Today’s Elite 8 NYC Events > SATURDAY/ APRIL 21, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, better check the tab above: “NYC Events-April”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
LAR LUBOVITCH DANCE COMPANY (through April 22).
at the Joyce Theater / 2PM, +8PM, $55+
“One of the most enduring names in American modern dance, Lar Lubovitch has been choreographing for half a century. He will honor that remarkable milestone this week with three programs spanning more than 30 years, from “A Brahms Symphony” (1985), performed by students, to the premiere of a new work. Members of the Martha Graham Dance Company will join the anniversary celebration with performances of Mr. Lubovitch’s “The Legend of Ten,” as will dancers from the Joffrey Ballet with a selection from Mr. Lubovitch’s full-length “Othello.” His acclaimed, tender exploration of masculinity in dance, “Men’s Stories: A Concerto in Ruin,” anchors each program.” (NYT-BRIAN SCHAEFER)
7 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Linda May Han Oh Quintet
>>Dancing the Gods
>>Christian McBride Big Band
>> Time Travelers to Versailles
>> Artexpo New York
>> NYC Craft Beer Festival
>> Gotham Girls Roller Derby
>> PEN America World Voices Festival
>> The Orchid Show
Music, Dance, Performing Arts
Linda May Han Oh Quintet (also Sunday)
Village Vanguard, 178 Seventh Ave. S., at 11th St./ 8:30Pm, +10:30PM, $35
“It seems like just yesterday that the Australian bassist Oh was the new kid in town, dazzling listeners with her levitating bass lines; she’s since played with such estimable artists as Kenny Barron and Pat Metheny. Now leading her own unit at this most hallowed of jazz venues, Oh fronts a quintet that includes the saxophonist Ben Wendel, the pianist Fabian Almazan, and the drummer Rudy Royston.” (NewYorker)
Dancing the Gods
Symphony Space, 2537 Broadway / 7PM, lecture, 8PM, performance, $35-$40
“Indian dance is highlighted in two nights of exhilarating, evening-length showcases with live music during the annual Dancing the Gods event at Symphony Space. First is Amrita Lahiri, a star of Kuchipidi dance in South India. Sunday is the Dancing Monks of Assam and the Sattriya Dance Company, with traditional worship dances from northeast India. Both offer a pre-show intro to the significance of the dance, followed by a post-show Chat & Chai with the artists.” (METRO)
Time Travelers to Versailles
Metropolitan Museum of Art / 7PM, $50
“If these walls could talk.
Versailles wasn’t just a château with a garden; it was the West’s own Xanadu, the pleasure palace of the divinely entitled. In conjunction with the exhibit “Visitors to Versailles (1682–1789),” the 18th century and ours talk to each other through music inspired by the headquarters of the ancien régime. Charpentier, who was there, shares a program with new works by Timo Andres and Caroline Shaw.” (NYMag, Justin Davidson)
Christian McBride Big Band (Apr.19-22)
Dizzy’s Club, Jazz at Lincoln Center / 7:30PM, +9:30PM, $35+
“GRAMMY® Award-winning bassist Christian McBride first composed for big band in 1995 as a commission for the Jazz at Lincoln Center Orchestra. The master musician has since appeared on over 300 recordings and is easily one of the most accomplished bassists alive. Now a leader of his own GRAMMY® Award-winning Big Band, featuring a staggering and diverse lineup of top musicians, McBride simultaneously shows off his compositional talent and unmatched ability to drive a band from behind the bass. This hip new group combines the classic big band sounds of the Swing Era with more than half a century of post-bop influences.”
