Today’s Super 7 NYC Events > MONDAY/ MAY 21, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, better check the tab above: “NYC Events-MAY”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
Broadway by the Year
The Town Hall / 8PM, $57+
“Scott Siegel’s valuable concert series opens time capsules to some of the Great White Way’s most memorable seasons. The May edition devotes its first act to shows from 1956 (such as My Fair Lady, Brigadoon and Candide) and its second act to shows from 1975 (such as The Wiz, Chicago and A Chorus Line). The cast includes Carolee Carmello, John Easterlin, Cheryl Freeman, Luke Grooms, Douglas Ladnier, Maxine Linehan, Kyle Selig, Oakley Boycott and Joshua Israel.” (TONY)
6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> AMERICAN BALLET THEATER
>> Jim Caruso’s Cast Party
>> Pop-Up Magazine
>> Obie Awards
>> BILL CHATS: WYNTON MARSALIS
>> Tip of the Iceberg: My 3,000-Mile Journey Around Wild Alaska, the Last Great American Frontier”
>> Mad. Sq. Eats
Music, Dance, Performing Arts
AMERICAN BALLET THEATER (Thru July 7)
at the Metropolitan Opera House / 6:30PM, $35+
“This weekend, the company wrapped up its performances of “Giselle,” the first full-length ballet of the season. On Monday night, the spring gala unveils a pièce d’occasion by the tap dancer and choreographer Michelle Dorrance. Set to recorded music by the Brooklyn acoustic ensemble Dawn of Midi, it features 15 dancers. The evening also includes excerpts from Alexei Ratmansky’s “Harlequinade,” with Isabella Boylston as Columbine and James Whiteside as Harlequin. The week continues with a new program pairing Wayne McGregor’s “AfteRite” — his premiere set to Stravinsky’s “The Rite of Spring” — and Mr. Ratmansky’s “Firebird.” (NYT)
Jim Caruso’s Cast Party
Birdland, / 9:30PM, $30
“Jim Caruso’s Cast Party is a wildly popular weekly soiree that brings a sprinkling of Broadway glitz and urbane wit to the legendary Birdland in New York City every Monday night. It’s a cool cabaret night-out enlivened by a hilariously impromptu variety show. Showbiz superstars, backed by Steve Doyle on bass, Billy Stritch on piano and Daniel Glass on drums, hit the stage alongside up-and-comers, serving up jaw-dropping music and general razzle-dazzle.” (broadwayworld)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
GEFFEN HALL AT LINCOLN CENTER / 7:30PM, $36+
“These days, there’s a news medium for everyone: newspapers, podcasts, video, and more. Pop-Up Magazine, a project founded by Douglas McGray and Chas Edwards of the California Sunday Magazine, combines them all for an unforgettable night free from the onslaught of tweets and push notifications. Join a talented coterie of writers, filmmakers, radio producers, and photographers as they present a multimedia-enhanced “live magazine” detailing stories about pop culture, social issues, politics, and more. The roster of “contributors” to this upcoming edition includes the actress Joy Bryant (Parenthood), the New York Times staff editor Jenée Desmond-Harris, and the New Yorker food correspondent Helen Rosner.” (Tatiana Craine, Village Voice)
Terminal 5 / 6PM, $20+
“John Leguizamo, celebrated actor of both stage and screen, will host the 63rd annual Obie awards on May 21. The event, a co-production of the American Theatre Wing and the Village Voice honoring New York’s Off- and Off-Off-Broadway stages, will take place this year at Terminal 5. The panel that selects the 2018 crop of Obie victors will once again be chaired by Voice theater critic Michael Feingold. “I am thrilled to take part in celebrating this year’s crop of Obie winners,” Leguizamo said in a statement about his appointment as host. “It’s not just a great honor; it brings my career full circle.” (Village Voice)
BILL CHATS: WYNTON MARSALIS
at New York Live Arts / 7PM, $10
“The choreographer Bill T. Jones and the jazz composer Mr. Marsalis talk about their work, both as artists and as leaders of arts organizations. Mr. Jones is the artistic director of New York Live Arts, while Mr. Marsalis oversees Jazz at Lincoln Center. For this presentation, they discuss their challenges, experiences and careers as they ponder topics like tradition versus experimentation, what it’s like to mature with an art form and the role of the artist today.” (NYT)
Mark Adams: “Tip of the Iceberg: My 3,000-Mile Journey Around Wild Alaska, the Last Great American Frontier”
The Half King, 505 W. 23rd St./ 7PM, FREE
“From the acclaimed, bestselling author of Turn Right at Machu Picchu, a fascinating and funny journey into Alaska, America’s last frontier, retracing the historic 1899 Harriman Expedition.
