Today’s Elite 8 NYC Events > WEDNESDAY/ JANUARY 16, 2019
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, check the tab above: “January NYC Events”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
To make your own after dinner plans TONIGHT, see the tab above; “LiveMusic.”
Have time for only one NYC Event today? Do this:
NEDERLANDS DANS THEATER 2 (Jan.16-19)
at New York City Center / 8PM, $25+
“This popular contemporary ballet company, under the artistic direction of Fernando Hernando Magadan, presents two works by Sol León and Paul Lightfoot, as well as a pair of United States premieres by Marco Goecke and Edward Clug. For his part, Goecke offers “Wir sagen uns Dunkles” (“Darkness Spoken”) — a sleek, playful work featuring music by Schubert and the British rock band Placebo — while Clug presents “Mutual Comfort,” a work for four dancers.” (NYT-Gia Kourlas)
7 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Adriana Lecouvreur
>> Catherine Cohen: The Twist?… She’s Gorgeous
>> EMMET COHEN TRIO WITH RON CARTER
>> Eddie Palmieri
>> CUBA FESTIVAL
>> The Presidents: George W. Bush
>> Bank of America Winter Village at Bryant Park
Music, Dance, Performing Arts
Adriana Lecouvreur (next Jan.19, 8PM)
Metropolitan Opera House / 7:30PM, $17+
“Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballé, and Renata Scotto, taking on—for the first time at the Met—the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The soprano is joined by tenor Piotr Beczała as Adriana’s lover, Maurizio. The principal cast also features mezzo-soprano Anita Rachvelishvili and baritone Ambrogio Maestri. Gianandrea Noseda conducts. Sir David McVicar’s staging, which sets the action in a working replica of a Baroque theater, premiered at the Royal Opera House in London, where the Guardian praised the “elegant production, sumptuously designed … The spectacle guarantees a good night out.”
Elsewhere, but this looks worth the detour:
at Elsewhere / 8 p.m.; $12
Making nostalgic French pop that isn’t overwhelmingly cloying is a feat in itself, but the Montreal singer-songwriter Josie Boivin, who records under the name Munya, has even more to offer. Her breathy soprano, layers of synths and a band that can go from understated groove to maximalist jam in the space of a chorus merge to create songs that are engaging, even as they create an easy ambience. “I don’t justify/Everything comes and goes,” she sings on “Some More,” lyrics that are reassuringly laissez-faire.” (NYT-NATALIE WEINER)
Catherine Cohen: The Twist?… She’s Gorgeous
Joe’s Pub at the Public Theater / 9:30PM, $15
“If you live in New York and haven’t seen Catherine Cohen perform live…seek treatment. The comedy chanteuse had us mesmerized when she was singing in dive bars about boys; now armed with a full backing band at one of the city’s best venues, Cohen is a total force of nature. She takes over Joe’s Pub for a night of wickedly subversive musical comedy, fabulous looks and self-directed diva worship. She’s joined by regular collaborator Henry Koperski at the keys. Not to be missed.” (TONY)
EMMET COHEN TRIO WITH RON CARTER (Jan. 15-20)
at the Village Vanguard / 8:30 and 10:30 p.m.; $35
“Cohen is a young piano virtuoso with a delicate touch and an assured, swaggering swing feel; he has endeared himself to some of the most imposing figures in straight-ahead jazz, and plays in bands led by the bassist Christian McBride and the drummer Herlin Riley. But there may be no living jazz musician with more cachet than Ron Carter, the 81-year-old bassist and National Endowment for the Arts Jazz Master — and technically Cohen counts him as a side musician. On the album that Cohen, Carter and the drummer Evan Sherman released in 2018, Carter’s slippery bass and Cohen’s debonair flow are all sorts of simpatico.” (NYT-GIOVANNI RUSSONELLO)
Eddie Palmieri (Jan.15-20)
Blue Note, 131 W. 3rd St./ 8PM, +10:30PM, $30-$45
Eddie Palmieri’s new album, “Mi Luz Mayor,” is dedicated to his late wife, Iraida, and includes songs they would dance to; judging from the propulsive performances that this giant of Latin music elicits from his crack orchestra, the couple must have cut quite a rug. Fusing idiomatic sounds from Puerto Rico, Cuba, and other Latin-American locales with modern jazz, Palmieri’s music defines multicultural New York as indelibly as any sound that has arisen from its streets.” (Steve Futterman, NewYorker)
CUBA FESTIVAL (through Jan. 20)
at the Joyce Theater / 7:30PM; $35+
“Our country’s relationship with Cuba may still be in flux but the Joyce Theater’s commitment to Cuban artists remains steadfast. Starting Jan. 9, the space presents the Cuba Festival. First up is the frequent visitor Malpaso Dance Company, a skilled and earnest troupe that will present a diverse program of works by Merce Cunningham, Abel Rojo and Beatriz Garcia Diaz, plus Israeli choreographer Ohad Naharin’s haunting “Tabula Rasa” (through Jan. 13). The festival continues with the company Los Hijos del Director (Jan. 15-16) and the feisty contemporary Flamenco dancer Irene Rodríguez and her self-named company (Jan. 18-20).” (NYT-Brian Schaefer)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
The Presidents: George W. Bush
New-York Historical Society, 170 Central Park West / 7PM, $38
“Confronted by one crisis after another, President George W. Bush struggled to defend the country and remake the world, serving during an era marked by the September 11th terror attacks, the Iraq War, Hurricane Katrina, and financial collapse.
