NYC Events,”Only the Best” (05/10) + Museum Special Exhibitions: Manhattan’s WestSide

“We search the internet everyday looking for the very best of What’s Happening, primarily on Manhattan’s WestSide, so that you don’t have to.” We make it as easy as 1-2-3.

For future NYC Events, check the tab above:  “May NYC Events”
It’s the most comprehensive list of top events this month that you will find anywhere.
Carefully curated from “Only the Best” NYC event info on the the web, it’s a simply superb resource that will help you plan your NYC visit all over town, all through the month.
OR to make your own after dinner plans TONIGHT, see the tab above;  “LiveMusic.”

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Have time for only one NYC Event today? Do this:

ARCANGELO
at Zankel Hall / 7:30 p.m.; $66
“This British period-instrument ensemble, under the direction of Jonathan Cohen, has made quite the name for itself in nine short years. Here they play trio sonatas by Bach and Buxtehude, weaving them in between Handel’s nine German Arias, sung by the soprano Joélle Harvey.” (NYT-David Allen)

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7 OTHER TOP NYC EVENTS TODAY (see below for full listing)
>>
JEREMY PELT
>>
Paulo Szot
>>  ‘EL CIMARRÓN’
>> David Murray with Saul Williams
>> NEW YORK CITY BALLET
>> Maceo Parker
>> David Sedaris

You may want to look at previous days posts for events that continue through today.

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Music, Dance, Performing Art

JEREMY PELT (May 9-12)
at Jazz Standard / 7:30 and 9:30 p.m.; $30
“Pelt’s trumpet tone can wander into the mist during a ballad, then come roaring out with a scorching solo when the energy rises. He spends a lot of time somewhere in between those two places on “The Rodin Suite,” a five-part work that dominates his most recent album, “Jeremy Pelt the Artist,” which came out earlier this year. While his nominal inspiration was the sculptures of Auguste Rodin, the musical influences are at least as apparent — particularly the 1970s fusion records of Herbie Hancock and Miles Davis. This weekend he appears with most members of the band that played on the album: Victor Gould on piano, Alex Wintz on guitar, Chien Chien Lu on vibraphone and marimba, Corcoran Holt on bass, Allan Mednard on drums and Ismel Wignall on percussion.” (NYT-GIOVANNI RUSSONELLO)

Paulo Szot
Feinstein’s/54 Below/ 7PM, $75+
“The superb Brazilian baritone Paulo Szot, who made Lincoln Center audiences swoon as Emile De Becque in South Pacific, returns to 54 Below with a set that salutes the 1960s collaboration between Frank Sinatra and bossa nova master Tom Jobim.” (TONY)

‘EL CIMARRÓN’ (May 10-11)
at the Metropolitan Museum of Art / 7 p.m.; $55
“It’s a tribute to the socially conscious, artistically collaborative vision of the soprano Julia Bullock that her season as an artist in residence at the Met includes these concerts of Henze’s, the title of which translates to “The Runaway Slave.” Bullock does not perform; instead, relish the singing of Davóne Tines, a breakout bass-baritone, alongside Emi Ferguson on flute, Jonny Allen on percussion and Jordan Dodson on guitar. Zack Winokur directs.” (NYT-David Allen)

David Murray with Saul Williams (May 7-11)
Birdland, 315 W. 44th St./ 8:30PM, +11PM, $40
Back in the eighties and nineties, it might have seemed as if every new dawn also brought a new David Murray recording. The still mighty tenor saxophonist and bass clarinettist may have cut down on his productivity of late, but his taste for experimentation and variety remains. Here, he reunites with the politically attuned spoken-word poet Saul Williams in a collaborative venture entitled “Blues for Memo”; they front a quintet that also features the acclaimed drummer Nasheet Waits.” (Steve Futterman, NewYorker)

