Today’s Super 7 NYC Events > FRIDAY/ JUNE 22, 2018
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, check the tab above: “NYC Events-JUNE”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
Have time for only one NYC Event today? Do this:
JOANNE BRACKEEN WITH RICHIE GOODS
at Mezzrow / 8 and 9:30 p.m., $20-$25
“Keenly articulated and brilliantly layered, the piano playing of Ms. Brackeen can feel both dazzling and intimate. Her compositions cram together a lot of ideas about misdirection, balance, blues comfort, melody and memory. While her recorded output has slowed of late, this National Endowment for the Arts Jazz Master’s performances remain a revelation. She performs at this intimate basement club with the bassist Mr. Goods.” (NYT-GIOVANNI RUSSONELLO)
6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Azealia Banks
>>Spencer Day: Angel City
>> A celebration of music inspired by Anton Webern
>> Alternative Guitar Summit 2018
>> David Murray & Class Struggle
>> American Ballet Theatre
>> RIVER TO RIVER FESTIVAL
>> ‘THE LET GO’
Music, Dance, Performing Arts
Sony Hall / 11pm; $45
“If this is the age of acrimony, Azealia Banks has become one of its more reliable avatars in the music business. The dance-floor diva’s Twitter beefs with, oh, just about everybody might engender dismissal if her vocals—whether she’s rhyming or singing—weren’t so fluent and the bounce in her tracks didn’t transport listeners to some kind of pelvic heaven. The title of Banks’s latest single, “Anna Wintour,” seems right in line with the materialist boasts in its rap section (“I’m penthouse; you’re trap house and rhinestones”), but the chorus reveals a layer of vulnerability nonexistent in the singer’s tweets. She’s no longer “broke with expensive taste,” but at least she seems to know that diamonds aren’t a girl’s dearest friend.
On Friday night, at Sony Hall, her Rainbow Ball gets started around midnight.” (K. Leander Williams, NewYorker)
Spencer Day: Angel City
The Green Room 42 / 7PM, $20
“Once a Harry Connick Jr.–inspired entertainer, Star Search finalist and dreamy crooner, Spencer Day has become a compelling and quirky singer-songwriter, whose tunes are touched by jazz, classical, country and German cabaret. In his new set, he celebrates the release of his seventh album, Angel City.” (TONY)
A celebration of music inspired by Anton Webern
St. Paul’s Chapel, 209 Broadway/ 1PM, FREE
“Hailed by the New Yorker as “expert and versatile musicians,” NOVUS NY String Quartet led by Julian Wachner perform works by the composers inspired by Anton Webern’s music: Ligeti (b.1923-2006), Babbitt (1916-2011) and Lutoslawsk (1913-1994).
This concert is a part of a concert series focused on the complete works of Anton Webern; the trademark of the series is the juxtaposition of early and modern music.
Anton Webern, the noted Austrian composer and conductor, remembered for his atonal and serial works, was one of the key figures in the Second Viennese School. Unfortunately, with the rise of Nazis, his music was banned and he spent the last decade of his life in financial constraint and musical isolation. He was not very prolific composer, publishing only 31 works during his lifetime. Yet, he left a great impression with his radical compositions, influencing both his contemporaries and younger generations of musicians.”
Alternative Guitar Summit 2018 (June 21-23)
“Proving that there’s life in the old six-string yet, a host of farsighted guitarists gather for three nights of in-the-moment music-making. Opening night features the innovative Bill Frisell at Le Poisson Rouge, collaborating with several players, including Julian Lage. The festival continues at Nublu, with a fusion tribute featuring Brandon Ross, Dave Fiuczynski, and others, and concludes at Jazz Gallery, with an evening of cross-generational duets uniting Peter Bernstein and Gilad Hekselman, Joe Morris and Matteo Liberatore, and Anthony Pirog and the festival director, Joel Harrison.” (Steve Futterman, NewYorker)
American Ballet Theatre (thru July 7)
Metropolitan Opera House / 7:30PM, $30+
“The company wraps up the weekend with Kenneth MacMillan’s sumptuous production of “Romeo and Juliet” before moving on to “Swan Lake” starting on Monday. Yes, it’s true that this “Swan Lake” is in need of an overhaul, but there are some mighty dancers cast as Odette/Odile, among them Isabella Boylston, Devon Teuscher and Misty Copeland. And for the matinee on June 20, the powerful, statuesque Christine Shevchenko makes her New York debut as Odette/Odile opposite the charismatic James Whiteside.” (NYT-Gia Kourlas)
David Murray & Class Struggle (June 19-24)
Village Vanguard, 178 Seventh Ave. S., at 11th St./ 8:30PM, +10:30PM, $35
“Though less conspicuous than he was a few decades ago—is there anyone who’s actually made their way through the relentless tsunami of recordings that Murray appeared on in the eighties and nineties?—the fire-breathing saxophonist and bass-clarinet player remains a force to be reckoned with. His Class Struggle sextet has some trusted peak-era collaborators, including the trombonist Craig Harris and Murray’s son, Mingus, on guitar.” (Steve Futterman, NewYorker)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
more smart stuff coming soon.