Peter Baker, chief White House correspondent for the New York Times and a political analyst for MSNBC, is the author of Days of Fire: Bush and Cheney in the White House. Douglas Brinkley (moderator) is a bestselling author and serves as presidential historian for CNN and the New-York Historical Society.”
Bank of America Winter Village at Bryant Park
Midtown Manhattan’s winter wonderland.
Bryant Park (btw 5th/6th Ave. @42nd St.) / shops to 8PM, rink to 10PM
Enjoy The Lodge by Urbanspace, and The Rink, the centerpiece of Winter Village and New York City’s only free admission ice skating rink.
This 17,000 square foot rink features free admission ice skating, high quality rental skates, and free skating shows, special events, and activities.
October 27, 2018 – March 3, 2019
Daily, 8am-10pm (Rink hours are weather permitting and Rink may be closed for events – check here)
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 65 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:
Feinstein’s/54 Below – 254 W 54th St.
The Green Room 42 – 570 Tenth Ave.
Don’t Tell Mama – 343 W 46th St.
The Rum House, in the Hotel Edison – 228 W. 47th St.
Laurie Beechman Theatre – 407 W 42nd St.
Marie’s Crisis – 59 Grove St.
The Duplex – 61 Christopher St.
Sid Gold’s Request Room – 165 W 26th St.
Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.
For a comprehensive list of the best places to hear All Types of Live Music in Manhattan see the tab above “LiveMusic.”
NYCity Vacation Travel Guide Video (Expedia):
Whitney Museum of American Art
‘ANDY WARHOL — FROM A TO B AND BACK AGAIN’ (through March 31) “Although this is the artist’s first full American retrospective in 31 years, he’s been so much with us — in museums, galleries, auctions — as to make him, like wallpaper, like the atmosphere, only half-noticed. The Whitney show restores him to a full, commanding view, but does so in a carefully shaped and edited way, with an emphasis on very early and late work. Despite the show’s monumentalizing size, supplemented by an off-site display of the enormous multipanel painting called “Shadows,” it’s a human-scale Warhol we see. Largely absent is the artist-entrepreneur who is taken as a prophet of our market-addled present. What we have instead is Warhol for whom art, whatever else it was, was an expression of personal hopes and fears.” (Cotter)
Museum of Modern Art
‘BRUCE NAUMAN: DISAPPEARING ACTS’ (through Feb. 18)
“If art isn’t basically about life and death, and the emotions and ethics they inspire, what is it about? Style? Taste? Auction results? The most interesting artists go right for the big, uncool existential stuff, which is what Bruce Nauman does in a transfixing half-century retrospective that fills the entire sixth floor of the MoMA and much of MoMA PS1 in Long Island City, Queens. The MoMA installation is tightly paced and high decibel; the one at PS1, which includes a trove of works on paper, is comparatively mellow and mournful. Each location offers a rough chronological overview of his career, but catching both parts of the show is imperative. Nauman has changed the way we define what art is and what is art, and made work prescient of the morally wrenching American moment we’re in. He deserves to be seen in full.” (Cotter)
‘CONSTANTIN BRANCUSI SCULPTURE: THE FILMS’ (through Feb. 18).
“This show is built around works by the Romanian modernist (1876-1957) that have been longtime highlights of the museum’s own collection. But in 2018, can Brancusi still release our inner poet? The answer may lie in paying less attention to the sculptures themselves and more to Brancusi’s little-known and quite amazing films, projected at the entrance to the gallery throughout the duration of the exhibition. MoMA borrowed the series of video clips from the Pompidou Center in Paris. They give the feeling that Brancusi was less interested in making fancy museum objects than in putting new kinds of almost-living things into the world, and convey the vital energy his sculptures were meant to capture.”(Blake Gopnik)
Museum of Art and Design
‘STERLING RUBY: CERAMICS’ (through March 17).
“Adept at most art mediums, this artist is at his best in ceramics, especially in the outsize, awkwardly hand-built, resplendently glazed baskets, ashtrays and plates and the objects that verge on sculpture in this show. These works actively incorporate accident and aspects of the ready-made, have precedents in the large-scale ceramics of Peter Voulkos and Viola Frey, but may be closest in spirit to the Neo-Expressionism of Julian Schnabel — rehabilitated, of course.” (Smith – NYT)
American Folk Art Museum
‘PAA JOE: GATES OF NO RETURN’ (through Feb. 24).
“Joseph Tetteh Ashong, better known as Paa Joe, is Ghana’s pre-eminent funerary carpenter, turning out thousands of brightly colored lions, soda bottles and automobiles for people to be buried in. Most of his exuberant pieces enjoy the light of day for only a few hours before they disappear into the ground. But in 2004, Paa Joe was commissioned by the art dealer and gallerist Claude Simard to make casket-size hardwood models of 13 former Gold Coast slave forts, and seven of them are now at AFAM. Thanks to Paa Joe’s gift for transmuting even the most complex and brutal material into a cheerful expression of his own artistic temperament, the works’ undeniable conceptual weight doesn’t hamper the overwhelming visual pleasure.” (Will Heinrich-NYT)