Today’s Elite 8 NYC Events > THURSDAY/ MAY 03, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, better check the tab above: “NYC Events-MAY”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
Not Manhattan’s WestSide, but it is Brooklyn’s WestSide and this looks worth the detour.
Afterwords stroll along the Brooklyn Esplanade and head down to Juliana’s for some of the best pizza in all of NYCity. Return to Manhattan on the ferry as the sun sets over the lower Manhattan skyline.
“Broadway: A History of New York City in Thirteen Miles”
Brooklyn Historical Society, 128 Pierrepont St./ 6:30PM, $5
“In his new book, architectural historian Fran Leadon delves into the history of NYC’s iconic artery, from its colonial roots to its twentieth-century status as a locus of spectacle and entertainment. Join Leadon in conversation with Untapped Cities editor and author of Images of America: Broadway, Michelle Young, for an exploration of how Broadway offers a lens for understanding the capital of culture and commerce.”
7 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> NEW YORK CITY BALLET
>> Kenny Barron
>> Denny Zeitlin
>> John Lloyd Young
>> CHUCHO VALDÉS
>>The Language of Flavor in Honey
Hudson Yards Shed
Music, Dance, Performing Arts
NEW YORK CITY BALLET (through June 3).
NYS Theater, Lincoln Center / 7:30PM, $30+
“Most of the coming week features classic works by City Ballet’s patriarch George Balanchine — such as “Apollo,” “Agon” and “The Four Temperaments” — and recent choreography by Alexei Ratmansky and the company members Justin Peck and Peter Walker. For the spring gala on May 3, the attention switches to City Ballet’s other artistic forefather, Jerome Robbins, who was born a century ago and died in 1998. The program includes several of Robbins’s works, a new tribute by Mr. Peck and a sampler of Robbins’s beloved Broadway dances staged by the choreographer Warren Carlyle.” (NYT-BRIAN SCHAEFER)
TONIGHT: SPRING GALA: TRIBUTE TO ROBBINS
This one looks special
Kenny Barron (May 2-6)
Jazz Standard, 116 E. 27th St./ 7:30PM, +9:30PM, $35
As if his artistry were a benchmark meant to spur on his acolytes, the nearly seventy-five-year-old dean of mainstream jazz piano never rests on his laurels. The leader of an acclaimed trio, Barron convenes a beefed-up unit for this engagement—a captivating quintet heard on the recently released “Concentric Circles,” which includes the saxophonist Dayna Stephens and the trumpeter Mike Rodriguez.” (NewYorker)
Mezzrow, 163 W. 10th St./ 8PM, +9:30PM, $20-$25
“Zeitlin hardly disappeared after his initial flurry of critical attention in the mid-sixties, but the whip-smart West Coast pianist (and professor of psychiatry) has reëstablished his place in the pantheon over the past decade, with a series of recordings featuring the bassist Buster Williams and the drummer Matt Wilson. Both of them join him May 4-5, following two nights of solo performances by the visiting leader.” (NewYorker)
John Lloyd Young
Feinstein’s/54 Below / 9:45, $75+
The Tony-winning star of Jersey Boys, both the Broadway musical and the Clint Eastwood film, brings his musical highs and puppyish eyes back to Feinstein’s/54 Below in a new set that focuses on material from his 2012 album, My Turn.” (TONY)
CHUCHO VALDÉS (May 1-6)
at the Blue Note / 8 and 10:30PM, $55-$75
