Today’s Elite 8 NYC Events > TUESDAY/ APRIL 30, 2019
“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.
For future NYC Events, check the tab above: “APRIL NYC Events”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
OR to make your own after dinner plans TONIGHT, see the tab above; “LiveMusic.”
Have time for only one NYC Event today? Do this:
The Ring Cycle (Apr.29-May11)
Tonight; Wagner’s Die Walküre
Metropolitan Opera House (at Lincoln Center) / 7:30PM, $50+
“In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley and Michael Volle sing Wotan. Philippe Jordan conducts.”
“Wagner’s operatic tetralogy returns to the Met for the first time in six seasons. Show up to witness one of opera’s grandest works—and Robert Lepage’s equally grand production, which features a 45-ton mechanical set.” (TONY)
If tonight becomes a tough ticket – try one of the other performances, or the secondary market. Do whatever you have to do – this is “The Ring” and it may be six years before you can experience this again.
7 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>> KARRIEM RIGGINS
>> NEW YORK CITY BALLET
>> An Acoustic Evening with John Hiatt with special guest Thom Chacon
>> Camille Thurman with the Darrell Green Trio
>> Australia Festival
>> Bruce Hornsby
>> Tribeca Film Festival
COMING SOON (WFUV)
4/30 Deer Tick, Rough Trade
4/30 The Mountain Goats, Brooklyn Steel
5/01 Patti Smith, Webster Hall
5/01 Joan Baez, Beacon Theatre
Music, Dance, Performing Art
KARRIEM RIGGINS (April 30-May 1)
at the Blue Note / 8 and 10:30 p.m.; $15-$25
“Riggins, a drummer and producer, has dual citizenship in the worlds of straight-ahead jazz (he has been a sideman for Mulgrew Miller and Diana Krall, among others) and left-wing hip-hop. His two albums, 2012’s “Alone Together” and last year’s “Headnod Suite,” attest to the strong influence of J. Dilla — the game-changing rap producer who mentored Riggins — but have a heavy swing vibe reflective of Riggins’s drumming. He recently served as one-third of the crossover supergroup August Greene, which also features the keyboardist Robert Glasper and the rapper Common. Here he presents a band of his own, one likely to toggle between hip-hop, dub reggae and jazz.” (NYT-GIOVANNI RUSSONELLO)
NEW YORK CITY BALLET (through June 2).
at the NYS Theater, Lincoln Center / 7:30Pm, $35+
“City Ballet begins its spring season with work by living choreographers. A program appearing in two parts, “21st Century Choreographers” includes dances by William Forsythe, Alexei Ratmansky, Matthew Neenan, Gianna Reisen and Justin Peck, the company’s resident choreographer and artistic adviser. For the Spring Gala, on Thursday, Peck introduces a new piece, as does the shrewd and much-in-demand contemporary choreographer Pam Tanowitz — her first for City Ballet. Their works are paired with a Balanchine classic, and those looking for more of him can check out “All Balanchine” on Tuesday.” (NYT-Brian Schaefer)
An Acoustic Evening with John Hiatt with special guest Thom Chacon
City Winery / 8PM, $65+
“You know how writing goes for me,” John Hiatt says, offering a glimpse into his creative process. “I get a couple of lines going, and then I just tag along as the songs start to reveal themselves. You’ve just gotta jump inside and take the ride.”
