NYC Events,”Only the Best” (02/03) + Museum Special Exhibitions: Manhattan’s WestSide

“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.

For future NYC Events, check the tab above:  February NYC Events”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
To make your own after dinner plans TONIGHT, see the tab above;  “LiveMusic.”

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It’s Super Bowl Sunday and if you are looking for a place to go and watch the game there are plenty of options for bars and restaurants hosting viewing parties throughout the city.

This Super Bowl is a game where it’s tough to root for either team and the half time show doesn’t look that great either. So if you are tired of watching the Patriots, who are there only because Brady had his third interception called off on a dumb call by the refs, and if you don’t want to watch the Rams who also shouldn’t be there, except for an egregious, all time bad non call by the refs, then why not try one of these events.

Have time for only one NYC Event today? Do this:

HYPNOTIC BRASS ENSEMBLE
at the Blue Note / 8 and 10:30 p.m.; $20-$35
“The brass-band tradition is naturally associated with New Orleans, but Hypnotic proudly espouses its Chicago roots. With less marching-band thunder and more hip-hop swagger than, say, New Orleans’s Dirty Dozen Brass Band, this eight-piece ensemble mixes the influence of hip-hop, soul and gospel into a coolly grooving sound. And Chicago’s deep legacy as a cradle of experimental, Afrocentric jazz is never far away: All but one of Hypnotic’s members is a son of Kelan Philip Cohran, a patriarch of Chicago’s creative black music scene, who died in 2017.” (NYT-GIOVANNI RUSSONELLO)

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6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> New Combinations
>>
JIMMY COBB
>> Amanda Duarte: Staying Alive
>> PARIS OPERA BALLET
>> Songs of Freedom
>> Super Bowl for Oenophiles
Continuing Events
>> Restaurant Week
>> Bank of America Winter Village at Bryant Park
>> Magic After Hours
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Music, Dance, Performing Arts

NEW YORK CITY BALLET (thru March 3)
New Combinations (next Feb.09, 2PM)
at the NYS Theater, Lincoln Center / 3PM, $35+
“The company shows off its many personalities with four distinct programs. Friday night and Saturday afternoon highlight the relationship between Balanchine and Stravinsky in works like “Apollo” and “Agon,” while Sunday’s matinee gives an encore to new or revived works by Justin Peck, Kyle Abraham and William Forsythe. On Saturday and Wednesday night, the Classic NYCB program presents works by Balanchine, Christopher Wheeldon and Mauro Bigonzetti and also includes Peck’s popular 2017 sneaker ballet “The Times Are Racing.” On Tuesday and Thursday, the company focuses on one of its guiding spirits, Jerome Robbins, with a program featuring “Interplay,” “In the Night” and “N.Y. Export: Opus Jazz.” (NYT-Brian Schaefer)

JIMMY COBB
at Jazz Standard / 7:30 and 9:30 p.m.; $30
“Cobb, a drummer and National Endowment for the Arts Jazz Master, will probably be remembered as the drummer whose crackling ride cymbal adorned Miles Davis’s 1959 classic, “Kind of Blue.” But his career is much bigger than that one date: He accompanied Sarah Vaughan and John Coltrane and Freddie Hubbard, playing on countless record dates and remaining in the top tier of New York jazz for over 60 years. Cobb turned 90 in January, and he celebrates this weekend in a quartet featuring Peter Bernstein on guitar, Tadataka Unno on piano and John Webber on bass.” (NYT-GIOVANNI RUSSONELLO)

Amanda Duarte: Staying Alive
Joe’s Pub at the Public Theater / 7PM, $20
“Satan’s Alley may sound like an apt description for our present political circumstances, but it’s also the name of the fictional musical in the lurid, outrageous Saturday Night Fever sequel Staying Alive. And, 35 years later, it’s the inspiration for Amanda Duarte’s raw, intensely revealing new show. The writer and Dead Darlings host puts the inferno of her personal life in perspective with the great garbage fire of American discourse and sets us straight for the battles to come. Not to be missed.” (TONY)