“Earlier this week, Mr. Valdés, a Latin jazz patriarch, began an extended run at the Blue Note that will find him flexing his powers in a variety of contexts. Through Sunday, he performs with a midsize ensemble, celebrating the 45th anniversary of the founding of Irakere, his watershed Cuban fusion band. On Tuesday and Wednesday, he’s joined by the trumpeter Roy Hargrove and the vocalist Roberta Gambarini; on Thursday, he performs alone; and from May 4 to 6, he’ll be accompanied by Ron Carter. (The drummer Lenny White joins Mr. Valdés and Mr. Carter for the last two dates, with the violinist Regina Carter coming aboard for the final evening.)” (NYT-GIOVANNI RUSSONELLO)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
Elsewhere, but this looks sweet enough for the detour:
The Language of Flavor in Honey
Museum of Food and Drink, 62 Bayard St., Williamsburg, Brooklyn / 6:30PM, $30
“Learn to taste and pair honey with expert Carla Marina Marchese, who leads an interactive tasting flight through six limited harvest honeys. After the tasting, there will be a signing of The Honey Connoisseur: Selecting, Tasting, and Pairing Honey, With a Guide to More Than 30 Varietals.” (ThoughtGallery.org)
Frieze Art Fair (5/3-5/5)
“Head over to Randall’s Island Park this spring to experience the contemporary art world in an alfresco environment. Interact with public installations, sit in on “Frieze Talks,” enjoy the Frieze Art Fair’s Reading Room, and of course, lay your eyes on some of the most talked about artwork in the city. friezenewyork.com” (cityguideny.com)
Hudson Yards Shed (May 01-13)
“Hudson Yards continues to transform before our eyes with an ever-growing list of new sites, such as Vessel, the beehive-like public landmark that’s New York’s answer to the Eiffel Tower. But the largest and most exciting cultural contribution to the far West Side is the Shed, a multi-arts performance venue opening in spring 2019. To provide a sneak peak of what’s to come, the entertainment center presents a free art series, just a block away from its home base. Dubbed A Prelude to the Shed, the two-week event is being held at a structure that has been designed to change fluidly as dancers and guests move about.
Aside from exhibiting “A Stroll Through the Fun Palace,” which showcases the archives of Cedric Price (an inspiration to the architects of the Shed), the main event boasts a killer lineup of entertainers for the evening performances. On select nights, check out R&B singer Abra, electronic-music producer and performer Arca, and the New York rapper-singer Azealia Banks.
Beyond the lit musical performances, there’s plenty of art and dance to catch, too. Artist Tino Sehgal’s This variation seamlessly intertwines throughout the day with William Forsythe’s new work, titled Pas de Deux Cent Douze. There’s also D.R.E.A.M. Ring dance battles organized by dancer Reggie “Regg Roc” Gray. Chances are, you’ll feel encouraged to bust a move and shake your tail feather along with them—especially if you hit the grab-and-go café for beer and wine beforehand.” (TONY)
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 63 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:
Feinstein’s/54 Below – 254 W 54th St.
The Green Room 42 – 570 Tenth Ave.
Don’t Tell Mama – 343 W 46th St.
Marie’s Crisis – 59 Grove St.
The Rum House, in the Hotel Edison – 228 W. 47th St.
Laurie Beechman Theatre – 407 W 42nd St.
The Duplex – 61 Christopher St.
Sid Gold’s Request Room – 165 W 26th St.
Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.
NYCity Vacation Travel Guide Video (Expedia):
Museum of Modern Art:
A special pat on the back to MOMA, who is now displaying art from the seven countries affected by Trump’s travel ban.