Camille Thurman with the Darrell Green Trio
Dizzy’s Club, Jazz at Lincoln Center / 7:30PM, +9:30PM, $30
“You’re hard-pressed to find rising talents more exciting than Camille Thurman.” – The New York Times
“Vocally, she is equally adept at scatting breezily with just the right amount of surprise and soulfully expressing the most minute detail of a ballad in such a way that you can’t imagine any other direction the lyric might go. When she picks up the sax, it’s another vibe altogether: hearty, gutsy, fervid, sensual.” – JazzTimes
Australia Festival (April 29-May 12)
Joyce Theatre, 175 Eighth Ave./ 7:30PM, $30+
“Based on the selections for the Australia Festival, at the Joyce April 29–May 12, the search for what’s new in dance Down Under leads to the atavistic. First, Dancenorth and Lucy Guerin Inc. perform “Attractor,” a modern ritual by two of the country’s leading lights, Lucy Guerin and Gideon Obarzanek. The music—the Indonesian duo Senyawa reinterpreting Javanese tradition by way of Black Sabbath—sets the tone, and the action thrashes accordingly, sucking some audience members into the free-for-all. “The Beginning of Nature,” by Australian Dance Theatre, is even more forthright in its stab at a primal state: athletic dancers in green wield sticks and shrubbery. Last and largest, the Australian Ballet stays sleekly contemporary rather than au naturel, but the dancemakers in its triple bill do include a too rare species: a female dancer in the company. Her name is Alice Topp, and you can see how her elegant “Aurum” cinched her the job of resident choreographer.” (Brian Seibert-NewYorker)
Elsewhere, but this looks worth the detour:
@ National Sawdust / 7:30PM, $45+
“’80s Lite FM balladeer (and onetime Grateful Dead member) Bruce Hornsby has been in the process of reinventing himself as an indie rock-approved artist, partially thanks to Bon Iver’s Justin Vernon who’s collaborated with him a few times over the past few years and contributed to his new album Absolute Zero (alongside Vernon associates Brad Cook, S. Carey, Rob Moose, The Staves and yMusic). Hornsby brings his new songs to Williamsburg venue National Sawdust tonight and tomorrow.” (brooklynvegan)
Smart Stuff / Other NYC EventS
More Smart Stuff coming soon.
“Robert De Niro and Co.’s Tribeca Film Festival has long shown a spotlight on local indie features, documentaries, foreign films, the latest from big-name talent and the greatest from up-and-coming filmmakers.
IndieWire – Tribeca 2019: 12 Must-See Films at This Year’s Festival, From Danny Boyle to a Wild ‘Showgirls’ Doc.
CBS News – 15 highlights at the 2019 Tribeca Film Festival in NYC.
vulture.com (NYMag) – Tribeca Film Festival What to see at the independent film fest.
STREB (weekends through May 12)
Streb Lab for Action Mechanics, 51 N. 1st St., Bklyn. / Sat.5PM, Sun.3PM; $25
“The shows that STREB Extreme Action puts on at its Williamsburg headquarters have a carnival atmosphere, and not just because eating and drinking are encouraged. Will the Action Heroes, as the intrepid dancer-acrobats are styled, collide as they hurl themselves off a trampoline? Will they get whacked by swinging cinder blocks or huge metal contraptions? Probably not, but they want you to cringe. Their newest machine is the Molinette, a giant bar that revolves like the blade of a windmill.” (Brian Seibert, NewYorker)
The Streb performers are absolutely amazing and so worth the detour.
I try to see them every year, can’t get enough.
♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of 8.6 million, had a record 65 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
Bonus NYC events– Jazz Clubs:
Many consider NYCity the Jazz capital of the world. My favorite Jazz Clubs, all on Manhattan’s WestSide, feature top talent every night of the week.
Hit the Hot Link and check out who is playing tonight:
(4 are underground, classic jazz joints. all 6 are within walking distance of each other):
Village Vanguard – UG, 178 7th Ave. So., villagevanguard.com, 212-255-4037 (1st 8:30)
Blue Note – 131 W3rd St. nr 6th ave. bluenotejazz.com, 212-475-8592 (1st set 8pm)
55 Bar – basement @55 Christopher St. nr 7th ave.S. 55bar.com, 212-929-9883 (1st 7pm)
Mezzrow – basement @ 163 W10th St. nr 7th Ave. mezzrow.com,646-476-4346 (1st 8)
Smalls – basement @ 183 W10th St. smallslive.com, 646-476-4346 (1st set 7:30pm)
The Stone at The New School – 55 w13 St. (btw 6/5 ave) – thestonenyc.com (8:30PM)
Outside Greenwich Village:
Dizzy’s Club – Broadway @ 60th St. — jazz.org/dizzys / 212-258-9595 (1st set 7:30pm)
Birdland – 315 W44th St.(btw 8/9ave) — birdlandjazz.com / 212-581-3080 (1st 8:30pm)
Smoke Jazz Club – 2751 Broadway nr.106th St. — smokejazz.com/ 212-864-6662 (7pm)
Jazz Standard – 116 E27 St. (btw Park/Lex) – jazzstandard.com – (1st set 7:30)
For a comprehensive list of the best places to hear All Types of Live Music in Manhattan see the tab above “LiveMusic.”
