Today’s Super 7 NYC Events > SUNDAY/ MAY 27, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, better check the tab above: “NYC Events-MAY”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
NYS Theater, Lincoln Center / 3PM, $30+
“Most of our enduring three-act ballets are tragedies in which men do bad things and women die. The comic Coppélia, by contrast, is practically a feminist enterprise. A young man steps out on his girlfriend, only to find himself entrapped in a toymaker’s workshop where the plucky title character substitutes her living body for the mechanical doll that has distracted her guy. Originally choreographed in 1870 by Arthur Saint-Léon to a score by Léo Delibes and revived years later for the Imperial Ballet of St. Petersburg by Marius Petipa, it’s been overhauled by the great George Balanchine and Alexandra Danilova for the New York City Ballet, where it runs for the last week of the company’s spring season.” (Elizabeth Zimmer, Village Voice)
6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Animaniacs Live!
>> Guillermo Klein y los Guachos
>> Washington Square Outdoor Art Exhibit
>> Passport to Taiwan
>> Fleet Week
>> Vision Festival
>> Mad. Sq. Eats
Music, Dance, Performing Arts
Joe’s Pub at the Public Theater / 7PM, +9:30PM, $45
“Rob Paulsen, who voiced Yakko on the 1990s animated hit Animaniacs (and Pinky on Pinky and the Brain), revisits 20 songs from the show in a night of musical mostalgia. Accompanying him on piano is Emmy winner Randy Rogel, who wrote many of the toon tunes in question.” (TONY)
Parsons Dance (May 15-27)
Joyce Theater/ 2PM, $56+
“David Parsons and his company return to the Joyce with a mixed bill that comprises four pieces by Parsons himself—Wolfgang, Whirlaway, world premiere Microburst and company favorite Caught—as well as the company premiere of Trey McIntyre’s Ma Maison, set to music by the Preservation Hall Jazz Band.” (TONY)
Guillermo Klein y los Guachos (LAST DAY)
Village Vanguard, 178 Seventh Ave. S., at 11th St./ 8:30, +10:30PM, $35+
Ahead of the curve in the nineteen-nineties, when he initially convened his own large ensembles, this ambitious composer, arranger, pianist, and vocalist continues to thwart big-band conventions. Klein’s music delights in shifting time signatures, rich tonalities, and arresting multicultural influences, attracting some of the most farsighted improvisers around, including Miguel Zenon, Ben Monder, and Taylor Haskins.” (NewYorker)
Elsewhere, but this looks worth the detour (LAST DAYS):
BAM, 30 Lafayette Ave, Bklyn.
“In honor of the centennial of Nelson Mandela’s birth, the DanceAfrica festival, at BAM this weekend, focusses on South Africa. Ingoma KwaZulu-Natal Dance Company is a kind of supergroup, bundling together just for this occasion four companies whose styles range from Zulu traditions to pantsula, the fleet-footed street dance that originated as a response to apartheid. Siwela Sonke Dance Theatre, from Durban, combines the dance forms of many cultures, a mix representative of its region: Zulu dances and pantsula, plus classical Indian and hip-hop.” (NewYorker-Brian Seibert)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
Washington Square Outdoor Art Exhibit (Sat 26 through Mon 28)
University Place, btw E.13th and Waverly Pl. / 12PM-6PM, FREE
Enjoy looking at (and maybe buying some) oil paintings, pastels, watercolors, mixed media, graphics, photography, sculpture, and crafts including fabric, jewelry, glass, wood, and ceramics.
