Today’s Sweet 6 NYC Events >TUESDAY/ APRIL 17, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, better check the tab above: “NYC Events-April”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
LAR LUBOVITCH DANCE COMPANY (through April 22).
at the Joyce Theater / 7:30 p.m., $
“One of the most enduring names in American modern dance, Lar Lubovitch has been choreographing for half a century. He will honor that remarkable milestone this week with three programs spanning more than 30 years, from “A Brahms Symphony” (1985), performed by students, to the premiere of a new work. Members of the Martha Graham Dance Company will join the anniversary celebration with performances of Mr. Lubovitch’s “The Legend of Ten,” as will dancers from the Joffrey Ballet with a selection from Mr. Lubovitch’s full-length “Othello.” His acclaimed, tender exploration of masculinity in dance, “Men’s Stories: A Concerto in Ruin,” anchors each program.” (NYT-BRIAN SCHAEFER)
5 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Linda May Han Oh Quintet
>> AMERICAN BALLET THEATER STUDIO COMPANY
>> PEN America World Voices Festival
>> Why Buddhism Is True with Robert Wright
>> The Orchid Show
Music, Dance, Performing Arts
Linda May Han Oh Quintet (April 17-22)
Village Vanguard, 178 Seventh Ave. S., at 11th St.
“It seems like just yesterday that the Australian bassist Oh was the new kid in town, dazzling listeners with her levitating bass lines; she’s since played with such estimable artists as Kenny Barron and Pat Metheny. Now leading her own unit at this most hallowed of jazz venues, Oh fronts a quintet that includes the saxophonist Ben Wendel, the pianist Fabian Almazan, and the drummer Rudy Royston.” (NewYorker)
Cendrillon (Apr 12–May 11)
Metropolitan Opera House / 7:30PM, $
“Glorious,” raved the New York Times when Joyce DiDonato sang the title role of Cendrillon at the Royal Opera in 2011. “Her performance was thoroughly enchanting.” Now, for the first time ever, Massenet’s sumptuous take on the Cinderella story comes to the Met, with DiDonato starring in the title role. She is paired with mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the imperious Madame de la Haltière. Bertrand de Billy conducts Laurent Pelly’s imaginative storybook production.”
AMERICAN BALLET THEATER STUDIO COMPANY (April 17-18)
at Ailey Citigroup Theater / 7PM, $
“Before they hit the big leagues, catch the next generation of ballet stars in intimate environs as Ballet Theater’s junior ensemble presents a mixed bill of classical and contemporary work. The program includes August Bournonville’s “William Tell” pas de deux and an excerpt from the Romantic staple “Giselle” as interpreted by Ethan Stiefel and Johan Kobborg. “Untitled” by the young British choreographer Liam Scarlett and new works by Marco Pelle and Lauren Lovette, a principal ballerina at New York City Ballet, will also be featured.” (NYT-BRIAN SCHAEFER)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
PEN America World Voices Festival
Multiple times and venues; Prices vary (Apr. 16-22)
“In a 2005 article on the first PEN America World Voices Festival, Salman Rushdie wrote of the need for Americans to listen to the voices of the globally oppressed. “Those voices — Arab or Afghan or Latin American or Russian — need to be magnified, so that they can be heard loud and clear just as the Soviet dissidents once were.” This was, of course, long before the 2016 election of Donald Trump, the surge of white nationalist rhetoric into the mainstream discourse, and the global reckoning of the #MeToo movement. This year’s PEN World Voices Festival: Resist and Reimagine promises to interrogate America’s own dissident histories and power dynamics. Click here to peruse the complete schedule.” (Alana Mohamed, VillageVoice)
Why Buddhism Is True with Robert Wright
Asia Society and Museum, 725 Park Ave./ 6:30PM, $40
“Best-selling author Robert Wright’s newest book combines evolutionary psychology and the latest in neuroscience to back the philosophies of Buddhism. Catch him in conversation on meditation and more with ABC News Anchor Juju Chang.” (ThoughtGallery.org)
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 63 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
The Orchid Show (thru April 22)
New York Botanical Garden; 2900 Southern Blvd, Bronx; various dates and times; $20
“Now in its 16th year, this mesmerizing show displays thousands of orchids in geometric, illuminated sculptural presentations. Catch special Orchid evenings for dancing, music and drinks among the flowers.”