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
Artexpo New York (April 19-22)
Pier 94, 711 12th Avenue / 10AM-8PM, $20
“Each year thousands of art industry insiders flock to Artexpo New York in search of the art and artists that will shape trends in galleries worldwide. Hosting more than 35,000 avid art enthusiasts annually, we’re the largest international gathering of qualified trade buyers—including gallery owners and managers, art dealers, interior designers, architects, corporate art buyers, and art and framing retailers.” (unplugged)
Gotham Girls Roller Derby
John Jay College of Criminal Justice / 6pm; $30
“Five boroughs, five colors, five teams of fierce female furies ready to battle it out on the rink for eternal glory and a championship title. Show up early in your favorite team’s colors and watch the league’s fiercest brawlers bring it with rollerblades at this beloved pastime.” (TONY)
NYC Craft Beer Festival (April 20-21)
Metropolitan Pavilion, 125 W. 18th St., $55-$85,
“Over 150 beers, ciders, means and more gather for your sampling pleasure at the NYC Craft Beer Festival. There’s also an upgraded ticket for a new experience called The Loft, a lounge with a Bloody Mary bar, live music, craft cocktails and a cash oyster bar.” (METRO)
MLB Foodfest (April 21-22)
415 Fifth Ave./ 11 a.m.-9 p.m.,, $25-$40
“Some of the weirdest food comes out of ballparks, and Major League Baseball is bringing some of the greatest hits from all 30 of its venues nationwide to the first-ever MLB Foodfest. Try hometown classics like the Red Sox’s New England Lobster Rolls, fan favorites like whatever the Kurd-Marczuk is at the Cincinnati Reds’ Great American Ball Park, or real curveballs like the Toasted Grasshoppers from the Mariners’ Safeco Field, plus fun stuff like a Popcorn Pit and a Hot Dog Pit.” (METRO)
EDITOR’S NOTE: This event looks like a lot of fun. So much fun it just SOLD OUT. Use the link to sign up to be on their mailing list for the next one.
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 63 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
PEN America World Voices Festival
Multiple times and venues; Prices vary (Apr. 16-22)
“In a 2005 article on the first PEN America World Voices Festival, Salman Rushdie wrote of the need for Americans to listen to the voices of the globally oppressed. “Those voices — Arab or Afghan or Latin American or Russian — need to be magnified, so that they can be heard loud and clear just as the Soviet dissidents once were.” This was, of course, long before the 2016 election of Donald Trump, the surge of white nationalist rhetoric into the mainstream discourse, and the global reckoning of the #MeToo movement. This year’s PEN World Voices Festival: Resist and Reimagine promises to interrogate America’s own dissident histories and power dynamics. Click here to peruse the complete schedule.” (Alana Mohamed, VillageVoice)
The Orchid Show (thru April 22)
New York Botanical Garden; 2900 Southern Blvd, Bronx; various dates and times; $20
“Now in its 16th year, this mesmerizing show displays thousands of orchids in geometric, illuminated sculptural presentations. Catch special Orchid evenings for dancing, music and drinks among the flowers.”
“With less than a month left to see the 16th edition of the Orchid Show, there’s no better time to go to the New York Botanical Garden. Marvel over Belgian floral artist Daniël Ost’s wabi-sabi installations, which find beauty in imperfection and impermanence.” (TONY)
The Orchid Show in NYC guide
Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:
Feinstein’s/54 Below – 254 W 54th St.
The Green Room 42 – 570 Tenth Ave.
Don’t Tell Mama – 343 W 46th St.
Marie’s Crisis – 59 Grove St.
The Rum House, in the Hotel Edison – 228 W. 47th St.
Laurie Beechman Theatre – 407 W 42nd St.
The Duplex – 61 Christopher St.
Sid Gold’s Request Room – 165 W 26th St.
Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.
NYCity Vacation Travel Guide Video (Expedia):
Museum of Modern Art:
A special pat on the back to MOMA, who is now displaying art from the seven countries affected by Trump’s travel ban.