“This city tradition feels fresh every spring when artists following in the footsteps of Jackson Pollock and Willem de Kooning set up shop in the park. Hundreds of exhibitors, from NYU students to artists who remember the Village as a creative enclave, display their paintings, sculptures, photography, jewelry and woodcraft.” (TONY)
Passport to Taiwan
Union Square / 12PM – 5PM, FREE
“Celebrate Taiwanese American Heritage Week in Union Square Park with live performances by Taiwanese-Americans and food traditionally found in Taiwan’s “night markets.” Learn the traditional arts of lion-head painting, paper umbrella making and sugar blowing with craft masters, and take notes on the soy sauce–making exhibition.” (TONY)
Fleet Week (May 23-29)
“If it’s the weekend before Memorial Day, then it must be time for Fleet Week. On Wednesday, the Parade of Ships will take place, with numerous vessels—including the amphibious transport dock USS Arlington, the missile destroyer USS Mitscher, and the oceanographic survey ship USNS Maury—heading up through the New York Harbor and up the Hudson. The ships are docked afterwards for the public to visit. Besides visiting participating ships and concerts, there are marine demos, Navy diver demos, and aviation displays.” (Gothamist)
Elsewhere, but this looks worth the detour:
Vision Festival (May 23-28)
Roulette / 509 Atlantic Ave., Brooklyn / at various times, $40
“Moving across the river to Brooklyn once again, the Vision Festival remains steadfast in its commitment to exploratory jazz and the still active pioneers of the genre; the wide-ranging roster includes Oliver Lake, Matthew Shipp, Roscoe Mitchell, Mary Halvorson, Fay Victor, and the festival co-organizer William Parker. This year, the intrepid showcase celebrates the pianist and composer Dave Burrell, featured on opening night in various ensembles, including a reunion with another crucial free-jazz cohort, the saxophonist Archie Shepp.” (NewYorker)
Mad. Sq. Eats (May 07-31)
General Worth Square (5th Ave btw 25/26 St.) / near Madison Square Park
“Twice a year, this outdoor food fest brings buzzworthy bites from the city’s best restaurants to Worth Square in the Flatiron District. Highlights include Roberta’s sensational pizza, MeltKraft grilled cheese sandwiches and cheesesteaks by the Truffleist.” (TONY)
“Mad. Sq. Eats brings the diverse flavors of the city’s best restaurants and food entrepreneurs to Worth Square, a prime location in the heart of New York’s historic Flatiron District. The highly anticipated bi-annual event draws hungry crowds of neighborhood residents, workers, and tourists who enjoy this unique opportunity to savor offerings from buzzworthy eateries.”
2018 Vendor List
Burger & Lobster / Jicama / Renegade Lemonade /
the Truffleist / Mayhem Sandwiches / Gotham Poke & Hawaiian Kitchen / Bao by Kaya / La Sonrisa / Frida’s Favorites / Roberta’s /
Duck Season / Daa! Dumplings / Mr. Bing / Baked Cheese Haus / Chick’NCone / Arancini Bros / Top Hops Beer Shop / CousCous /
Melt Ice cream Sandwiches / Ice & Vice / Palenque Arepas /
Coney Shack / Korilla / Casa Toscana / Enfes NYC
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 63 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:
Feinstein’s/54 Below – 254 W 54th St.
The Green Room 42 – 570 Tenth Ave.
Don’t Tell Mama – 343 W 46th St.
Marie’s Crisis – 59 Grove St.
The Rum House, in the Hotel Edison – 228 W. 47th St.
Laurie Beechman Theatre – 407 W 42nd St.
The Duplex – 61 Christopher St.
Sid Gold’s Request Room – 165 W 26th St.
Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.
NYCity Vacation Travel Guide Video (Expedia):
Museum of Modern Art:
A special pat on the back to MOMA, who is now displaying art from the seven countries affected by Trump’s travel ban.