“With less than a month left to see the 16th edition of the Orchid Show, there’s no better time to go to the New York Botanical Garden. Marvel over Belgian floral artist Daniël Ost’s wabi-sabi installations, which find beauty in imperfection and impermanence.” (TONY)
The Orchid Show in NYC guide
Bonus NYC events– Jazz Clubs:
Many consider NYCity the Jazz capital of the world. My favorite Jazz Clubs, all on Manhattan’s WestSide, feature top talent every night of the week.
Hit the Hot Link and check out who is playing tonight:
(5 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. So., villagevanguard.com, 212-255-4037 (1st 8:30)
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592 (1st set 8pm)
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883 (1st 7pm)
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346 (1st 8)
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346 (1st set 7:30pm)
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319 (6pm)
Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595 (1st set 7:30pm)
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080 (1st 8:30pm)
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com/ 212-864-6662 (7pm)
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538 (1st 7pm)
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.
NYCity Vacation Travel Guide Video (Expedia):
WHAT’S ON VIEW
These are My Fave Special Exhibitions @ MUSEUMS / Manhattan’s Fifth Avenue
(See the New York Times Arts Section for listings of all museum exhibitions,
and also see the expanded reviews of these exhibitions)
Museum of the City of New York
NY AT ITS CORE (ongoing)
“Ten years in the making, New York at Its Core tells the compelling story of New York’s rise from a striving Dutch village to today’s “Capital of the World.” The exhibition captures the human energy that drove New York to become a city like no other and a subject of fascination the world over. Entertaining, inspiring, important, and at times bemusing, New York City “big personalities,” including Alexander Hamilton, Walt Whitman, Boss Tweed, Emma Goldman, JP Morgan, Fiorello La Guardia, Jane Jacobs, Jay-Z, and dozens more, parade through the exhibition. Visitors will also learn the stories of lesser-known New York personalities, like Lenape chieftain Penhawitz and Italian immigrant Susie Rocco. Even animals like the horse, the pig, the beaver, and the oyster, which played pivotal roles in the economy and daily life of New York, get their moment in the historical spotlight. Occupying the entire first floor in three interactive galleries (Port City, 1609-1898, World City, 1898-2012, and Future City Lab) New York at Its Core is shaped by four themes: money, density, diversity, and creativity. Together, they provide a lens for examining the character of the city, and underlie the modern global metropolis we know today. mcny.org” (NYCity Guide)
Francisco de Zurbarán was the second-best painter in seventeenth-century Spain—no disgrace when the champion, his Seville-born near-exact contemporary, happened to be Diego Velázquez, who arguably remains better than anybody, ever. In this room-filling show, thirteen life-size imagined portraits, painted by Zurbarán circa 1640-45, constitute a terrific feat of Baroque storytelling: the movies of their day. Each character has a distinct personality, uniquely posed, costumed, and accessorized, and towering against a bright, clouded sky. All appear in the forty-ninth chapter of Genesis, in which the dying Jacob prophesies the fates of the founders-to-be of the Twelve Tribes of Israel. After nearly four centuries, the canvases sorely need cleaning. The brilliance of their colors has dimmed, notably in passages of brocade and other sumptuous fabrics—a forte of Zurbarán, whose father was a haberdasher. But most of the pictures retain power aplenty. Spend time with them, half an hour minimum. Their glories bloom slowly, as you register the formal decisions that practically spring the figures from their surfaces into the room with you, and as you ponder, if you will, the stories that they plumb. (NewYorker)
