NYC Events,”Only the Best” (02/05) + Museum Special Exhibitions: Manhattan’s 5th Avenue

“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.

For future NYC Events, check the tab above:  February NYC Events”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
To make your own after dinner plans TONIGHT, see the tab above;  “LiveMusic.”

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Have time for only one NYC Event today? Do this:

JOHN HAMMOND
The Iridium., 1650 Broadway / 8PM, $25+
“2014 Blues Music Award Nominee –Acoustic Artist of the Year and Acoustic Album of the Year for Timeless. To date John Hammond has been honored with a total of 8 Blues Music Awards and an additional 10 nominations.

BLUES HALL OF FAME Inductee 2012. He remains one of the world’s premier acoustic blues artists.”

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6 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> TRIBALISTAS
>>
An Evening With Dawes: Passwords Tour
>> PAM TANOWITZ
>>MARÍA GRAND QUARTET AND JOEL ROSS GOOD VIBES
>> Robbins: A Master at Work
>> Carmen
>> NYC vs. the Axis

Continuing Events
>> Restaurant Week
>> Bank of America Winter Village at Bryant Park
>> Magic After Hours
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Music, Dance, Performing Arts

TRIBALISTAS
at the Hammerstein Ballroom / 8 p.m.; $45+
“The singers Arnaldo Antunes, Marisa Monte and Carlinhos Brown were already stars in Brazil before joining forces to record their 2002 album, “Tribalistas.” A collection of lilting songs in the tradition of what’s known as “musica popular brasileira” — a post-bossa-nova movement dedicated to integrating international sounds into Brazilian music — the album boosted the supergroup to international success, selling over three million copies globally. It took 15 years for the trio to release a follow-up, also simply called “Tribalistas”; now, they’re performing in New York for the first time as a group.” (NYT-NATALIE WEINER)

An Evening With Dawes: Passwords Tour
Beacon Theatre / 8PM, $40+
“Dawes is an American folk rock band from Los Angeles, California. Dawes is composed of brothers Taylor (guitars and vocals) and Griffin Goldsmith (drums), along with Wylie Gelber (bass) and Lee Pardini (keyboards).

Dawes was formed from the band Simon Dawes after the departure of co-songwriter Blake Mills, subsequently abandoning a post-punk sound in favor of folk rock. Dawes has been described as having a Laurel Canyon sound derived from artists such as Crosby, Stills, and Nash, Joni Mitchell and Neil Young.”

PAM TANOWITZ (Feb. 5-6)
at the Martha Graham Studios / 7 p.m.$25
“Through her own company, Tanowitz has garnered acclaim for stripping away the artifice of classical choreography and rearranging it in inventive ways to conjure a fresh physical language that feels both old and new. For a commission from the Martha Graham Dance Company, set to debut in New York in April, Tanowitz is mixing in some of Graham’s famous and fierce technique while transforming it as well. For this intimate showing, part of the company’s New@Graham series, Tanowitz shares excerpts from the work in progress and discusses its creation with the artistic director at Graham, Janet Eilber.” (NYT-Brian Schaefer)

MARÍA GRAND QUARTET AND JOEL ROSS GOOD VIBES
at Dizzy’s Club / 7:30; $35
“Grand, a tenor saxophonist, and Ross, a vibraphonist, are two of the most-buzzed-about young players on the New York jazz scene — each with their own sleek, sanguine take on mainstream jazz. They’re also frequent collaborators, and at Dizzy’s on Tuesday they will split the bill, with Grand’s quartet (the vocalist Fay Victor, the bassist Kanoa Mendenhall and the drummer Savannah Harris) starting things off, and Ross’s group (Mendenhall on bass, Immanuel Wilkins on alto saxophone, Jeremy Corren on piano and Jeremy Dutton on drums) playing the second set. Tickets for each performance are sold separately.” (NYT-GIOVANNI RUSSONELLO)