“Trump’s ban against refugees from seven Muslim-majority nations has sparked acts of defiance in NYC, from demonstrations across town, to striking taxicab drivers at JFK to Middle Eastern bodega owners closing their shops in protest. Recently, the Museum Of Modern added its two cents by bringing out artworks it owns from the affected countries, and hanging them prominently within the galleries usually reserved for 19th- and 20th-century artworks from Europe and the United States. Paintings by Picasso and Matisse, for example, were removed to make way for pieces by Tala Madani (from Iran), Ibrahim El-Salahi (from Sudan) and architect Zaha Hadid (from Iraq). The rehanging, which was unannounced, aims to create a symbolic welcome that repudiates Trump by creating a visual dialog between the newly added works and the more familiar objects from MoMA’s permanent collection.” (TONY)
Stephen Shore (LAST DAYS)
“This immersive and staggeringly charming retrospective is devoted to one of the best American photographers of the past half century. Shore has peers—Joel Meyerowitz, Joel Sternfeld, Richard Misrach, and, especially, William Eggleston—in a generation that, in the nineteen-seventies, stormed to eminence with color film, which art photographers had long disdained. His best-known series, “American Surfaces” and “Uncommon Places,” are both from the seventies and were mostly made in rugged Western states. The pictures in these series share a quality of surprise: appearances surely unappreciated if even really noticed by anyone before—in rural Arizona, a phone booth next to a tall cactus, on which a crude sign (“GARAGE”) is mounted, and, on a small-city street in Wisconsin, a movie marquee’s neon wanly aglow, at twilight. A search for fresh astonishments has kept Shore peripatetic, on productive sojourns in Mexico, Scotland, Italy, Ukraine, and Israel. He has remained a vestigial Romantic, stopping in space and time to frame views that exert a peculiar tug on him. This framing is resolutely formalist: subjects composed laterally, from edge to edge, and in depth. There’s never a “background.” The most distant element is as considered as the nearest. But only when looking for it are you conscious of Shore’s formal discipline, because it is as fluent as a language learned from birth. His best pictures at once arouse feelings and leave us alone to make what we will of them. He delivers truths, whether hard or easy, with something very like mercy.” (NewYorker)
Tarsila do Amaral (thru June 3)
Introducing New York to the First Brazilian Modernist
“Forty-five years after Tarsila do Amaral’s death, MOMA presents her first-ever museum exhibition in the U.S. Some artists are so iconic, they’re known by only one name: Brancusi, Léger, Tarsila. Wait, who? The painter Tarsila do Amaral is so famous in her native Brazil that forty-three years after her death she helped close out the 2016 Rio de Janeiro Olympics, when a projected pattern of red-orange-yellow arcs graced the stadium floor, an homage to her 1929 painting “Setting Sun.” That chimerical landscape—stylized sunset above tubular cacti and a herd of capybaras that shape-shift into boulders—hangs now at MOMA, in the artist’s first-ever museum exhibition in the U.S., “Tarsila do Amaral: Inventing Modern Art in Brazil.” (NewYorker)
‘TARSILA DO AMARAL: INVENTING MODERN ART IN BRAZIL’ (through June 3). “The subtitle is no overstatement: In the early 1920s, first in Paris and then back home in São Paulo, Brazil, this painter really did lay the groundwork for the coming of modernism in Latin America’s most populous nation. Tired of the European pretenders in Brazil’s art academies, Tarsila (who was always called by her first name) began to intermingle Western, African and indigenous motifs into flowing, biomorphic paintings, and to theorize a new national culture fueled by the principle of antropofagia, or “cannibalism.” Along with spare, assured drawings of Rio and the Brazilian countryside, this belated but very welcome show assembles Tarsila’s three most important paintings, including the classic “Abaporu” (1928): a semi-human nude with a spindly nose and a comically swollen foot. (Jason Farago)” (NYT)
Whitney Museum of American Art
‘GRANT WOOD: AMERICAN GOTHIC AND OTHER FABLES’ (through June 10). This well-done survey begins with the American Regionalist’s little-known efforts as an Arts and Crafts designer and touches just about every base. It includes his mural studies, book illustrations and most of his best-known paintings — including “American Gothic” and “The Midnight Ride of Paul Revere.” Best of all are Wood’s smooth undulant landscapes with their plowmen and spongy trees and infectious serenity. (Smith, NYT)
‘ZOE LEONARD: SURVEY’ (through June 10).
Some shows cast a spell. Zoe Leonard’s reverberant retrospective does. Physically ultra-austere, all white walls with a fiercely edited selection of objects — photographs of clouds taken from airplane windows; a mural collaged from vintage postcards; a scattering of empty fruit skins, each stitched closed with needle and thread — it’s an extended essay about travel, time passing, political passion and the ineffable daily beauty of the world. (Cotter, NYT)
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 05/25 and 05/23.