‘SCENES FROM THE COLLECTION’ “After a surgical renovation to its grand pile on Fifth Avenue, the Jewish Museum has reopened its third-floor galleries with a rethought and refreshed display of its permanent collection, which intermingles modern and contemporary art, by Jews and gentiles alike — Mark Rothko, Lee Krasner, Nan Goldin, Cindy Sherman, and the excellent young Nigerian draftswoman Ruby Onyinyechi Amanze — with 4,000 years of Judaica. The works are shown in a nimble, non-chronological suite of galleries, and some of its century-spanning juxtapositions are bracing; others feel reductive, even dilletantish. But always, the Jewish Museum conceives of art and religion as interlocking elements of a story of civilization, commendably open to new influences and new interpretations.” (Farago) 212-423-3200, thejewishmuseum.org
and you should be sure to check out these special exhibitions at that little museum on Fifth Ave., The Metropolitan Museum of Art
(open 7 days /week, AND always Pay What You Wish)
‘THOMAS COLE’S JOURNEY: ATLANTIC CROSSING’ (through May 13). “The Met’s exhibition of the nation’s first major landscape artist and progenitor of what would be called the Hudson River School is gorgeous, politically right for right now and a lesson in the mutability of art history. Politically, Cole’s art is conservative, but it’s also work that challenges and complicates that term. And this show is precisely about complication. Just as Cole is most realistically and revealingly seen and judged against the background of his time, so is the exhibition, coming as it does in this confounding MAGA moment.” (Holland Cotter)
‘THE FACE OF DYNASTY: ROYAL CRESTS FROM WESTERN CAMEROON’ (through Sept. 3). “Upstairs, the Michelangelos continue to knock ‘em dead; downstairs, in the African wing, a show of just four commanding wooden crowns constitutes a blockbuster of its own. These massive wooden crests — in the form of stylized human faces with vast vertical brows — served as markers of royal power among the Bamileke peoples of the Cameroonian grasslands, and the Met’s recent acquisition of an 18th-century specimen is joined here by three later examples, each featuring sharply protruding cheeks, broadly smiling mouths, and brows incised with involute geometric patterns. Ritual objects like these were decisive for the development of western modernist painting, and a Cameroonian crest was even shown at MoMA in the 1930s, as a “sculpture” divorced from ethnography. But these crests had legal and diplomatic significance as well as aesthetic appeal, and their anonymous African creators had a political understanding of art not so far from our own.” (Farago)
Museum Mile is a section of Fifth Avenue which contains one of the densest displays of culture in the world. Eight museums can be found along this section of Fifth Avenue:
• 105th Street – El Museo del Barrio (closed Sun-Mon)*
• 103rd Street – Museum of the City of New York (open 7 days /week)
• 92nd Street – The Jewish Museum (closed Wed) (Sat FREE) (Thu 5-8 PWYW)
• 91st Street – Cooper-Hewitt, National Design Museum (open 7 days /week)
• 89th Street – National Academy Museum (closed Mon-Tue)
• 88th Street – Solomon R. Guggenheim Museum (closed Thu) (Sat 6-8 PWYW)
• 86th Street – Neue Galerie New York (closed Tue-Wed) (Fri 6-8 FREE)
Last, but certainly not least, America’s premier museum
• 82nd Street – The Metropolitan Museum of Art (open 7 days /week)*
*always Pay What You Wish (PWYW)
Although technically not part of the Museum Mile, the Frick Collection (closed Mon) (Wed 2-6pm PWYW; First Friday each month (exc Jan+Sep) 6-9pm FREE) on the corner of 70th St. and Fifth Avenue and the The Morgan Library & Museum (closed Mon) (Fri 7-9 FREE) on Madison Ave and 37th St are also located near Fifth Ave.
Now plan your own museum crawl (info on hours & admission updated June 2, 2015).
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 04/15 and 04/13.