NEW YORK CITY BALLET (thru March 3)
Robbins: A Master at Work (next Feb.07, 7:30PM)
at the NYS Theater, Lincoln Center / 7:30PM, $35+
“The company shows off its many personalities with four distinct programs. Friday night and Saturday afternoon highlight the relationship between Balanchine and Stravinsky in works like “Apollo” and “Agon,” while Sunday’s matinee gives an encore to new or revived works by Justin Peck, Kyle Abraham and William Forsythe. On Saturday and Wednesday night, the Classic NYCB program presents works by Balanchine, Christopher Wheeldon and Mauro Bigonzetti and also includes Peck’s popular 2017 sneaker ballet “The Times Are Racing.” On Tuesday and Thursday, the company focuses on one of its guiding spirits, Jerome Robbins, with a program featuring “Interplay,” “In the Night” and “N.Y. Export: Opus Jazz.” (NYT-Brian Schaefer)

Carmen
Metropolitan Opera House / 7:30PM, $20+ (next Feb.8, 7:30PM)
“Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.”

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Smart Stuff / Other NYC EventS

NYC vs. the Axis
CUNY Graduate Center, Skylight Room / 6:30PM, FREE

 
Marci Reaven, curator of the New-York Historical Society’s past exhibit, “WWII & NYC,” sits down with John Strausbaugh to discuss his new book, Victory City: A History of New York and New Yorkers during World War II.

The book presents a view of Gotham at the height of its power, when “far more than today, what happened there mattered.” New York, by 1941 the largest city in the world, had the busiest port on Earth, and the greatest number of manufacturing laborers in America. It was the nation’s undisputed center for finance. But it was also a swirling, contradictory mess of Nazi and communist spies, mobsters and liberal reformers, war profiteers and draft resisters, immigrant hordes and fascist sympathizers. Victory City takes readers on a panoramic journey through it all.”

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Continuing Events

Restaurant Week (January 21 to February 10)
“Some of New York’s best known “deal holidays,” including NYC Restaurant Week and NYC Broadway Week, are joining forces this winter to create, wait for it… NYC Winter Outing.

From January 21 to February 10, NYC Broadway Week, NYC Restaurant Week and NYC Must-See Week will all be running simultaneously offering full nights out for drastically reduced rates. During this time, a selection of Broadway shows, museums, attractions and tours will be available at two-for-one prices and almost 400 restaurants across the city will be offering prix-fixe menus. As in previous years, that means $26 prix-fix lunches and $42, three-course dinners.

For more information on Restaurant Week, including our recommendations for the best deals to take advantage of this season, check out our NYC Restaurant Week page.” (TONY)

Bank of America Winter Village at Bryant Park
Midtown Manhattan’s winter wonderland.
Bryant Park (btw 5th/6th Ave. @42nd St.) / shops to 8PM, rink to 10PM
Enjoy The Lodge by Urbanspace, and The Rink, the centerpiece of Winter Village and New York City’s only free admission ice skating rink.
The Rink
This 17,000 square foot rink features free admission ice skating, high quality rental skates, and free skating shows, special events, and activities.
​October 27, 2018 – March 3, 2019
Daily, 8am-10pm (Rink hours are weather permitting and Rink may be closed for events – check here)


Magic After Hours
Tannen’s Magic, Midtown West (Until Dec 31 2019)

“Twice a week, after closing time, 20 people crowd into the city’s oldest magic shop, Tannen’s, for a cozy evening of prestidigitation by the young and engaging Noah Levine. The shelves are crammed with quirky devices; there’s a file cabinet behind the counter, a mock elephant in the corner and bins of individual trick instructions in plastic covers, like comic books or sheet music. The charm of Levine’s show is in how well it fits the environment of this magic-geek chamber of secrets. As he maneuvers cards, eggs, cups and balls with aplomb, he talks shop, larding his patter with tributes to routines like the Stencel Aces and the Vernon Boat Trick—heirlooms of his trade that he gently polishes and displays for our amazement.” (TONY)

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♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of  8.6 million, had a record 65 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.