PARIS OPERA BALLET
at French Institute Alliance Française / 1 p.m., $
“This revered French troupe doesn’t often visit New York, which makes the screening of this film all the more valuable. The movie’s quadruple bill includes a work by the Swiss choreographer James Thierrée that slips offstage into the sumptuous interiors of the Palais Garnier. Also on the program: a typically dark and moody piece for women by the Israeli choreographer Hofesh Shechter, a dance for men by the Spanish choreographer Iván Pérez that nods to Monet’s paintings, and an interpretation of Max Richter’s take on Vivaldi’s “The Four Seasons” by the much-admired Canadian choreographer Crystal Pite.” (NYT-Brian Schaefer)

Songs of Freedom (LAST CHANCE)
Dizzy’s Club / 7:30PM, +9:30PM, $40
In this program, Nina Simone, Joni Mitchell, and Abbey Lincoln—three of the mightiest voices of their eras—are fêted by the drummer and bandleader Ulysses Owens, Jr. He brings with him a cadre of inspired singers, including René Marie, Theo Bleckmann, and Alicia Olatuja, all of whom are primed to deliver righteous messages of candor and nonconformity.” (Steve Futterman NewYorker)

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Smart Stuff / Other NYC EventS

Super Bowl for Oenophiles
And maybe learn something while you sip.
La Compagnie des Vins Surnaturels / 5PM, $30
Some folks have the Super Bowl. Oenophiles have the showdown at La Compagnie des Vins Surnaturels, which, beginning at 5 p.m. on Sunday, pits no-sulfurs against pro-sulfurs in an everybody-wins showdown. For $30 taste six wines, three examples made with the controversial SO2 and three of their grape counterparts without. Decide which ones you prefer, with the aid of snacks like cacio e popcorn and buffalo rillettes.” (grubstreet)

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Continuing Events

Restaurant Week (January 21 to February 10)
“Some of New York’s best known “deal holidays,” including NYC Restaurant Week and NYC Broadway Week, are joining forces this winter to create, wait for it… NYC Winter Outing.

From January 21 to February 10, NYC Broadway Week, NYC Restaurant Week and NYC Must-See Week will all be running simultaneously offering full nights out for drastically reduced rates. During this time, a selection of Broadway shows, museums, attractions and tours will be available at two-for-one prices and almost 400 restaurants across the city will be offering prix-fixe menus. As in previous years, that means $26 prix-fix lunches and $42, three-course dinners.

For more information on Restaurant Week, including our recommendations for the best deals to take advantage of this season, check out our NYC Restaurant Week page.” (TONY)

Bank of America Winter Village at Bryant Park
Midtown Manhattan’s winter wonderland.
Bryant Park (btw 5th/6th Ave. @42nd St.) / shops to 8PM, rink to 10PM
Enjoy The Lodge by Urbanspace, and The Rink, the centerpiece of Winter Village and New York City’s only free admission ice skating rink.
The Rink
This 17,000 square foot rink features free admission ice skating, high quality rental skates, and free skating shows, special events, and activities.
​October 27, 2018 – March 3, 2019
Daily, 8am-10pm (Rink hours are weather permitting and Rink may be closed for events – check here)


Magic After Hours
Tannen’s Magic, Midtown West (Until Dec 31 2019)

“Twice a week, after closing time, 20 people crowd into the city’s oldest magic shop, Tannen’s, for a cozy evening of prestidigitation by the young and engaging Noah Levine. The shelves are crammed with quirky devices; there’s a file cabinet behind the counter, a mock elephant in the corner and bins of individual trick instructions in plastic covers, like comic books or sheet music. The charm of Levine’s show is in how well it fits the environment of this magic-geek chamber of secrets. As he maneuvers cards, eggs, cups and balls with aplomb, he talks shop, larding his patter with tributes to routines like the Stencel Aces and the Vernon Boat Trick—heirlooms of his trade that he gently polishes and displays for our amazement.” (TONY)

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♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of  8.6 million, had a record 65 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.

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Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:

Feinstein’s/54 Below – 254 W 54th St.

The Green Room 42 – 570 Tenth Ave.

Don’t Tell Mama – 343 W 46th St.

The Rum House, in the Hotel Edison – 228 W. 47th St.

Laurie Beechman Theatre – 407 W 42nd St.

Marie’s Crisis – 59 Grove St.

The Duplex – 61 Christopher St.

