Today’s Super 7 NYC Events > TUESDAY/ JANUARY 22, 2019
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, check the tab above: “January NYC Events”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
To make your own after dinner plans TONIGHT, see the tab above; “LiveMusic.”
Have time for only one NYC Event today? Do this:
NEW YORK CITY BALLET (Jan. 22-March 3)
at the NYS Theater, Lincoln Center / 7:30PM, $35+
“City Ballet’s winter season begins on Tuesday with a week of works by George Balanchine, the company’s co-founder and lodestar. Two alternating programs highlight his inspired interpretations of the work of two disparate composers: Stravinsky and Tchaikovsky. The Stravinsky trio, performed on Tuesday, Thursday and the evening of Jan. 26, features “Apollo,” “Orpheus” and “Agon,” and captures Balanchine’s modern sensibility. Meanwhile, the Tchaikovsky set, comprising “Serenade,” “Mozartiana” and “Tschaikovsky Piano Concerto No. 2” on Wednesday, Jan. 25 and the afternoons of Jan. 26 and 27, shows off his classical elegance.” (NYT-Brian Schaefer)
6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> Vijay Iyer
>> Pelléas et Mélisande
>> Donny McCaslin
>> Larry Campbell & Teresa Williams Residency W/ Cindy Cashdollar
>> Tatiana Eva-Marie: Django Birthday Celebration
>> KEYON HARROLD
Music, Dance, Performing Arts
Vijay Iyer (Jan.22-27)
Jazz Standard, 116 E. 27th St./ 7:30PM, +9:30PM, $30
“With a Whitmanesque musical presence, the pianist, composer, bandleader, and 2013 MacArthur Fellow Vijay Iyer contains multitudes: his of-the-moment playing and writing can be strikingly baroque or emotively spare, with plenty of compelling stops at points in between. His six-night run here offers a nice taste of his multifarious nature; it includes three performances with his acclaimed sextet, two with his trio of the bassist Linda May Han Oh and the drummer Tyshawn Sorey, and one with the Ritual Ensemble, which integrates Indian classical music, propelled by the percussive mridanga.” (Steve Futterman, NewYorker)
Pelléas et Mélisande (next Jan.25, 7:30PM)
Metropolitan Opera House / 7:30PM, $20+
Debussy’s only opera, a mesmerizing meditation on love and betrayal, returns to the Met stage for the first time in almost a decade, with Music Director Designate Yannick Nézet-Séguin conducting the landmark score. A pair of brilliant young Met stars, tenor Paul Appleby and mezzo-soprano Isabel Leonard, are the naïve title lovers, and baritone Kyle Ketelsen is the imperious Prince Golaud. Ferruccio Furlanetto, as Arkel, and Marie-Nicole Lemieux, as Geneviève, complete the cast.
Donny McCaslin (Jan. 22-27)
Village Vanguard, 178 Seventh Ave. S., at 11th St./ 8:30PM, +10:30PM, $35
“The qualities that drew David Bowie to Donny McCaslin—the passionate saxophonist and his band are the core unit on the rock icon’s final album, “Blackstar”—are still firmly in place. In particular, McCaslin maintains a willingness to explore the increasingly porous boundaries between jazz and other contemporary genres. His rip-roaring quartet includes the keyboardist Jason Lindner and the drummer Mark Guiliana, who is an influential instrumentalist in his own right.” (Steve Futterman, NewYorker)
Larry Campbell & Teresa Williams Residency W/ Cindy Cashdollar
City Winery / 8PM, $25-$28
“Multi-instrumentalist, singer-songwriter Larry Campbell and singer-guitarist Teresa Williams’ acclaimed eponymous 2015 debut, released after seven years of playing in Levon Helm’s band – and frequent guesting with Phil Lesh, Little Feat, Jorma Kaukonen and Jack Casady, brought to the stage the crackling creative energy of a decades-long offstage union. A whirlwind of touring and promo followed, and when the dust cleared, the duo was ready to do it all again. Which brings us to Contraband Love, a riskier slice of Americana.”
Tatiana Eva-Marie: Django Birthday Celebration
Dizzy’s Club, Jazz at Lincoln Center / 6:30PM, +8:30PM, $20+
“Tatiana Eva-Marie, recently acclaimed as a “rising jazz vocalist” by Vanity Fair and “one of the best young singers around” by the Wall Street Journal, leads the Avalon Jazz Band—worldwide ambassadors of Parisian-style hot and Gypsy jazz reminiscent of Django & Grappelli’s Hot Club De France. The Avalon Jazz Band continues the tradition with new compositions, original arrangements, and a fresh take on classic jazz repertoire, exploring the intermingling of American swing and Eastern European influences through the essential French je ne sais quoi. Tonight’s performance is a birthday celebration of the iconic Django Reinhardt and his utterly irresistible brand of hot jazz.”
KEYON HARROLD (Jan. 21-23)
at the Blue Note / 8 and 10:30PM, $20-$35
“Harrold is technically gifted enough to have recorded the Miles Davis trumpet parts heard on the soundtrack to the 2016 film “Miles Ahead.” He’s also a ruggedly modern thinker, whose own most recent album draws inspiration from radio hip-hop, classic quiet storm, cinematic scores and contemporary jazz. He has long performed in the backing bands for figures like Maxwell, Jay-Z and Rihanna, but these days he is focusing more squarely on his own bandleading career. A native of Ferguson, Mo., Harrold here will perform a program titled “Jazz for Reflection, Protest, Justice and Unity.” (NYT-GIOVANNI RUSSONELLO)
Smart Stuff / Other NYC Events
(Lectures/Discussions, Book Talks, Film, Classes, Food & Drink, Other)
More Smart Stuff coming soon.