Caffe Vivaldi – 32 Jones St. nr Bleecker St. — caffevivaldi.com / 212-691-7538 (1st 7pm)
a classic, old jazz club in the Village, Caffe V often surprised with a wonderfully eclectic lineup. It was my favorite spot for an evening of listening enjoyment and discovery.
Alas, Caffe V is no more, another victim of a rapacious NYC landlord. Owner Ishrat fought the good fight and Caffe V will be sorely missed.
Cornelia Street Cafe – UG, 29 Cornelia St. corneliastreetcafe.com, 212-989-9319
And more recently we have lost Cornelia Street Cafe. After 41 years, it too became another victim of an unreasonable rent increase.
NYCity Vacation Travel Guide Video (Expedia):
WHAT’S ON VIEW
These are My Fave Special Exhibitions @ MUSEUMS / Manhattan’s Fifth Avenue
(See the New York Times Arts Section for listings of all museum exhibitions,
and also see the expanded reviews of these exhibitions)
‘BETYE SAAR: KEEPIN’ IT CLEAN’ (through May 27).
“Saar has been making important and influential work for nearly 60 years. Yet no big New York museum has given her a full retrospective, or even a significant one-person show, since a 1975 solo at the Whitney Museum of American Art. As this exhibition demonstrates, the institutional oversight is baffling, as her primary themes — racial justice and feminism (her 1972 breakthrough piece, “The Liberation of Aunt Jemima,” merges the two by transforming the racist stereotype of the smiling black mammy into an armed freedom fighter) — are exactly attuned to the present.” (Cotter-NYT)
‘TOLKIEN: MAKER OF MIDDLE-EARTH’ (through May 12).
“J. R. R. Tolkien did more than write books like “The Hobbit” and the “Lord of the Rings” trilogy; he invented an alternate reality, complete with its own geography, languages, religion and an era-spanning history. This exhibition of his artwork, letters, drafts and other material reminds visitors that the stories Tolkien wrote, however impressive, represent only a fraction of his efforts, and it highlights his unparalleled ability to create an immersive experience using only words and pictures. After a visit you, too, may find yourself believing in Middle-earth and the hobbits, elves, dwarves, orcs and wizards that live there. (NYT-Peter Libbey)
‘SCENES FROM THE COLLECTION’
“After a surgical renovation to its grand pile on Fifth Avenue, the Jewish Museum has reopened its third-floor galleries with a rethought and refreshed display of its permanent collection, which intermingles modern and contemporary art, by Jews and gentiles alike — Mark Rothko, Lee Krasner, Nan Goldin, Cindy Sherman, and the excellent young Nigerian draftswoman Ruby Onyinyechi Amanze — with 4,000 years of Judaica. The works are shown in a nimble, non-chronological suite of galleries, and some of its century-spanning juxtapositions are bracing; others feel reductive, even dilletantish. But always, the Jewish Museum conceives of art and religion as interlocking elements of a story of civilization, commendably open to new influences and new interpretations.” (Farago) 212-423-3200, thejewishmuseum.org
Museum of the City of New York
NY AT ITS CORE (ongoing)
“Ten years in the making, New York at Its Core tells the compelling story of New York’s rise from a striving Dutch village to today’s “Capital of the World.” The exhibition captures the human energy that drove New York to become a city like no other and a subject of fascination the world over. Entertaining, inspiring, important, and at times bemusing, New York City “big personalities,” including Alexander Hamilton, Walt Whitman, Boss Tweed, Emma Goldman, JP Morgan, Fiorello La Guardia, Jane Jacobs, Jay-Z, and dozens more, parade through the exhibition. Visitors will also learn the stories of lesser-known New York personalities, like Lenape chieftain Penhawitz and Italian immigrant Susie Rocco. Even animals like the horse, the pig, the beaver, and the oyster, which played pivotal roles in the economy and daily life of New York, get their moment in the historical spotlight. Occupying the entire first floor in three interactive galleries (Port City, 1609-1898, World City, 1898-2012, and Future City Lab) New York at Its Core is shaped by four themes: money, density, diversity, and creativity. Together, they provide a lens for examining the character of the city, and underlie the modern global metropolis we know today. mcny.org” (NYCity Guide)
and you should be sure to check out these special exhibitions at that little museum on Fifth Ave., The Metropolitan Museum of Art
(open 7 days /week, AND always Pay What You Wish for NewYorkers)
“The Tale of Genji” (Through June 16)
“To detail the rich history of a Japanese literary epic, this stunning exhibition assembles artifacts and art works spanning nearly a millennium. Written in the early eleventh century by the noblewoman Murasaki Shikibu, the fifty-four-chapter tale—a mix of entertainment, social commentary, and Buddhist philosophy—recounts the misadventures of an emperor’s son, who, excluded from the line of succession, seeks restitution through romantic liaisons. Colorful episodes describe the opulence of the Heian period and introduce iconic female characters. The fascinating objects on view include paired calligraphic texts and paintings drawn from the oldest-known complete “Genji” album, from 1510; an ornate, portable lacquered-wood cabinet, from the Edo period, made to house the tale’s many volumes; and a wedding palanquin (or covered litter), from the same era, whose exquisitely painted interior features motifs from the story. The visual literary tradition instigated by Murasaki’s classic was not just for the élite: modern translations, as well as books and popular prints, disseminated it to a wide audience. The show concludes with original drawings by the contemporary manga artist Yamato Waki, from his updated adaptation “Asaki Yume Mishi” (thirteen years in the making)—a testament to the saga’s enduring legacy.” (Johanna Fateman, NewYorker)
‘THE WORLD BETWEEN EMPIRES: ART AND IDENTITY IN THE ANCIENT MIDDLE EAST’ (through June 23).