In 1899, railroad magnate Edward H. Harriman organized a most unusual summer voyage to the wilds of Alaska: He converted a steamship into a luxury “floating university,” populated by some of America’s best and brightest scientists and writers, including the anti-capitalist eco-prophet John Muir. Those aboard encountered a land of immeasurable beauty and impending environmental calamity.
More than a hundred years later, Alaska is still America’s most sublime wilderness, both the lure that draws a million tourists annually on Inside Passage cruises and a natural resources larder waiting to be raided. As ever, it remains a magnet for weirdos and dreamers.
Armed with Dramamine and an industrial-strength mosquito net, Mark Adams sets out to retrace the 1899 expedition. Using the state’s intricate public ferry system, the Alaska Marine Highway System, Adams travels three thousand miles, following the George W. Elder‘s itinerary north through Wrangell, Juneau, and Glacier Bay, then continuing west into the colder and stranger regions of the Aleutians and the Arctic Circle. Along the way, he encounters dozens of unusual characters (and a couple of very hungry bears) and investigates how lessons learned in 1899 might relate to Alaska’s current struggles in adapting to climate change.”
Mad. Sq. Eats (May 07-31)
General Worth Square (5th Ave btw 25/26 St.) / near Madison Square Park
“Twice a year, this outdoor food fest brings buzzworthy bites from the city’s best restaurants to Worth Square in the Flatiron District. Highlights include Roberta’s sensational pizza, MeltKraft grilled cheese sandwiches and cheesesteaks by the Truffleist.” (TONY)
“Mad. Sq. Eats brings the diverse flavors of the city’s best restaurants and food entrepreneurs to Worth Square, a prime location in the heart of New York’s historic Flatiron District. The highly anticipated bi-annual event draws hungry crowds of neighborhood residents, workers, and tourists who enjoy this unique opportunity to savor offerings from buzzworthy eateries.”
2018 Vendor List
Burger & Lobster / Jicama / Renegade Lemonade /
the Truffleist / Mayhem Sandwiches / Gotham Poke & Hawaiian Kitchen / Bao by Kaya / La Sonrisa / Frida’s Favorites / Roberta’s /
Duck Season / Daa! Dumplings / Mr. Bing / Baked Cheese Haus / Chick’NCone / Arancini Bros / Top Hops Beer Shop / CousCous /
Melt Ice cream Sandwiches / Ice & Vice / Palenque Arepas /
Coney Shack / Korilla / Casa Toscana / Enfes NYC
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 63 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:
Feinstein’s/54 Below – 254 W 54th St.
The Green Room 42 – 570 Tenth Ave.
Don’t Tell Mama – 343 W 46th St.
Marie’s Crisis – 59 Grove St.
The Rum House, in the Hotel Edison – 228 W. 47th St.
Laurie Beechman Theatre – 407 W 42nd St.
The Duplex – 61 Christopher St.
Sid Gold’s Request Room – 165 W 26th St.
Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.
NYCity Vacation Travel Guide Video (Expedia):
Museum of Modern Art:
A special pat on the back to MOMA, who is now displaying art from the seven countries affected by Trump’s travel ban.