“Trump’s ban against refugees from seven Muslim-majority nations has sparked acts of defiance in NYC, from demonstrations across town, to striking taxicab drivers at JFK to Middle Eastern bodega owners closing their shops in protest. Recently, the Museum Of Modern added its two cents by bringing out artworks it owns from the affected countries, and hanging them prominently within the galleries usually reserved for 19th- and 20th-century artworks from Europe and the United States. Paintings by Picasso and Matisse, for example, were removed to make way for pieces by Tala Madani (from Iran), Ibrahim El-Salahi (from Sudan) and architect Zaha Hadid (from Iraq). The rehanging, which was unannounced, aims to create a symbolic welcome that repudiates Trump by creating a visual dialog between the newly added works and the more familiar objects from MoMA’s permanent collection.” (TONY)
Stephen Shore (thru May 28)
“This immersive and staggeringly charming retrospective is devoted to one of the best American photographers of the past half century. Shore has peers—Joel Meyerowitz, Joel Sternfeld, Richard Misrach, and, especially, William Eggleston—in a generation that, in the nineteen-seventies, stormed to eminence with color film, which art photographers had long disdained. His best-known series, “American Surfaces” and “Uncommon Places,” are both from the seventies and were mostly made in rugged Western states. The pictures in these series share a quality of surprise: appearances surely unappreciated if even really noticed by anyone before—in rural Arizona, a phone booth next to a tall cactus, on which a crude sign (“GARAGE”) is mounted, and, on a small-city street in Wisconsin, a movie marquee’s neon wanly aglow, at twilight. A search for fresh astonishments has kept Shore peripatetic, on productive sojourns in Mexico, Scotland, Italy, Ukraine, and Israel. He has remained a vestigial Romantic, stopping in space and time to frame views that exert a peculiar tug on him. This framing is resolutely formalist: subjects composed laterally, from edge to edge, and in depth. There’s never a “background.” The most distant element is as considered as the nearest. But only when looking for it are you conscious of Shore’s formal discipline, because it is as fluent as a language learned from birth. His best pictures at once arouse feelings and leave us alone to make what we will of them. He delivers truths, whether hard or easy, with something very like mercy.” (NewYorker)
Tarsila do Amaral (thru June 3)
Introducing New York to the First Brazilian Modernist
“Forty-five years after Tarsila do Amaral’s death, MOMA presents her first-ever museum exhibition in the U.S. Some artists are so iconic, they’re known by only one name: Brancusi, Léger, Tarsila. Wait, who? The painter Tarsila do Amaral is so famous in her native Brazil that forty-three years after her death she helped close out the 2016 Rio de Janeiro Olympics, when a projected pattern of red-orange-yellow arcs graced the stadium floor, an homage to her 1929 painting “Setting Sun.” That chimerical landscape—stylized sunset above tubular cacti and a herd of capybaras that shape-shift into boulders—hangs now at MOMA, in the artist’s first-ever museum exhibition in the U.S., “Tarsila do Amaral: Inventing Modern Art in Brazil.” (NewYorker)
‘TARSILA DO AMARAL: INVENTING MODERN ART IN BRAZIL’ (through June 3). “The subtitle is no overstatement: In the early 1920s, first in Paris and then back home in São Paulo, Brazil, this painter really did lay the groundwork for the coming of modernism in Latin America’s most populous nation. Tired of the European pretenders in Brazil’s art academies, Tarsila (who was always called by her first name) began to intermingle Western, African and indigenous motifs into flowing, biomorphic paintings, and to theorize a new national culture fueled by the principle of antropofagia, or “cannibalism.” Along with spare, assured drawings of Rio and the Brazilian countryside, this belated but very welcome show assembles Tarsila’s three most important paintings, including the classic “Abaporu” (1928): a semi-human nude with a spindly nose and a comically swollen foot. (Jason Farago)” (NYT)
Whitney Museum of American Art
‘GRANT WOOD: AMERICAN GOTHIC AND OTHER FABLES’ (through June 10). This well-done survey begins with the American Regionalist’s little-known efforts as an Arts and Crafts designer and touches just about every base. It includes his mural studies, book illustrations and most of his best-known paintings — including “American Gothic” and “The Midnight Ride of Paul Revere.” Best of all are Wood’s smooth undulant landscapes with their plowmen and spongy trees and infectious serenity. (Smith, NYT)
‘ZOE LEONARD: SURVEY’ (through June 10).
Some shows cast a spell. Zoe Leonard’s reverberant retrospective does. Physically ultra-austere, all white walls with a fiercely edited selection of objects — photographs of clouds taken from airplane windows; a mural collaged from vintage postcards; a scattering of empty fruit skins, each stitched closed with needle and thread — it’s an extended essay about travel, time passing, political passion and the ineffable daily beauty of the world. (Cotter, NYT)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 05/01 and 04/29.