NEW YORK CITY BALLET (through June 2)
at the NYS Theater, Lincoln Center / 8PM, $35+
“For the first time, the work of City Ballet’s founding choreographer, George Balanchine, and that of its current resident choreographer, Justin Peck, are on a program together (Friday, Tuesday and Thursday), cementing Peck’s status as the heir apparent and the shaper of the company’s modern identity. In between, spread over two shows and mixed in with other Balanchine classics, Peck’s latest piece and new dances by Pam Tanowitz and Gianna Reisen enjoy a few encores. On Wednesday, Balanchine gets his own program that comprises the large-scale “Brahms-Schoenberg Quartet” and “Tschaikovsky Suite No. 3.” (NYT-Brian Schaefer)

Tonight: Balanchine’s electrifying Symphony in Three Movements, danced to the Stravinsky composition of the title, is book ended by two Peck works, a winter premiere featuring music by Sufjan Stevens and the propulsive The Times Are Racing, an instant audience favorite at its 2017 debut.

Maceo Parker (May 7-12)
Blue Note / 8PM, +10:30PM, $35-$45
“The saxophonist Maceo Parker’s fame was insured by his work as the Johnny-on-the-spot soloist for James Brown and by his later contributions to modern funk, but his affection for R. & B.-inflected jazz-horn work—a tradition that runs from Louis Jordan to Hank Crawford and beyond—is never far below the surface. At seventy-six, he remains a soulful instrumentalist and occasional singer who still bows to the majesty of the groove.” (Steve Futterman, NewYorker)

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Smart Stuff / Other NYC EventS

David Sedaris (May10-12)
@ Town Hall / 8PM, $51+
“Humorist and author will regale the crowd tonight with stories at his first of three “An Evening With” performances at Town Hall.” (BrooklynVegan)


Continuing Events

STREB (LAST WEEKEND)
Streb Lab for Action Mechanics, 51 N. 1st St., Bklyn. / Sat.5PM, Sun.3PM; $25
“The shows that STREB Extreme Action puts on at its Williamsburg headquarters  have a carnival atmosphere, and not just because eating and drinking are encouraged. Will the Action Heroes, as the intrepid dancer-acrobats are styled, collide as they hurl themselves off a trampoline? Will they get whacked by swinging cinder blocks or huge metal contraptions? Probably not, but they want you to cringe. Their newest machine is the Molinette, a giant bar that revolves like the blade of a windmill.” (Brian Seibert, NewYorker)

The Streb performers are absolutely amazing and so worth the detour.
I try to see them every year, can’t get enough.

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COMING SOON (WFUV)
5/10-11 Morrissey, Lunt-Fontanne Theatre
5/10-11 Crossing Bridges Music Festival, The Schimmel Center
5/11 Rebirth Brass Band, Symphony Space
5/11 Lee Fields and the Expressions, Brooklyn Steel
5/12-13 Lizzo, Brooklyn Steel
5/13 The Who, Madison Square Garden
5/13 “Sound Mind” A Mental Health Benefit w/Langhorne Slim, Rough Trade NYC
5/14 My Brightest Diamond, Rough Trade NYC
5/14 Moby & John Hodgman, National Sawdust
5/15 Gordon Lightfoot, Town Hall

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♦ Before making final plans, we suggest you call the venue to confirm ticket availability, plus dates and times, as schedules are subject to change.
♦ NYCity, with a population of  8.6 million, had a record 65 million visitors last year and was TripAdvisor’s Traveler’s Choice Top U.S. Destination for 2018 – awesome! BUT quality shows draw crowds. Try to reserve seats for these top NYC events in advance, even if just earlier on the day of performance.
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WHAT’S ON VIEW
My Fave Special Exhibitions – MUSEUMS / Manhattan’s WestSide
(See the New York Times Arts Section for listings of all museums,
and also to see their expanded reviews of exhibitions)

Museum of Modern Art

“The Value of Good Design” (through June 15)