RIVER TO RIVER FESTIVAL at various locations (June 15-24).
“The Lower Manhattan Cultural Council presents this festival, now in its 17th year, with free dance, music, theater and visual art shows at downtown sites. Of the dance highlights, the most dramatic is likely to be an appearance by It’s Showtime NYC!, a company of street dancers, performing on the steps of Federal Hall (June 18-22). Other notable events include Catherine Galasso’s “Of Granite and Glass,” a site-specific dance inspired by Giovanni Boccaccio’s “The Decameron” at the Winter Garden (June 15-17); Enrico D. Wey’s “silent :: partner,” an exploration of memory and memorialization held inside Federal Hall (June 15-17); and Cori Olinghouse’s “Grandma,” a look at aging and the ghosts of the American South. The setting? A Lower Manhattan office building (June 16-17).” (NYT-Gia Kourlas)
Shakespeare Delacorte Theater, Central Park / 8PM, FREE* (the Bard is off on Mondays)
“Ruben Santiago-Hudson (Jitney) directs the first offering of the Public Theater’s 2018 season of Shakespeare in the Park: an account of the Bard’s fast-paced tragedy of jealousy and misplaced trust, in which a villain preys on the insecurities of a Moorish war hero married to a white woman. The cast is headed by Chukwudi Iwuji as Othello, Corey Stoll as Iago and Heather Lind as Desdemona.”
*tickets are free (two per person) and may be picked up after noon on the day of performance (be prepared for long lines.) Some tickets are also distributed via online lottery.
See TONY’s complete guide to Shakespeare in the Park tickets for details.
‘THE LET GO’ (June 7-July 1)
at the Park Avenue Armory
“This large-scale, site-specific multiweek event is masterminded by the interdisciplinary artist Nick Cave, who transforms the armory into a vivid dance landscape in which spectators are invited to do just what the title says they should: let go. Within this dance hall environment are performances, an installation in the form of a Mylar sculpture, dance-based encounters and music provided by D.J.s. For some programs, Mr. Cave works with the choreographer Francesca Harper; for others, there will be dancing by community groups. On June 26, as part of “An Evening of Artistic Responses: The Let Go,” the musician Nona Hendryx, the vocalist and artist Helga Davis, Ms. Harper and Reggie (Regg Roc) Gray and his company, D.R.E.A.M. Ring, respond to the installation, which references issues of social justice, with site-specific performances.” (NYT-Gia Kourlas)
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 63 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
Bonus NYC events– Jazz Clubs:
Many consider NYCity the Jazz capital of the world. My favorite Jazz Clubs, all on Manhattan’s WestSide, feature top talent every night of the week.
Hit the Hot Link and check out who is playing tonight:
(5 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. So., villagevanguard.com, 212-255-4037 (1st 8:30)
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592 (1st set 8pm)
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883 (1st 7pm)
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346 (1st 8)
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346 (1st set 7:30pm)
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319 (6pm)
Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595 (1st set 7:30pm)
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080 (1st 8:30pm)
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com/ 212-864-6662 (7pm)
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538 (1st 7pm)
a classic, old jazz club in the Village, Caffe V often surprises with a wonderfully eclectic lineup. It’s my favorite spot for an evening of listening enjoyment and discovery.