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Bonus NYC events– Jazz Clubs:
Many consider NYCity the Jazz capital of the world. My favorite Jazz Clubs, all on Manhattan’s WestSide, feature top talent every night of the week.
Hit the Hot Link and check out who is playing tonight:

Greenwich Village:
(4 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. So., villagevanguard.com, 212-255-4037 (1st 8:30)
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592 (1st set 8pm)
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883 (1st 7pm)
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346 (1st 8)
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346 (1st set 7:30pm)
The Stone at The New School – 55 w13 St. (btw 6/5 ave) – thestonenyc.com (8:30PM)

Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595 (1st set 7:30pm)
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080 (1st 8:30pm)
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com/ 212-864-6662 (7pm)
Jazz Standard – 116 E27 St. (btw Park/Lex) – jazzstandard.com – (1st set 7:30)

For a comprehensive list of the best places to hear All Types of Live Music in Manhattan see the tab above “LiveMusic.”

Special Mention:
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538 (1st 7pm)
a classic, old jazz club in the Village, Caffe V often surprised with a wonderfully eclectic lineup. It was my favorite spot for an evening of listening enjoyment and discovery.
Alas, Caffe V is no more, another victim of a rapacious NYC landlord. Owner Ishrat fought the good fight and Caffe V will be sorely missed.
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319
And more recently we have lost Cornelia Street Cafe. After 41 years, it too became another victim of an unreasonable rent increase.

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NYCity Vacation Travel Guide Video (Expedia):

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WHAT’S ON VIEW
These are My Fave Special Exhibitions @ MUSEUMS / Manhattan’s Fifth Avenue
(See the New York Times Arts Section for listings of all museum exhibitions,
and also see the expanded reviews of these exhibitions)

Solomon R. Guggenheim Museum

Hilma af Klint : Paintings for the Future (thru 04/23/19)

“Convinced that the world was not ready for her artistry in 1906, particularly as an underrepresented female in her field, af Klint of Sweden kept her work private. Her paintings anticipated by years “breakthroughs” by Kandinsky, Mondrian and others and were unseen before 1986. The Guggenheim rediscovers her.”

“Recognized as one of the art world’s earliest abstract painters, Hilma af Klint was a steadfast believer that her work was inspired by the spiritual. The new Guggenheim exhibition, “Hilma af Klint: Paintings for the Future,” showcases the work of this groundbreaking Swedish artist (1862-1944), whose work was rarely seen until the 1980s.” (Newsday)

See our art critic’s top pick of the year.
“Luckily, the number-one pick in Jerry Saltz’s best art shows of 2018 is still running. Hilma af Klint’s Paintings for the Future at the Guggenheim Museum examines the work of the unacknowledged Swedish visionary and makes a case for her being the first modernist abstract painter. Saltz is especially enamored with the first gallery, so make sure you spend some time there.” (NYMagazine)

GD: Definitely worth a visit. af Klint was like the original Kandinsky and it’s interesting to see both of their works in the same museum, even if not side-by-side.

New-York Historical Society

‘BETYE SAAR: KEEPIN’ IT CLEAN’  (through May 27).

“Saar has been making important and influential work for nearly 60 years. Yet no big New York museum has given her a full retrospective, or even a significant one-person show, since a 1975 solo at the Whitney Museum of American Art. As this exhibition demonstrates, the institutional oversight is baffling, as her primary themes — racial justice and feminism (her 1972 breakthrough piece, “The Liberation of Aunt Jemima,” merges the two by transforming the racist stereotype of the smiling black mammy into an armed freedom fighter) — are exactly attuned to the present.” (Cotter-NYT)
212-873-3400, nyhistory.org

‘SCENES FROM THE COLLECTION’  “After a surgical renovation to its grand pile on Fifth Avenue, the Jewish Museum has reopened its third-floor galleries with a rethought and refreshed display of its permanent collection, which intermingles modern and contemporary art, by Jews and gentiles alike — Mark Rothko, Lee Krasner, Nan Goldin, Cindy Sherman, and the excellent young Nigerian draftswoman Ruby Onyinyechi Amanze — with 4,000 years of Judaica. The works are shown in a nimble, non-chronological suite of galleries, and some of its century-spanning juxtapositions are bracing; others feel reductive, even dilletantish. But always, the Jewish Museum conceives of art and religion as interlocking elements of a story of civilization, commendably open to new influences and new interpretations.” (Farago) 212-423-3200, thejewishmuseum.org