“The Met excels at epic-scale archaeological exhibitions, and this is a prime example. It brings together work made between 100 B.C. and A.D. 250 in what we now know as Iraq, Israel, Jordan, Lebanon, Syria and Yemen. In the ancient world, all were in the sphere of two competing superpowers — Rome to the west and Parthia to the east — and though imperial influence was strong, it was far from all-determining. Each of the subject territories selectively grafted it onto local traditions to create distinctive new grass-roots cultural blends. Equally important, the show addresses the fate of art from the past in a politically fraught present.” (NYT-Cotter)
“How great are the Met’s holdings in the Dutch golden age? Very. This long-term installation rings the lower level of the Lehman Wing with scores of lesser-known gems from the mid-seventeenth century, many of them rarely on view before, amid masterworks by Rembrandt, Vermeer, Hals, and Ruisdael. The period, vivified here, began in 1648, when the end of the Eighty Years’ War with Spain brought a boom in wealth and morale, expressed by genre paintings that exalt the national ideal of gezelligheid—social warmth, comfort, belonging. A key figure was Gerard ter Borch, who had travelled widely and worked at the court of Philip IV, in company with Velázquez. Ter Borch’s lustrous, ineffably witty domestic scenes inspired a generation of masters, notably Vermeer, whose genius rather eclipsed his elder’s. The pictures often star ter Borch’s younger sister Gesina, preening in satins or enigmatically musing. Herself a painter, she is cutely funny-looking—pointy nose, weak chin—and desperately lovable. There’s much to be said for a world with such a family in it.” (Peter Schjeldahl, NewYorker)
Museum Mile is a section of Fifth Avenue which contains one of the densest displays of culture in the world. Eight museums can be found along this section of Fifth Avenue:
• 105th Street – El Museo del Barrio (closed Sun-Mon)*
• 103rd Street – Museum of the City of New York (open 7 days /week)
• 92nd Street – The Jewish Museum (closed Wed) (Sat FREE) (Thu 5-8 PWYW)
• 91st Street – Cooper-Hewitt, National Design Museum (open 7 days /week)
• 89th Street – National Academy Museum (closed Mon-Tue)
• 88th Street – Solomon R. Guggenheim Museum (closed Thu) (Sat 6-8 PWYW)
• 86th Street – Neue Galerie New York (closed Tue-Wed) (Fri 6-8 FREE)
Last, but certainly not least, America’s premier museum
• 82nd Street – The Metropolitan Museum of Art (open 7 days /week)*
*always Pay What You Wish (PWYW) for NewYorkers
Although technically not part of the Museum Mile, the Frick Collection (closed Mon) (Wed 2-6pm PWYW; First Friday each month (exc Jan+Sep) 6-9pm FREE) on the corner of 70th St. and Fifth Avenue and the The Morgan Library & Museum (closed Mon) (Fri 7-9 FREE) on Madison Ave and 37th St are also located near Fifth Ave.
Now plan your own museum crawl (info on hours & admission updated June 2, 2015).
For other selected Museum and Gallery Special Exhibitions see Recent Posts in right Sidebar dated 04/28 and 04/26.