Bank of America Winter Village at Bryant Park
Midtown Manhattan’s winter wonderland.
Bryant Park (btw 5th/6th Ave. @42nd St.) / shops to 8PM, rink to 10PM
Enjoy The Lodge by Urbanspace, and The Rink, the centerpiece of Winter Village and New York City’s only free admission ice skating rink.
This 17,000 square foot rink features free admission ice skating, high quality rental skates, and free skating shows, special events, and activities.
October 27, 2018 – March 3, 2019
Daily, 8am-10pm (Rink hours are weather permitting and Rink may be closed for events – check here)
Magic After Hours
Tannen’s Magic, Midtown West (Until Dec 31 2019)
“Twice a week, after closing time, 20 people crowd into the city’s oldest magic shop, Tannen’s, for a cozy evening of prestidigitation by the young and engaging Noah Levine. The shelves are crammed with quirky devices; there’s a file cabinet behind the counter, a mock elephant in the corner and bins of individual trick instructions in plastic covers, like comic books or sheet music. The charm of Levine’s show is in how well it fits the environment of this magic-geek chamber of secrets. As he maneuvers cards, eggs, cups and balls with aplomb, he talks shop, larding his patter with tributes to routines like the Stencel Aces and the Vernon Boat Trick—heirlooms of his trade that he gently polishes and displays for our amazement.” (TONY)
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 65 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:
Feinstein’s/54 Below – 254 W 54th St.
The Green Room 42 – 570 Tenth Ave.
Don’t Tell Mama – 343 W 46th St.
The Rum House, in the Hotel Edison – 228 W. 47th St.
Laurie Beechman Theatre – 407 W 42nd St.
Marie’s Crisis – 59 Grove St.
The Duplex – 61 Christopher St.
Sid Gold’s Request Room – 165 W 26th St.
Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.
For a comprehensive list of the best places to hear All Types of Live Music in Manhattan see the tab above “LiveMusic.”
NYCity Vacation Travel Guide Video (Expedia):
Whitney Museum of American Art
‘ANDY WARHOL — FROM A TO B AND BACK AGAIN’ (through March 31) “Although this is the artist’s first full American retrospective in 31 years, he’s been so much with us — in museums, galleries, auctions — as to make him, like wallpaper, like the atmosphere, only half-noticed. The Whitney show restores him to a full, commanding view, but does so in a carefully shaped and edited way, with an emphasis on very early and late work. Despite the show’s monumentalizing size, supplemented by an off-site display of the enormous multipanel painting called “Shadows,” it’s a human-scale Warhol we see. Largely absent is the artist-entrepreneur who is taken as a prophet of our market-addled present. What we have instead is Warhol for whom art, whatever else it was, was an expression of personal hopes and fears.” (Cotter)
Museum of Modern Art
‘BRUCE NAUMAN: DISAPPEARING ACTS’ (through Feb. 18)
“If art isn’t basically about life and death, and the emotions and ethics they inspire, what is it about? Style? Taste? Auction results? The most interesting artists go right for the big, uncool existential stuff, which is what Bruce Nauman does in a transfixing half-century retrospective that fills the entire sixth floor of the MoMA and much of MoMA PS1 in Long Island City, Queens. The MoMA installation is tightly paced and high decibel; the one at PS1, which includes a trove of works on paper, is comparatively mellow and mournful. Each location offers a rough chronological overview of his career, but catching both parts of the show is imperative. Nauman has changed the way we define what art is and what is art, and made work prescient of the morally wrenching American moment we’re in. He deserves to be seen in full.” (Cotter)
‘CONSTANTIN BRANCUSI SCULPTURE: THE FILMS’ (through Feb. 18).
“This show is built around works by the Romanian modernist (1876-1957) that have been longtime highlights of the museum’s own collection. But in 2018, can Brancusi still release our inner poet? The answer may lie in paying less attention to the sculptures themselves and more to Brancusi’s little-known and quite amazing films, projected at the entrance to the gallery throughout the duration of the exhibition. MoMA borrowed the series of video clips from the Pompidou Center in Paris. They give the feeling that Brancusi was less interested in making fancy museum objects than in putting new kinds of almost-living things into the world, and convey the vital energy his sculptures were meant to capture.”(Blake Gopnik)
Museum of Art and Design
‘STERLING RUBY: CERAMICS’ (through March 17).
“Adept at most art mediums, this artist is at his best in ceramics, especially in the outsize, awkwardly hand-built, resplendently glazed baskets, ashtrays and plates and the objects that verge on sculpture in this show. These works actively incorporate accident and aspects of the ready-made, have precedents in the large-scale ceramics of Peter Voulkos and Viola Frey, but may be closest in spirit to the Neo-Expressionism of Julian Schnabel — rehabilitated, of course.” (Smith – NYT)
American Folk Art Museum
‘PAA JOE: GATES OF NO RETURN’ (through Feb. 24).
“Joseph Tetteh Ashong, better known as Paa Joe, is Ghana’s pre-eminent funerary carpenter, turning out thousands of brightly colored lions, soda bottles and automobiles for people to be buried in. Most of his exuberant pieces enjoy the light of day for only a few hours before they disappear into the ground. But in 2004, Paa Joe was commissioned by the art dealer and gallerist Claude Simard to make casket-size hardwood models of 13 former Gold Coast slave forts, and seven of them are now at AFAM. Thanks to Paa Joe’s gift for transmuting even the most complex and brutal material into a cheerful expression of his own artistic temperament, the works’ undeniable conceptual weight doesn’t hamper the overwhelming visual pleasure.” (Will Heinrich-NYT)