“Trump’s ban against refugees from seven Muslim-majority nations has sparked acts of defiance in NYC, from demonstrations across town, to striking taxicab drivers at JFK to Middle Eastern bodega owners closing their shops in protest. Recently, the Museum Of Modern added its two cents by bringing out artworks it owns from the affected countries, and hanging them prominently within the galleries usually reserved for 19th- and 20th-century artworks from Europe and the United States. Paintings by Picasso and Matisse, for example, were removed to make way for pieces by Tala Madani (from Iran), Ibrahim El-Salahi (from Sudan) and architect Zaha Hadid (from Iraq). The rehanging, which was unannounced, aims to create a symbolic welcome that repudiates Trump by creating a visual dialog between the newly added works and the more familiar objects from MoMA’s permanent collection.” (TONY)
Stephen Shore (thru May 28)
“This immersive and staggeringly charming retrospective is devoted to one of the best American photographers of the past half century. Shore has peers—Joel Meyerowitz, Joel Sternfeld, Richard Misrach, and, especially, William Eggleston—in a generation that, in the nineteen-seventies, stormed to eminence with color film, which art photographers had long disdained. His best-known series, “American Surfaces” and “Uncommon Places,” are both from the seventies and were mostly made in rugged Western states. The pictures in these series share a quality of surprise: appearances surely unappreciated if even really noticed by anyone before—in rural Arizona, a phone booth next to a tall cactus, on which a crude sign (“GARAGE”) is mounted, and, on a small-city street in Wisconsin, a movie marquee’s neon wanly aglow, at twilight. A search for fresh astonishments has kept Shore peripatetic, on productive sojourns in Mexico, Scotland, Italy, Ukraine, and Israel. He has remained a vestigial Romantic, stopping in space and time to frame views that exert a peculiar tug on him. This framing is resolutely formalist: subjects composed laterally, from edge to edge, and in depth. There’s never a “background.” The most distant element is as considered as the nearest. But only when looking for it are you conscious of Shore’s formal discipline, because it is as fluent as a language learned from birth. His best pictures at once arouse feelings and leave us alone to make what we will of them. He delivers truths, whether hard or easy, with something very like mercy.” (NewYorker)
Tarsila do Amaral (thru June 3)
Introducing New York to the First Brazilian Modernist
“Forty-five years after Tarsila do Amaral’s death, MOMA presents her first-ever museum exhibition in the U.S. Some artists are so iconic, they’re known by only one name: Brancusi, Léger, Tarsila. Wait, who? The painter Tarsila do Amaral is so famous in her native Brazil that forty-three years after her death she helped close out the 2016 Rio de Janeiro Olympics, when a projected pattern of red-orange-yellow arcs graced the stadium floor, an homage to her 1929 painting “Setting Sun.” That chimerical landscape—stylized sunset above tubular cacti and a herd of capybaras that shape-shift into boulders—hangs now at MOMA, in the artist’s first-ever museum exhibition in the U.S., “Tarsila do Amaral: Inventing Modern Art in Brazil.” (NewYorker)
‘TARSILA DO AMARAL: INVENTING MODERN ART IN BRAZIL’ (through June 3). “The subtitle is no overstatement: In the early 1920s, first in Paris and then back home in São Paulo, Brazil, this painter really did lay the groundwork for the coming of modernism in Latin America’s most populous nation. Tired of the European pretenders in Brazil’s art academies, Tarsila (who was always called by her first name) began to intermingle Western, African and indigenous motifs into flowing, biomorphic paintings, and to theorize a new national culture fueled by the principle of antropofagia, or “cannibalism.” Along with spare, assured drawings of Rio and the Brazilian countryside, this belated but very welcome show assembles Tarsila’s three most important paintings, including the classic “Abaporu” (1928): a semi-human nude with a spindly nose and a comically swollen foot. (Jason Farago)” (NYT)
Whitney Museum of American Art
‘GRANT WOOD: AMERICAN GOTHIC AND OTHER FABLES’ (through June 10). This well-done survey begins with the American Regionalist’s little-known efforts as an Arts and Crafts designer and touches just about every base. It includes his mural studies, book illustrations and most of his best-known paintings — including “American Gothic” and “The Midnight Ride of Paul Revere.” Best of all are Wood’s smooth undulant landscapes with their plowmen and spongy trees and infectious serenity. (Smith, NYT)
‘ZOE LEONARD: SURVEY’ (through June 10).
Some shows cast a spell. Zoe Leonard’s reverberant retrospective does. Physically ultra-austere, all white walls with a fiercely edited selection of objects — photographs of clouds taken from airplane windows; a mural collaged from vintage postcards; a scattering of empty fruit skins, each stitched closed with needle and thread — it’s an extended essay about travel, time passing, political passion and the ineffable daily beauty of the world. (Cotter, NYT)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 05/19 and 05/17.