Korea reaching unprecedented heights and the threat of nuclear confrontation dominating American news headlines, experts discuss the tenuous situation, uncover the political and diplomatic history of North Korea, and reveal the consequences of escalating conflict.
Sue Mi Terry, a former Korea specialist at the CIA and National Security Council, is Korea Chair at the Center for Strategic and International Studies in Washington. Max Boot (moderator) is Jeane J. Kirkpatrick Senior Fellow for National Security Studies at the Council on Foreign Relations.”
“When Wall Street Was Unoccupied”: How Downtown Changed in the Decade Before and After 9/11
The Skyscraper Museum, 39 Battery Pl./ 6:30PM, FREE, RSVP required
TONIGHT: Cornell AAP, 26 Broadway, 20th Floor
“In conjunction with its exhibition MILLENNIUM: Lower Manhattan in the 1990s, The Skyscraper Museum will present a panel discussion that reflects on the extraordinary changes, planned and unplanned, that took place in New York’s oldest neighborhood. No place in the mid-1990s was more ripe for reinvention than lower Manhattan – especially the historic Financial District, where, in the wake of the 1987 stock market crash and savings-and-loan crisis, vacancy rates rose to nearly 30 percent. Planning policy, government incentives, Landmarks regulation, new cultural organizations, and eventually a reviving real estate market were beginning to change the FiDi’s essential character by the first year of the 21st century. Then unexpected change happened.”
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 63 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
New Directors/New Films (March 28 through April 8.)
Film Society of Lincoln Center and MoMA, / various times, $12-$17
In its 47th year, ND/NF opens with a portrait of freewheeling rapper M.I.A., Matangi/Maya/M.I.A., drawing on videos she made herself, and features Portuguese director Pedro Pinho’s three-hour The Nothing Factory — an epic portrait of an elevator-factory strike with musical numbers.” (D.E., NYMagazine)
Love this festival. After the film screens, the Q&A with the directors and cast (sometimes) is always fascinating. Who knows, you may discover the next Pedro Almodovar – we did.
New York International Auto Show (3/30-4/8)
“The 2018 New York International Auto Show is home to an awe-inspiring display of technology and design, as 1,000 new cars and trucks are arrayed across the acreage of the Javits Convention Center. You can check out all the latest models from a hands-on, driver’s seat vantage. The show also features the hottest exotics, joined by futuristic concept cars and a few shiny classics. Some 60 world and North American debuts can be found at this year’s show! You’ll even leave with a gift bag or two.” (cityguideny)
WHEN | WHERE Friday, March 30, through April 8 at the Jacob Javits Convention Center, 655 W. 34th St.
INFO $17, $7 ages 12 and younger, free 2 and younger, autoshowny.com
Visit the Macy’s Flower Show
“It’s a floral fairy tale at Macy’s for the store’s annual spring flower show, “Once Upon a Springtime.” Flowers, plants and trees take over windows and countertops, are featured in gardens and on bridges on multiple floors. Events range from a family fun day and breakfast with the Easter bunny to a sip-and-paint class and a men’s grooming and beer tasting.”
WHEN | WHERE Sunday, March 25, through April 8 at Macy’s Herald Square, 151 W. 34th St.
INFO Free (events range up to $24), 212-494-4495, macys.com/social/flower-show/new-york (Newsday)
Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:
Feinstein’s/54 Below – 254 W 54th St.
The Green Room 42 – 570 Tenth Ave.
Don’t Tell Mama – 343 W 46th St.
Marie’s Crisis – 59 Grove St.
The Rum House, in the Hotel Edison – 228 W. 47th St.
Laurie Beechman Theatre – 407 W 42nd St.
The Duplex – 61 Christopher St.
Sid Gold’s Request Room – 165 W 26th St.
Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.
NYCity Vacation Travel Guide Video (Expedia):
Museum of Modern Art:
A special pat on the back to MOMA, who is now displaying art from the seven countries affected by Trump’s travel ban.