“The simple flask of the Chemex coffeemaker, the austere fan of aluminum tines on a garden rake, and the airtight allure of first-generation Tupperware exemplify the democratic promise of the Good Design movement in this edifying survey, which highlights (although not exclusively) the museum’s role in its history. Also on view—and among the winners of MOMA’s first design competition, held in 1940-41—is a molded plywood chair by Charles Eames and Eero Saarinen; it’s a classic design, but, owing to technological limitations in its day, it wasn’t mass-produced until 2006. Starting in 1938, MOMA mounted an annual exhibition called “Useful Objects,” which championed the inexpensive and doubled as recommendations for holiday gifts. No item had a value of more than five dollars the first year; a decade later, the limit was a hundred dollars. By the fifties, the museum had established partnerships with national retailers for the exhibited products, from textiles to appliances, and, in the eighties, it opened its own design store. In the current show, the most compelling items are the everyday gems: Timo Sarpaneva’s cast-iron and teak casserole, from 1959; the original Slinky, from 1945; and a collapsible wire basket, from 1953, as graceful as a Ruth Asawa sculpture.” (

“Joan Miró”  (through June 15)

“This enchanting show draws on the museum’s immense holdings of Miró’s work, along with a few loans. Its star attraction is “The Birth of the World,” painted in 1925, while the artist was under the spell of the Surrealist circle of André Breton. It presents drifting pictographic elements—a black triangle, a red disk, a white disk, an odd black hook shape, and some skittery lines—on an amorphous ground of thinned grayish paint that soaks here and there into the unevenly primed canvas. It’s large—more than eight feet high by more than six feet wide—but feels larger: cosmic. There had never been anything quite like it in painting, and it stood far apart from the formally conservative, lurid fantasizing of the other Surrealist painters. Today, we are ever less apt to base valuations on precedence—who did what first. Art of the past seems not so much a parade as a convocation, subject to case-by-case assessments. Never unsettling in the ways of, say, Matisse or, for heaven’s sake, Picasso, Miró is a modernist for everybody. He earns and will keep his place in our hearts.” (

American Museum of Natural History

‘T. REX: THE ULTIMATE PREDATOR’  (through Aug. 9, 2020).
“Everyone’s favorite 18,000-pound prehistoric killer gets the star treatment in this eye-opening exhibition, which presents the latest scientific research on T. rex and also introduces many other tyrannosaurs, some discovered only this century in China and Mongolia. T. rex evolved mainly during the Cretaceous Period to have keen eyes, spindly arms and massive conical teeth, which could bear down on prey with the force of a U-Haul truck; the dinosaur could even swallow whole bones, as affirmed here by a kid-friendly display of fossilized excrement. The show mixes 66-million-year-old teeth with the latest 3-D prints of dino bones, and also presents new models of T. rex as a baby, a juvenile and a full-grown annihilator. Turns out this most savage beast was covered with — believe it! — a soft coat of beige or white feathers.” (Farago-NYT)

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For other selected Museum and Gallery Special Exhibitions see Posts in right Sidebar dated 05/08 and 05/06.

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Bonus: Nifty 9 – Best Cabarets / Piano Bars NYCity
These are my favorite places for an after dinner night on the town – music and drinks.
Hit the Hot Link and check out what’s happening tonight:

Feinstein’s/54 Below – 254 W 54th St.

The Green Room 42 – 570 Tenth Ave.

Don’t Tell Mama – 343 W 46th St.

The Rum House, in the Hotel Edison – 228 W. 47th St.

Laurie Beechman Theatre – 407 W 42nd St.

Marie’s Crisis – 59 Grove St.

The Duplex – 61 Christopher St.

Sid Gold’s Request Room – 165 W 26th St.

Cafe Carlyle, in the Carlyle Hotel – 35 E. 76th St.
This is the only one not located on Manhattan’s WestSide, and it ain’t cheap, but it has some of the finest singers.

For a comprehensive list of the best places to hear All Types of Live Music in Manhattan see the tab above “LiveMusic.”

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NYT Theater Reviews – Our theater critics on the plays and musicals currently open in New York City.

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NYCity Vacation Travel Guide Video (Expedia):

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