NYCity Vacation Travel Guide Video (Expedia):
WHAT’S ON VIEW
These are My Fave Special Exhibitions @ MUSEUMS / Manhattan’s Fifth Avenue
(See the New York Times Arts Section for listings of all museum exhibitions,
and also see the expanded reviews of these exhibitions)
‘SCENES FROM THE COLLECTION’ “After a surgical renovation to its grand pile on Fifth Avenue, the Jewish Museum has reopened its third-floor galleries with a rethought and refreshed display of its permanent collection, which intermingles modern and contemporary art, by Jews and gentiles alike — Mark Rothko, Lee Krasner, Nan Goldin, Cindy Sherman, and the excellent young Nigerian draftswoman Ruby Onyinyechi Amanze — with 4,000 years of Judaica. The works are shown in a nimble, non-chronological suite of galleries, and some of its century-spanning juxtapositions are bracing; others feel reductive, even dilletantish. But always, the Jewish Museum conceives of art and religion as interlocking elements of a story of civilization, commendably open to new influences and new interpretations.” (Farago) 212-423-3200, thejewishmuseum.org
Museum of the City of New York
NY AT ITS CORE (ongoing)
“Ten years in the making, New York at Its Core tells the compelling story of New York’s rise from a striving Dutch village to today’s “Capital of the World.” The exhibition captures the human energy that drove New York to become a city like no other and a subject of fascination the world over. Entertaining, inspiring, important, and at times bemusing, New York City “big personalities,” including Alexander Hamilton, Walt Whitman, Boss Tweed, Emma Goldman, JP Morgan, Fiorello La Guardia, Jane Jacobs, Jay-Z, and dozens more, parade through the exhibition. Visitors will also learn the stories of lesser-known New York personalities, like Lenape chieftain Penhawitz and Italian immigrant Susie Rocco. Even animals like the horse, the pig, the beaver, and the oyster, which played pivotal roles in the economy and daily life of New York, get their moment in the historical spotlight. Occupying the entire first floor in three interactive galleries (Port City, 1609-1898, World City, 1898-2012, and Future City Lab) New York at Its Core is shaped by four themes: money, density, diversity, and creativity. Together, they provide a lens for examining the character of the city, and underlie the modern global metropolis we know today. mcny.org” (NYCity Guide)
and you should be sure to check out these special exhibitions at that little museum on Fifth Ave., The Metropolitan Museum of Art
(open 7 days /week, AND always Pay What You Wish for NewYorkers)
‘THE FACE OF DYNASTY: ROYAL CRESTS FROM WESTERN CAMEROON’ (through Sept. 3). “Upstairs, the Michelangelos continue to knock ‘em dead; downstairs, in the African wing, a show of just four commanding wooden crowns constitutes a blockbuster of its own. These massive wooden crests — in the form of stylized human faces with vast vertical brows — served as markers of royal power among the Bamileke peoples of the Cameroonian grasslands, and the Met’s recent acquisition of an 18th-century specimen is joined here by three later examples, each featuring sharply protruding cheeks, broadly smiling mouths, and brows incised with involute geometric patterns. Ritual objects like these were decisive for the development of western modernist painting, and a Cameroonian crest was even shown at MoMA in the 1930s, as a “sculpture” divorced from ethnography. But these crests had legal and diplomatic significance as well as aesthetic appeal, and their anonymous African creators had a political understanding of art not so far from our own.” (Farago)
‘HEAVENLY BODIES: FASHION AND THE CATHOLIC IMAGINATION’ (through Oct. 8). “Let us pray. After last year’s stark exhibition of Rei Kawakubo’s irregular apparel, the Met Costume Institute is back in blockbuster mode with this three-part blowout on the influence of Catholicism on haute couture of the last century. The trinity of fashion begins downstairs at the Met with the exceptional loans of vestments from the Vatican; upstairs are gowns fit for angels in heaven (by Lanvin, Thierry Mugler, Rodarte) or angels fallen to earth (such as slinky Versace sheaths garlanded with crosses). The scenography at the Met is willfully operatic — spotlights, choir music — which militates against serious thinking about fashion and religion, but up at the Cloisters, by far the strongest third of the show, you can commune more peacefully with an immaculate Balenciaga wedding gown or a divine Valentino gown embroidered with Cranac’s Adam and Eve.” (Farago)
Museum Mile is a section of Fifth Avenue which contains one of the densest displays of culture in the world. Eight museums can be found along this section of Fifth Avenue:
• 105th Street – El Museo del Barrio (closed Sun-Mon)*
• 103rd Street – Museum of the City of New York (open 7 days /week)
• 92nd Street – The Jewish Museum (closed Wed) (Sat FREE) (Thu 5-8 PWYW)
• 91st Street – Cooper-Hewitt, National Design Museum (open 7 days /week)
• 89th Street – National Academy Museum (closed Mon-Tue)
• 88th Street – Solomon R. Guggenheim Museum (closed Thu) (Sat 6-8 PWYW)
• 86th Street – Neue Galerie New York (closed Tue-Wed) (Fri 6-8 FREE)
Last, but certainly not least, America’s premier museum
• 82nd Street – The Metropolitan Museum of Art (open 7 days /week)*
*always Pay What You Wish (PWYW) for NewYorkers
Although technically not part of the Museum Mile, the Frick Collection (closed Mon) (Wed 2-6pm PWYW; First Friday each month (exc Jan+Sep) 6-9pm FREE) on the corner of 70th St. and Fifth Avenue and the The Morgan Library & Museum (closed Mon) (Fri 7-9 FREE) on Madison Ave and 37th St are also located near Fifth Ave.
Now plan your own museum crawl (info on hours & admission updated June 2, 2015).
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 06/20 and 06/18.