“Trump’s ban against refugees from seven Muslim-majority nations has sparked acts of defiance in NYC, from demonstrations across town, to striking taxicab drivers at JFK to Middle Eastern bodega owners closing their shops in protest. Recently, the Museum Of Modern added its two cents by bringing out artworks it owns from the affected countries, and hanging them prominently within the galleries usually reserved for 19th- and 20th-century artworks from Europe and the United States. Paintings by Picasso and Matisse, for example, were removed to make way for pieces by Tala Madani (from Iran), Ibrahim El-Salahi (from Sudan) and architect Zaha Hadid (from Iraq). The rehanging, which was unannounced, aims to create a symbolic welcome that repudiates Trump by creating a visual dialog between the newly added works and the more familiar objects from MoMA’s permanent collection.” (TONY)
Stephen Shore (thru May 28)
“This immersive and staggeringly charming retrospective is devoted to one of the best American photographers of the past half century. Shore has peers—Joel Meyerowitz, Joel Sternfeld, Richard Misrach, and, especially, William Eggleston—in a generation that, in the nineteen-seventies, stormed to eminence with color film, which art photographers had long disdained. His best-known series, “American Surfaces” and “Uncommon Places,” are both from the seventies and were mostly made in rugged Western states. The pictures in these series share a quality of surprise: appearances surely unappreciated if even really noticed by anyone before—in rural Arizona, a phone booth next to a tall cactus, on which a crude sign (“GARAGE”) is mounted, and, on a small-city street in Wisconsin, a movie marquee’s neon wanly aglow, at twilight. A search for fresh astonishments has kept Shore peripatetic, on productive sojourns in Mexico, Scotland, Italy, Ukraine, and Israel. He has remained a vestigial Romantic, stopping in space and time to frame views that exert a peculiar tug on him. This framing is resolutely formalist: subjects composed laterally, from edge to edge, and in depth. There’s never a “background.” The most distant element is as considered as the nearest. But only when looking for it are you conscious of Shore’s formal discipline, because it is as fluent as a language learned from birth. His best pictures at once arouse feelings and leave us alone to make what we will of them. He delivers truths, whether hard or easy, with something very like mercy.” (NewYorker)
Tarsila do Amaral (thru June 3)
Introducing New York to the First Brazilian Modernist
“Forty-five years after Tarsila do Amaral’s death, MOMA presents her first-ever museum exhibition in the U.S. Some artists are so iconic, they’re known by only one name: Brancusi, Léger, Tarsila. Wait, who? The painter Tarsila do Amaral is so famous in her native Brazil that forty-three years after her death she helped close out the 2016 Rio de Janeiro Olympics, when a projected pattern of red-orange-yellow arcs graced the stadium floor, an homage to her 1929 painting “Setting Sun.” That chimerical landscape—stylized sunset above tubular cacti and a herd of capybaras that shape-shift into boulders—hangs now at MOMA, in the artist’s first-ever museum exhibition in the U.S., “Tarsila do Amaral: Inventing Modern Art in Brazil.” (NewYorker)
‘TARSILA DO AMARAL: INVENTING MODERN ART IN BRAZIL’ (through June 3). “The subtitle is no overstatement: In the early 1920s, first in Paris and then back home in São Paulo, Brazil, this painter really did lay the groundwork for the coming of modernism in Latin America’s most populous nation. Tired of the European pretenders in Brazil’s art academies, Tarsila (who was always called by her first name) began to intermingle Western, African and indigenous motifs into flowing, biomorphic paintings, and to theorize a new national culture fueled by the principle of antropofagia, or “cannibalism.” Along with spare, assured drawings of Rio and the Brazilian countryside, this belated but very welcome show assembles Tarsila’s three most important paintings, including the classic “Abaporu” (1928): a semi-human nude with a spindly nose and a comically swollen foot. (Jason Farago)” (NYT)
Whitney Museum of American Art
‘GRANT WOOD: AMERICAN GOTHIC AND OTHER FABLES’ (through June 10). This well-done survey begins with the American Regionalist’s little-known efforts as an Arts and Crafts designer and touches just about every base. It includes his mural studies, book illustrations and most of his best-known paintings — including “American Gothic” and “The Midnight Ride of Paul Revere.” Best of all are Wood’s smooth undulant landscapes with their plowmen and spongy trees and infectious serenity. (Smith, NYT)
‘ZOE LEONARD: SURVEY’ (through June 10).
Some shows cast a spell. Zoe Leonard’s reverberant retrospective does. Physically ultra-austere, all white walls with a fiercely edited selection of objects — photographs of clouds taken from airplane windows; a mural collaged from vintage postcards; a scattering of empty fruit skins, each stitched closed with needle and thread — it’s an extended essay about travel, time passing, political passion and the ineffable daily beauty of the world. (Cotter, NYT)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 04/01 and 03/30