Sid Gold’s Request Room – 165 W 26th St.

Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.

For a comprehensive list of the best places to hear All Types of Live Music in Manhattan see the tab above “LiveMusic.”

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NYCity Vacation Travel Guide Video (Expedia):

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WHAT’S ON VIEW
My Fave Special Exhibitions – MUSEUMS / Manhattan’s WestSide
(See the New York Times Arts Section for listings of all museums,
and also to see their expanded reviews of exhibitions)

Whitney Museum of American Art

‘ANDY WARHOL — FROM A TO B AND BACK AGAIN’  (through March 31) “Although this is the artist’s first full American retrospective in 31 years, he’s been so much with us — in museums, galleries, auctions — as to make him, like wallpaper, like the atmosphere, only half-noticed. The Whitney show restores him to a full, commanding view, but does so in a carefully shaped and edited way, with an emphasis on very early and late work. Despite the show’s monumentalizing size, supplemented by an off-site display of the enormous multipanel painting called “Shadows,” it’s a human-scale Warhol we see. Largely absent is the artist-entrepreneur who is taken as a prophet of our market-addled present. What we have instead is Warhol for whom art, whatever else it was, was an expression of personal hopes and fears.”  (Cotter)

Museum of Modern Art

‘BRUCE NAUMAN: DISAPPEARING ACTS’  (through Feb. 18)
“If art isn’t basically about life and death, and the emotions and ethics they inspire, what is it about? Style? Taste? Auction results? The most interesting artists go right for the big, uncool existential stuff, which is what Bruce Nauman does in a transfixing half-century retrospective that fills the entire sixth floor of the MoMA and much of MoMA PS1 in Long Island City, Queens. The MoMA installation is tightly paced and high decibel; the one at PS1, which includes a trove of works on paper, is comparatively mellow and mournful. Each location offers a rough chronological overview of his career, but catching both parts of the show is imperative. Nauman has changed the way we define what art is and what is art, and made work prescient of the morally wrenching American moment we’re in. He deserves to be seen in full.” (Cotter)

‘CONSTANTIN BRANCUSI SCULPTURE: THE FILMS’ (through Feb. 18).
“This show is built around works by the Romanian modernist (1876-1957) that have been longtime highlights of the museum’s own collection. But in 2018, can Brancusi still release our inner poet? The answer may lie in paying less attention to the sculptures themselves and more to Brancusi’s little-known and quite amazing films, projected at the entrance to the gallery throughout the duration of the exhibition. MoMA borrowed the series of video clips from the Pompidou Center in Paris. They give the feeling that Brancusi was less interested in making fancy museum objects than in putting new kinds of almost-living things into the world, and convey the vital energy his sculptures were meant to capture.”(Blake Gopnik)

Museum of Art and Design

‘STERLING RUBY: CERAMICS’  (through March 17).
“Adept at most art mediums, this artist is at his best in ceramics, especially in the outsize, awkwardly hand-built, resplendently glazed baskets, ashtrays and plates and the objects that verge on sculpture in this show. These works actively incorporate accident and aspects of the ready-made, have precedents in the large-scale ceramics of Peter Voulkos and Viola Frey, but may be closest in spirit to the Neo-Expressionism of Julian Schnabel — rehabilitated, of course.” (Smith – NYT)

American Folk Art Museum

‘PAA JOE: GATES OF NO RETURN’  (through Feb. 24).

“Joseph Tetteh Ashong, better known as Paa Joe, is Ghana’s pre-eminent funerary carpenter, turning out thousands of brightly colored lions, soda bottles and automobiles for people to be buried in. Most of his exuberant pieces enjoy the light of day for only a few hours before they disappear into the ground. But in 2004, Paa Joe was commissioned by the art dealer and gallerist Claude Simard to make casket-size hardwood models of 13 former Gold Coast slave forts, and seven of them are now at AFAM. Thanks to Paa Joe’s gift for transmuting even the most complex and brutal material into a cheerful expression of his own artistic temperament, the works’ undeniable conceptual weight doesn’t hamper the overwhelming visual pleasure.” (Will Heinrich-NYT)

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For other selected Museum and Gallery Special Exhibitions see Posts in right Sidebar dated 02/01 and 01/30.
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