“Trump’s ban against refugees from seven Muslim-majority nations has sparked acts of defiance in NYC, from demonstrations across town, to striking taxicab drivers at JFK to Middle Eastern bodega owners closing their shops in protest. Recently, the Museum Of Modern added its two cents by bringing out artworks it owns from the affected countries, and hanging them prominently within the galleries usually reserved for 19th- and 20th-century artworks from Europe and the United States. Paintings by Picasso and Matisse, for example, were removed to make way for pieces by Tala Madani (from Iran), Ibrahim El-Salahi (from Sudan) and architect Zaha Hadid (from Iraq). The rehanging, which was unannounced, aims to create a symbolic welcome that repudiates Trump by creating a visual dialog between the newly added works and the more familiar objects from MoMA’s permanent collection.” (TONY)
Stephen Shore (thru May 28)
“This immersive and staggeringly charming retrospective is devoted to one of the best American photographers of the past half century. Shore has peers—Joel Meyerowitz, Joel Sternfeld, Richard Misrach, and, especially, William Eggleston—in a generation that, in the nineteen-seventies, stormed to eminence with color film, which art photographers had long disdained. His best-known series, “American Surfaces” and “Uncommon Places,” are both from the seventies and were mostly made in rugged Western states. The pictures in these series share a quality of surprise: appearances surely unappreciated if even really noticed by anyone before—in rural Arizona, a phone booth next to a tall cactus, on which a crude sign (“GARAGE”) is mounted, and, on a small-city street in Wisconsin, a movie marquee’s neon wanly aglow, at twilight. A search for fresh astonishments has kept Shore peripatetic, on productive sojourns in Mexico, Scotland, Italy, Ukraine, and Israel. He has remained a vestigial Romantic, stopping in space and time to frame views that exert a peculiar tug on him. This framing is resolutely formalist: subjects composed laterally, from edge to edge, and in depth. There’s never a “background.” The most distant element is as considered as the nearest. But only when looking for it are you conscious of Shore’s formal discipline, because it is as fluent as a language learned from birth. His best pictures at once arouse feelings and leave us alone to make what we will of them. He delivers truths, whether hard or easy, with something very like mercy.” (NewYorker)
Tarsila do Amaral (thru June 3)
Introducing New York to the First Brazilian Modernist
“Forty-five years after Tarsila do Amaral’s death, MOMA presents her first-ever museum exhibition in the U.S. Some artists are so iconic, they’re known by only one name: Brancusi, Léger, Tarsila. Wait, who? The painter Tarsila do Amaral is so famous in her native Brazil that forty-three years after her death she helped close out the 2016 Rio de Janeiro Olympics, when a projected pattern of red-orange-yellow arcs graced the stadium floor, an homage to her 1929 painting “Setting Sun.” That chimerical landscape—stylized sunset above tubular cacti and a herd of capybaras that shape-shift into boulders—hangs now at MOMA, in the artist’s first-ever museum exhibition in the U.S., “Tarsila do Amaral: Inventing Modern Art in Brazil.” (NewYorker)
‘TARSILA DO AMARAL: INVENTING MODERN ART IN BRAZIL’ (through June 3). “The subtitle is no overstatement: In the early 1920s, first in Paris and then back home in São Paulo, Brazil, this painter really did lay the groundwork for the coming of modernism in Latin America’s most populous nation. Tired of the European pretenders in Brazil’s art academies, Tarsila (who was always called by her first name) began to intermingle Western, African and indigenous motifs into flowing, biomorphic paintings, and to theorize a new national culture fueled by the principle of antropofagia, or “cannibalism.” Along with spare, assured drawings of Rio and the Brazilian countryside, this belated but very welcome show assembles Tarsila’s three most important paintings, including the classic “Abaporu” (1928): a semi-human nude with a spindly nose and a comically swollen foot. (Jason Farago)” (NYT)
Whitney Museum of American Art
‘GRANT WOOD: AMERICAN GOTHIC AND OTHER FABLES’ (through June 10). This well-done survey begins with the American Regionalist’s little-known efforts as an Arts and Crafts designer and touches just about every base. It includes his mural studies, book illustrations and most of his best-known paintings — including “American Gothic” and “The Midnight Ride of Paul Revere.” Best of all are Wood’s smooth undulant landscapes with their plowmen and spongy trees and infectious serenity. (Smith, NYT)
‘ZOE LEONARD: SURVEY’ (through June 10).
Some shows cast a spell. Zoe Leonard’s reverberant retrospective does. Physically ultra-austere, all white walls with a fiercely edited selection of objects — photographs of clouds taken from airplane windows; a mural collaged from vintage postcards; a scattering of empty fruit skins, each stitched closed with needle and thread — it’s an extended essay about travel, time passing, political passion and the ineffable daily beauty of the world. (Cotter, NYT)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 04/19 and 04/17.