Museum of the City of New York

NY AT ITS CORE (ongoing)
“Ten years in the making, New York at Its Core tells the compelling story of New York’s rise from a striving Dutch village to today’s “Capital of the World.” The exhibition captures the human energy that drove New York to become a city like no other and a subject of fascination the world over. Entertaining, inspiring, important, and at times bemusing, New York City “big personalities,” including Alexander Hamilton, Walt Whitman, Boss Tweed, Emma Goldman, JP Morgan, Fiorello La Guardia, Jane Jacobs, Jay-Z, and dozens more, parade through the exhibition. Visitors will also learn the stories of lesser-known New York personalities, like Lenape chieftain Penhawitz and Italian immigrant Susie Rocco. Even animals like the horse, the pig, the beaver, and the oyster, which played pivotal roles in the economy and daily life of New York, get their moment in the historical spotlight. Occupying the entire first floor in three interactive galleries (Port City, 1609-1898, World City, 1898-2012, and Future City Lab) New York at Its Core is shaped by four themes: money, density, diversity, and creativity. Together, they provide a lens for examining the character of the city, and underlie the modern global metropolis we know today. mcny.org” (NYCity Guide)

and you should be sure to check out these special exhibitions at that little museum on Fifth Ave., The Metropolitan Museum of Art
(open 7 days /week, AND always Pay What You Wish for NewYorkers)

“In Praise of Painting” (thru Oct.4, 2020)

“How great are the Met’s holdings in the Dutch golden age? Very. This long-term installation rings the lower level of the Lehman Wing with scores of lesser-known gems from the mid-seventeenth century, many of them rarely on view before, amid masterworks by Rembrandt, Vermeer, Hals, and Ruisdael. The period, vivified here, began in 1648, when the end of the Eighty Years’ War with Spain brought a boom in wealth and morale, expressed by genre paintings that exalt the national ideal of gezelligheid—social warmth, comfort, belonging. A key figure was Gerard ter Borch, who had travelled widely and worked at the court of Philip IV, in company with Velázquez. Ter Borch’s lustrous, ineffably witty domestic scenes inspired a generation of masters, notably Vermeer, whose genius rather eclipsed his elder’s. The pictures often star ter Borch’s younger sister Gesina, preening in satins or enigmatically musing. Herself a painter, she is cutely funny-looking—pointy nose, weak chin—and desperately lovable. There’s much to be said for a world with such a family in it.”

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Museum Mile is a section of Fifth Avenue which contains one of the densest displays of culture in the world. Eight museums can be found along this section of Fifth Avenue:
• 105th Street – El Museo del Barrio (closed Sun-Mon)*
• 103rd Street – Museum of the City of New York (open 7 days /week)
•  92nd Street – The Jewish Museum (closed Wed) (Sat FREE) (Thu 5-8 PWYW)
•  91st Street  –  Cooper-Hewitt, National Design Museum (open 7 days /week)
•  89th Street –  National Academy Museum (closed Mon-Tue)
•  88th Street –  Solomon R. Guggenheim Museum (closed Thu) (Sat 6-8 PWYW)
•  86th Street –  Neue Galerie New York (closed Tue-Wed) (Fri 6-8 FREE)
Last, but certainly not least, America’s premier museum
•  82nd Street – The Metropolitan Museum of Art (open 7 days /week)*
*always Pay What You Wish (PWYW) for NewYorkers

Although technically not part of the Museum Mile, the Frick Collection (closed Mon) (Wed 2-6pm PWYW; First Friday each month (exc Jan+Sep) 6-9pm FREE) on the corner of 70th St. and Fifth Avenue and the The Morgan Library & Museum (closed Mon) (Fri 7-9 FREE) on Madison Ave and 37th St are also located near Fifth Ave.
Now plan your own museum crawl (info on hours & admission updated June 2, 2015).
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For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 02/03 and 02/01.
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